JUST FOUND: TRUE VINTAGE WARTIME – MID – CENTURY JEWELRY

These pieces are very lovely and well-made. I am surprised that neither of them is signed or branded. It’s not often that I come across clues like these when just out and about – usually they wind up in antique stores or at estate sales.

The brooch is heavy and all the rhinestones are present. Its pin mechanism locks securely There is no corrosion on the gold-tone metal and it is quite clean overall. Someone loved this piece and stored it well. Easy to see why. I date it from the 1950’s to the early to mid-1960’s. The style is classic but modern and a bit lyrical, as was often seen in jewelry by Trifari during the same period.

The pearl bracelet is older and originally was at least as nice. There is a simple, box – push clasp which is not found on most precious jewelry with the exception of some very lightweight pieces; But the metal, while not fine, is untarnished and clean and the latch is secure. The bracelet is heavy but this is predominantly from the weight of the champagne-colored pearls, which I believe are genuine (though surely cultured). One is missing on the clasp, but I think I will be able to replace it. The strands are knotted between the gems. There are a few tiny rhinestones on the clasp and the keeper bars. Only one is missing, in a spot where this would never be noticed. Overall, this is also a very good-quality costume piece in a classic style and I would date it from the late 1930’s to the war-time 1940’s possibly to the early 1960’s.

Though fine jewelry is easier to trace, any accessory piece is a good place to start an investigation. I’ll probably keep them in the files for a while. What a coup if that missing pearl should show up . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

MORE GREAT TRUE VINTAGE FINDS – POSSIBLY SPANNING 50 YEARS!

Italian leather shoes and mid-century jewels! I’ll post the discoveries on the weekend. Stay tuned . . . . . . . . . . . . . . . . . . . ..

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

TRUE VINTAGE LADIES’ DRESSY AND FORMAL – WEAR FROM THE EARLY 1950’S

From cocktail party to Prom to a wedding, these dresses and separates went to many swanky events. A sparkly bling necklace and earrings were a necessity, too. Stiletto pumps became the hugely big footwear trend for women.

Jacquard “brocade”, satin, lace, metallic thread, organza and netting, cashmere, beads and sequins and even fur trimming – all popular materials in garments for nights out and special events. The prosperity of the Fifties brought on a real break-out in middle-class spending and ostentation. Showy was good but, fortunately, so was elegance so we had some of the most beautiful gowns produced during this time. Female movie stars of this decade were some of the best-dressed women ever seen. The first dress pictured, with the fur-trimmed sleeves, is a gorgeous example of the New Look style. Fun and novelty were also present in many examples of the more casual clothing but the cheap-looking garishness of the 1990’s was not the thing.

I love these clothes and it’s fun to show them. All would have fascinating stories. The elegance of design showed up in dressy daywear, too, and I’ll be showing some of that tomorrow. Stay tuned . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY.COM

BLOG: MAGICVINTAGESPY.COM

TRUE VINTAGE 1940’S LADIES COATS AND ACCESSORIES

Beautiful wool coats which called for lapel brooches. Umbrellas with handles made of wood, celluloid and other “new” plastics. As always, I love the pretty fabric patterns and bling alongside the tailored elegance of the coats and jackets.

You can see the wartime influence on the first coat with it’s simplicity and lack of detail while a nod to luxury has been made by the velvet collar. Military style influence is visible in the big padded shoulders and the shape of the fur hat. I can really picture Ingrid Bergman wearing a coat like the fitted one – similar to trenchcoat design a la the movie Casablanca. The pale blue version with big pink buttons is moving us toward the 1950’s.

More reasons why the 1940’s fashion decade is probably my favorite. However, the 1950’s are also a big competitor on my favorites list and we’ll travel into the early part of that decade tomorrow. Stay tuned . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ..

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

TRUE VINTAGE 1940’s FORMAL DRESSES, PLUS A DRESSY 1930’s CLUTCH PURSE

Beautiful, glossy fabrics – most of them synthetics – and lovely designs. I adore them all, but especially the first one. Let’s look at them one by one.

The first gown has a dark green velvet bodice, trimmed with the same pale green satin fabric that the skirt is made from. So flattering and luxurious. The bright red dress is a more conservative style, but still gorgeous. It’s made of an interesting fabric type which I’ve seen in other 1940’s dresses – it has a satin finish but with tiny black diamonds machine-embroidered all over. I suspect that this fabric, though lovely, was a more economical one.

The blue dress was tailor-made by hand. It is sewn from a bias-cut rayon which gives it that wonderful, drapey fit. The atomic/stellar cut-outs surrounded by seed beads were all done by handwork. I love the cut of the sleeves and the way the bustline and waistline are finished. That back tie belt gives it a really wasp-waist fit.

Finally, the black velvet two-piece dress is an entirely different design. Very proper and buttoned-up in velvet and crocheted lace, with rhinestone-center buttons.

Each of these gowns was a surprising and fabulous find. It’s rare to find 1940’s formal garments in the first place, and to find them in near-perfect condition is almost unheard of. The best bet is if they can be acquired from the original owner, or their estate. This is always a more informative clue when starting any investigation.

I’ve re-opened the 1940’s archives and am finding myself doing a deep dive there. Stay tuned . . . . . . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

OOPSIE DAISY, BACK IN THE 1940’S WITH A BLACK CREPE COCKTAIL FROCK

For cocktails and/or dinner, a dressy but elegantly designed garment. Either pre- or post-WWII (probably Post-) a simple rayon crepe sheath with a midi hemline. Notice the beautiful drape of this fabric. Modest but semi-flashy rhinestone decoration and an eye-catching deep keyhole neckline, saying “YES! The war is over and we can party in beautiful dresses again!”

This one came from Australia so may even have been made in Britain, as much of their clothing was before the 1970’s or so. The arrival of fast fashion put an end to many quality brands and their exports as well as iconic department stores and ladies’ clothing shops which used to sell them. Today we can have boatloads of cute crappy stuff instead of a selection of well-made and lovely garments and accessories. Progress? Ha! Don’t believe it. I’m old enough to remember my grandmother’s good stuff and trips to the city with my mom for Christmas shopping. Stay tuned for more . . . . . . . . . . . . . . . . . . . . .

A DISCO DANCE DIVA DISCOVERY FROM THE 1970’S

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Yes, at first glance this looks like so many cheesy LBD’S made today and that’s why some discriminatory powers are important to develop.  I can tell when something is true vintage or not, with a just little investigation.  This example was truly made about 40 years ago.

It is still not a prime favorite frock, but was worth picking up and I’ll keep it because it would make an outstanding costume for a play or Halloween (which is creeping up on us as we sit here!).  Keep your eyes open – it gets better . .. . . . . . . . . . . . . ..

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG:  MAGICVINTAGESPY.COM

1980’s DOES ’40’s – ’30’s GLAM RAYON VELVET GOWN

This example is one of the few cases where picking up a more modern garment is worthwhile.  Although it’s definitely retro and not expensively made, this gown has so many of the true-to-style elements that evening frocks from the 1930’s and 1940’s did – I was delighted to see how much of the styling the designers had gotten “right” and couldn’t resist it as a great costume.

For Halloween or a historical play it will be lots of fun and fits me well.

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG:  MAGICVINTAGESPY.COM

A HAPPY TRUE VINTAGE MID-CENTURY PARTY DRESS

BYE - BYE BLUES!  A HAPPY FIFTIES PARTY DRESS ENDS MY BLUE SERIES, for the time being . . . .

If you find a good deal on a vintage dress with stains like these, don’t let it worry you. I’ve had great success learning how to deal with them . . . . . . . . .

In heavy rayon or a blend, with its own rhinestone pin and a sassy fit, this dress has 1950’s party written all over it. In a pretty robin’s egg print, it’s just right for Spring. Try it with a little bolero jacket or sweater.

A frock such as this one is too good to pass up, if you feel confident about your skills. . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG:  MAGICVINTAGESPY.COM

BOOK:  HOW TO FIND THE BEST IN VINTAGE FASHION – AVAILABLE ON AMAZON.COM

A TRUE VINTAGE MID-CENTURY CAPE AND GORGEOUS COAT FOR A CHILLY DAY

HOW ABOUT THESE WHERE THE TEMPS ARE STILL FRIGID?

Morgana Martin, the magicvintagespy's avatarMagicvintagespy

ANOTHER TRUE VINTAGE MID-CENTURY CAPE AND GORGEOUS COAT FOR A CHILLY DAY

The temperatures are hovering Spring-like in some places, but I know that these wonderful garments can still be worn in many cities. One reason I still like cold weather is for the opportunity to wear lovely wool clothing.

The coat has a fabulous collar and stand-out sparkley rhinestone buttons, in my favorite red. I like to wear it in the evening.  They would both be from the 1950’s – early 1960’s.

The lovely woven cape came from San Francisco and was, undoubtedly, tailor-made with a silk lining bordered by about 6 inches of hand-done embroidery. It has arm slits for convenience, so I can easily substitute it for a coat or throw it quickly over anything else I might be wearing.

“Look, Fred – who’s that mysterious woman? . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE…

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