1940’s – 1950’s VEILED HATS WITH YOUR LITTLE BLACK DRESS

1940's - 1950's VEILED HATS WITH YOUR LITTLE BLACK DRESS

Marlene and Celia love these! So do I – so mysterious and alluring.  In the right place, nothing looks better with your LBD and veils flatter like no make-up can do.

Hats from the 1940’s – 1950’s, especially, are such favorites of mine.   The little black hat goes year-round . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

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TRUE VINTAGE MID – 1960’S WOMEN’S SPRING HATS, COMPLETELY COVERED IN FEATHERS!

 TRUE VINTAGE MID - 1960'S WOMEN'S SPRING HATS, COMPLETELY COVERED IN FEATHERS!

A BIG change from yesterday’s styles – we’re leaping ahead to Easter with these statement hats, which had a real heyday in the early-mid Sixties. Each one is completely covered in feathers of one principle color, with accent tones sprinkled in.  Marlene and Celia are oh, so chic and smart.

Very flattering, eh?  Hats were always popular in the mid-century, but Spring hats had a special place after a long, cold winter and heavy, dark clothing.  Feather hats are especially dramatic and these two are no exception to that rule! I may be showing some more later on . .. . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

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PRETTY TRUE VINTAGE NAVY AND WHITE SPRING STRAW HATS WITH FLOWERS

CONTINUING WITH THE HAPPY BLUES FOR THE NEXT 10 DAYS OR SO - PRETTY TRUE VINTAGE NAVY AND WHITE SPRING STRAW HATS WITH FLOWERS

Gorgeous little Spring hats from the Fifties, or maybe a little earlier – these definitely remind me of April showers and Easter egg hunts.  Nothing more classic than navy and white any time of year.

These styles that perch on top of your coiffure are easy to wear and very flattering and can be worn over almost any hairstyle.  I’m always thrilled to discover one, as they’re a rare find.

Specimens like this sometimes lurk in dark areas, in hidden containers.  Sometimes they come out at special events.  Occasionally they can be coaxed into view . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

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TRUE VINTAGE 1960’S SPRING HATS

A SIXTIES EASTER BONNET, WITH ALL THE . . . . . WHAT?!!@ . . . . . . UPON IT?

Ain’t no flowers upon these babies! They’re just about as Mod as they come, with stripes of color (although they are floral pastels) and leopard spots.

The topper that Celia likes was made by a very famous designer of the time – perhaps Calvin Klein (I’ll have to look again). Even though the Calvin label is still producing today, his clothing and accessories from the ’70’s and before were quite different.

Marlene prefers a more dramatic statement, in timeless animal print faux fur plush with just enough OP ART character to make it unmistakably ’60’s. Of course, both hats are very well-constructed.

So, no need for traveling incognito today.  Go forth and make a splash!

MORGANA MARTIN, THE MAGICVINTAGESPY

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Sherbet colors – True vintage 1960’s Spring & Summer hats

 

 

Sherbet colors - True vintage Spring & Summer hats

These are such fun and add a happy, bright touch to any outfit.  Raffia/cellophane hats from the 1960’s are almost always seen in pastel colors, in my experience, though neutrals like black and white were made, too. Love the grosgrain ribbon trim.

MORGANA MARTIN, THE MAGICVINTAGESPY

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YOU’RE SO VAIN: The Oft-Forgotten but Fabulous Accessory – HATS

The Oft-Forgotten but Fabulous Accessory - HATS

Although I always love hats, the beginning of Fall always gets me thinking about them more.  And,  there couldn’t be an easier style to wear than this one.

The average woman before 1970 understood the allure and the impact of hats.  They used to be a central part of any outfit and occupied a center-stage position in the wardrobe of any woman or man.

This one is a simple but very effective style from the late ’60s or ’70s,  it has a chain and ribbon band and is made of wool felt.   Carley Simon wears a similar one on the jacket of her famous debut album in 1972.

A wide brim is flattering to most faces and the key, as always, is to try it on before you buy and to learn what flatters your particular face and body.  A great hat can be the most important thing you wear.

They’re also very effective if you’re wanting to be a bit mysterious or difficult to recognize . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

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A TRUE VINTAGE KNITTED SWEATER CAPE BY BANFF, FROM THE 1960’S OR EARLY ’70’S

A TRUE VINTAGE KNITTED SWEATER CAPE BY BANFF, FROM THE 1960'S OR EARLY '70'S

These types of sweaters/capes/ponchos were popular in the ’60’s and a lot of women knitted them themselves. This one is made by the Banff company, which produced a lot of really nice knits. I have a beaded sweater, knit dresses and suits by them, too.

The greatest feature, to me, is the armholes that allow you to have hands free. Any cape with this design is wonderful because it raises the convenience level big time!

Another nice thing is the button front. Also convenient. The fringe is lovely and the acrylic yarn also great because it washes so nicely and gives warmth but doesn’t have the weight and care issues of most wool items.

Sweet little sweater things, whether cardigans, pull-overs, jackets & coats, dresses and skirts,etc. were really popular in the ’60’s and early ’70’s and are very different from the things made now.

I love finding these beautiful vintage garments that are so unique, stylish and of exceptional quality. This one is an open-weave, so perfect for late Spring, early Fall and cool Summer nights.

True vintage sweater knits are not common finds (are any really common?) but definitely worth the treasure hunt . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

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TRUE VINTAGE 1940S – ’60S CORDUROY JACKET/SMOCK

TRUE VINTAGE 1940S - '60S CORDUROY JACKET/SMOCK

Okay, we’re back to the jackets and coats that will take us out of late winter and into Spring! Since I’ve been doing a lot of red lately, here’s a cute shirt-jacket that I suspect is from the early 1960s but could be older. It had a girls’ school patch on front (which I have, of course, saved) and zips part-way down the front with a metal zipper.

This is cute and very different, easy to pop on over slacks, jeans or even a shift dress or skirt and blouse. I try to picture how it was worn by the original owner.

The corduroy is of a quality rarely seen today. The photo doesn’t do it justice, as the color is actually very bright and there’s no damage and very little wear.  100% cotton and, though it is fairly lightweight, is a dense weave that stands up for years rather than breaking out in thin patches or holes quickly. That’s what I love about the older fabrics. Although some of them have some vulnerabilities and require special know-how to care for them, they all have benefits that make them special in the way the color pops or how they hang or drape on the body. It’s difficult, if not impossible, to find something as good now. Although this is just a simple item, I love it and you can see how it has held up despite its age.

In a couple of weeks, I’ll begin publishing photos of a few true vintage things that I’ve kept at this second home for the warm weather, and my most recent finds! I like to keep the posts seasonal to North America, so stay tuned. You just never what will show up!

Morgana Martin, the magicvintagespy
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TRUE VINTAGE BOLEROS, CAPES, SHRUGS AND SHAWLS FROM McCALL’S

IMG_1480With all the graduation parties going on and the weddings coming up, we’re sure to need little cover-ups like these for the cool nights.  Despite the hot days in some places, it’s still Spring!

Well-dressed ladies in 1956 loved pretty “wraps” to wear over their dressy finery at times when a jacket or coat just wouldn’t do.  What could better than to pick the perfect style, material and color for your own custom-made accessory?

Skilled needle-workers could whip up one of these in no time.  Inspired? . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

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MORGANA MANIFESTS MORE! TRUE VINTAGE FIFTIES FUR JACKET – ELEGANCE FOREVER

 True vintage (at least 40 – 50 years old) furs are some of the most fabulous examples of elegance in tailoring. I’m avid for animal rights and welfare, so I’ll start by saying that the wonderful imitations today make it unnecessary and morally criminal to support the market for fur by buying real fur that is still in production.

That said, lets explore some of the thrilling features of this old piece.  Of black curly lamb, with a black mink collar and full silk lining; a high quality fur coat, jacket, stole or other garment always had a label from a good furrier attached. This one was in New York, N.Y..  The stylist also had her own label inside.  Final touches included the initials of the original owner sewn in the lining and a hook and eye closure in front, plus a decorative button and little shallow pockets at the waist.

Aside from the luxurious material and obvious style, the best and most elegant pieces never were flashy or garish.  As with this one, a look told the story of the value and high price tag without having to shout.

So glad that it’s easy for me to find the best of this kind of classic wardrobe staple by going vintage . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

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