3-SEASON DRESSY FROCK FROM THE KENNEDY 1950’S – ’60’S

Mint green acetate(?) satin with floral embroidery, a sweet bow at the waistline and box-pleated skirt make this pretty dinner frock an iconic mid-century style. All hand-tailored for semi-dressy occasions.

The color says SPRING, but the fabric weight and style would take it through most of the year. Obviously, the woman who owned it had kept it for many years and worn it to many events or saved it because of special memories.

I love finding garments that were custom-tailored because they tell a lot about the former owners as well as the time period in which they were made. There’s nothing much more personal than having clothing hand-made exactly as you want it and fitted on your own body. That used to be a common practice no matter how poor or wealthy a person might be, but now is mostly a lost art.

“Printing” our clothing in the not-too-distant future won’t be the same as having a personal tailor, but might be interesting in many ways and certainly a lot faster! However, I won’t stop searching out and wearing beautiful old fabrics and hand-done work, . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

THANK YOU FOR YOUR COMPASSION FOR ANIMALS

On Monday I found a 1980’s retro 1940’s true vintage mink coat and there’s been a low response and no LIKES for my post about it. I interpret that as your lack of support for the use of animal skins in fashion, and even historic examples of it. I’d much rather see that than a lot of unthinking enthusiasm. You’re so awesome!

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

BLACK SATIN JUMPSUIT WITH MESH AND SEQUIN OVER-DRESS: THE HOSTESS WITH THE MOST-EST!

Can’t you see Stella greeting her cocktail party guests at the door of her penthouse on Park Avenue? At first glance, in photos 3 & 4, this looks like a sumptuous but sedate evening gown. However, when she begins to walk . .

there’s a strapless jumpsuit underneath! Wide embroidered mesh panels with streams of shiny sequins from shoulder to hem, finely tailored with satin binding, waft and swing across her legs as she fetches your martini. I have never, ever discovered one of these and I’m so excited!

It’s Joan Leslie by Kasper and it’s a late 1960’s – early 1970’s vintage. Almost looks like ’40’s – ’50’s to me, but that would pre-date the label. Just a continuation of the glam costumes which began to appear in the 1920’s when women’s hostess outfits started showing up with wide-leg silk and satin pants.

So, I always love a party . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAEGSPY

BLOG: MAGICVINTAGESPY.COM

LONG AWAITED! POSTING OF MY MOST GLAMOROUS FIND THIS YEAR . . . . . . . . .

It needed some TLC that I finally had time to do. See the result in the next post. . . . . . . . . . ..

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

VINTAGE HANDMADE, TOOLED – LEATHER KELLY BAG

Yes, yes, yes, ANOTHER one. I just can’t pass up true vintage hand-tooled leather bags. Maybe because they’re always different from one another. The designs, while traditional, are all unique and sometimes very personalized.

This is the only one I have of exactly this shape or with this motif. Love the rigid frame that gives it a very roomy interior. It could be from the 1940’s up to the early 1960’s.

Designs on leather handbags were very popular beginning in the 1920’s(?) and 1930’s but the earlier ones may have been stamped designs. Western-style and Mexican hand-carved designs came a little bit later and the bags usually tended to be bigger. Then it became all the rage to make these bags at home with lessons, leather-craft materials and tools from suppliers like Tandy. Today, they are real treasures! More to come – stay tuned . .. . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

AN ICONIC TAILORING CLUE ON THIS DRESS PUTS THE DATE IN QUESTION . . . . . . .

At first look I would immediately say that this dress is of the same era as the previous one shown yesterday. Well, almost . . . . . . . . . . .BUT. . . . . . . . . . . . . . .

The raglan sleeves have gussets sewn in the underarms. This is a feature usually seen in 1950’s dresses and earlier. So, this little number may be a bit older. It’s also very well-made with a beautiful shantung fabric, made of rayon rather than the more common silk shantung. The bolero jacket is very practical and pretty.

I could have these dresses altered to fit me but, since I have others very similar, they’ve gone on to eBay. The find was the fun this time. One more to go . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM