It’s almost Labor Day, OMG!! According to the North American dress codes of the 1960’s, wearing white or shoes with cutouts like these pale beige ones after Labor Day would have been a traditional fashion faux pas (in other words, big “no, no”); an embarrassing mistake that spoke to your lack of fashion sense.
With great respect to individual and cultural standards of proper dress and modesty, thank goodness those rules no longer apply in general! Unlike our grandmothers and maybe our mothers, we can wear white and pastels whenever we want to!! We can also wear black to a wedding, white or bright colors to a funeral, slacks anywhere, sleeveless blouses anytime, shorts and sandals year-round, weather permitting. Good taste and elegance are, of course, another matter . . . . . . . . . . . . . . . . . . . . . . . . . . . ..
In 1960’s shoes like these, our grannies wouldn’t face the Fashion Police in any way. They’re exceptionally well-made (how could they have lasted so long if not?), color is pretty universal and not offensive, style is modest and mainstream and they’re comfortable for walking. Not my favorite style, but worth collecting.
That said, I much prefer the 1980’s Italian-made sandals discovery that I just posted a few days ago – interesting design, great quality, elegant and versatile style and much more flattering. But, hey, we don’t have any lock on that in the more recent decades. Fabulous avante garde and va-va-voom styles have been produced at least for the past 100 years. I should review the archives ……
What could be better for Summer? Love these sling-back sandals with the sculpted stacked leather heel. The soles are Elastane, which was a “new” material introduced in the 1970’s and was very popular for it’s flexibility. I’m dating this pair from the 1980’s. Very city chic, yet casual.
These color-block flats make me think of something Audrey Hepburn might have worn in the the classic movie Roman Holiday, from the early 1960’s. They are by Enzo Angiolini, an Italian designer brand which was very popular in the U.S. during the 1990’s. I believe that they are 100% leather shoes, excepting for the heel caps. This is always a sign of higher-end footwear, if the workmanship is good.
Both pairs have been lovingly cared for and show light wear, considering their age. Even better, they are in my size. Who knows what streets and alleyways these shoes may have walked? Good chance some of them were in Europe. They still have more stories to tell, and I always love a mystery . . . . . . . . . . . . .
More from the 1970’s – 1990’s. Let’s start with the fabulous handbag. Remember that I mentioned Portugal in the last couple of posts? Well, this purse was handmade there. Likely, a traveler picked it up during her(?) trip since leather goods have been premier souvenir items from that country for decades. Look at the craftsmanship! Inside, it has convenient pockets and dividers and is a useful medium size with an adjustable shoulder strap. Pretty gold-tone hardware and my favorite feature: the clasp. This one reminds me of many unusual and crafty closures that are seen on purses from the 1940’s and 1950’s. The circular metal ring fits over the round metal knob and closes firmly with the hinged latch. Not locked, but tightly fastened. These ingenious and pretty hardware items always fascinate me!
During the investigation I also found this small card holder, meant for carrying business cards so no RFID protection required. It is simple, but luxurious. The leather is butter soft and the pouch is lined with a rayon-type fabric, all in perfect condition, Another lovely handbag accessory.
I’m always on the lookout for high quality belts and they are elusive, especially in my size. But, you just never know and look what turned up! Super simple in it’s style. Classic, elegant embossed basket-weave design that adds a bit of interest but won’t be a distraction. 100% leather with a buckle that is probably brass. Sometimes I find them stamped as brass on the underside. That means strong, with no corrosion. Another find in near-perfect condition – just right for jeans, slacks or for cinching a sweater or jacket. Perfect for Fall (yes, it’s coming . . . . . . . . . . . . . . . . . . . . . . . Stay tuned.)
Made in Brazil and Spain – in the 1980’s and 1990’s, two of the BEST places where great shoes and other leather goods were made. Italy and Portugal were also at the top of that list. These were made for well-known brands but small unbranded shoemakers (especially in Latin America and Europe) sold beautiful creations if you were able to find them. I knew immediately that these were vintage footwear pieces and that the quality would be outstanding. The truth, as always, is in the details and I have included photographs and descriptions of the most important ones.
The leather in the top-pictured flats is glove-soft. I adore the embroidered stars covering the vamps. The little finishing detail at the top of the heels was one sign of exceptional workmanship. I usually find this detail on well-made true vintage European footwear. These were made in Spain by Pikolinos, a family brand founded in 1984. Love the style!
The camel-colored flats with brown trim are made in an elegant style meant as a driving shoe (notice the extension of the sole material on the back of the heels). See the little stitching detail that secures the seam there, too, plus the brown trim which reinforces the heel opening but is also very stylish. On the edges of the vamps where the foot enters there are slim inserts of elastic material and elegant stitching detail. These shoes were made in Brazil for Naturalizer, a more common North American company which nevertheless made some excellent quality footwear, at least in the past.
Both these pairs of shoes have a hard but flexible vinyl/rubber sole that is very appropriate for street wear and resists damage. Again, they will last for decades longer. I couldn’t be happier to find these practical styles in one place! Stay tuned for the last installment of this most recent investigation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Love, love, love!!!!! Most likely from the 1980’s – maybe the 1990’s. Always one of my favorite finds (they fit!!!!!), and definitely keepers that will serve me well forever. These boots were made in Brazil of lovely, soft leather. The clues abound regarding their excellent pedigree:
1. The craftsmanship is exquisite: even, strong stitching with high quality elastic gussets that have held their shape and stretch. Notice the nice little tab at the back which looks good but also provides a gripping place to pull the boots on comfortably, without stretching that would pull them out of shape.
2. The soles and heels look very much like leather, which is always a plus because it can be repaired by a skilled shoemaker or shoe-repair technician, but instead are made of the wonderful Vibram-type material which came later in the mid-century and is virtually indestructible. The finish eventually wears off the soles but they don’t wear down as quickly as leather. Repair and replacement are hardly ever needed.
3, The heels are so well-crafted that they have the look of stacked leather, though they probably are not(?)
4. The Granny-style of the heels was fashionable at the time these were made but the overall design is perfectly classic and elegant. Despite the heel style these boots are wearable with most clothing types without looking dated and will continue to be in the future.
This investigation proved not only the age, origin and construction details of these boots, but also strong clues as to what class of person owned and wore them as well as the type of vendor which sold them originally. Although modern technology would allow a greater depth of detailed knowledge to be ascertained in a laboratory, I will leave those tasks to the forensic teams. For my purposes, the investigation is perfect and ends here, in my closet.
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As I’ve said before, I don’t support the markets for any type of animal skins (including fur) by buying newly-made products that involve the raising, hunting and slaughter of the animals who provide them. I also avoid products made from wool, down and other feathers and silk, which also involve animal cruelty. Collecting beautiful true vintage artifacts easily satisfies my curiosity and fulfills my needs.
As the marketplace continues to offer more alternatives, my diet and toiletries are always vegetarian and vegan whenever possible. Excellent alternatives to most products are available and the prices are constantly coming down. Now that cruelty-free hard goods (not food or other things that will spoil) have been in the marketplace for a few years, it’s increasingly possible to find them in places where previously used items are sold or traded. True vintage items may not have been made with an ethical mentality, but they don’t contribute to cruelty and abuse in the present. Secondhand purchases don’t give money to current unethical manufacturing processes or the people who sell them either, as long as you are not buying from the original producer or vendor. And, the older things are, the better the quality in most cases. What could be better?
This is just the beginning of my posts of recent discoveries. More are coming. Stay tuned . . . . . . . . . . . . . . . . . . . . . .. . . . . . . . .
Wonderful items from the 1980’s and 1990’s. Although I never buy modern leather, skins or fur, I love these beautiful true vintage pieces which have the quality craftsmanship and materials that we rarely see anymore. With good care, they last for decades and decades! Stay tuned – I’ll post them soon . . . . . . . . . . . . . . . . . . . . . . .
I’m always delighted to find a New Wave early 1980’s piece in beautiful condition. The shadow lines seen in the photo are just a reflection from the glossy surface. This black silk satin evening bag with a gold-tone geometric chain handle was made in Italy and sold by Holt Renfrew, a luxury department store in Canada. It’s very sleek and slim – a great example of the genre. Wouldn’t you know, I have a black leather cinch belt with gold edging from 1980 – perfect match!
Another little coin purse was found at the same location. It’s vinyl from the 1950’s or, more likely, the early 1960’s. Durable and cute, but cheap and hardly elegant. Why did I bother to collect this? Well, if you carry true vintage handbags regularly, you know that although some of the best ones had little matching coin purses tucked inside and attached by a cord, the majority had no secure place to carry coins. That always had to come from a separate coin purse or a ladies’ wallet which had a coin purse inside (or her escort’s pocket). Wallets like that were rarely, if ever, made for women before the late 1950’s and early 1960’s, in my experience. I wonder if that had anything to do with women’s ability to manage their own money? But, I digress . . . . . . . . . . . . . .
Fortunately, that’s one thing we can more or less take for granted now and I don’t like hunting in the bottom of a handbag or in a pocket for change. Much less do I like to mend holes in the bottoms of pockets that have been abused that way. Therefore, handy purse accessories are always at the top of my list when I’m investigating. And sometimes, the most interesting clues can be found inside. You just never know . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Let’s start with a deja’ vu item (for me) – I call it this because I discovered a nearly identical one and posted it just two weeks ago! However, the exciting thing is the different clues involved in their stories. Always SO interesting! Plus, one new item which is a rare find and always makes me do an extra happy dance. . . . . . . .. . . . . ..
Oh, Ho hum you may say. Another black cocktail clutch. Yes, I have many of these in my case archives (and closet), but each one is unique in some way. The fun thing about this one is the similarities to the other one recently found; 1. Both are rectangular and designed to be hand-held. 2. Both are made of black rayon satin. 3. Both have hand-done beading on the front AND back. 4. Both have an additional pocket (or two) inside. 5. Both are from the mid-century, probably post-WWII.
HOWEVER, the one found two weeks ago is more finely made. It was constructed in Hong Kong (while it was still British Hong Kong) while this one above was probably made in North America but is an iconic brand name (Soure’). The first found has more elaborate beading on the front. It is a sac design with no stiffening and simply folds over to close, while this one has stiffening between the layers, probably some form of cardboard, and a metal snap closure (more common and less elegant). These clues lead me to decide that the first find is 10 – 20 years older even though they are so similar. Investigations are so fun! You can check out the previous post and see what I mean.
The final item, just found, is the one that really gives me happy feet – see the little coin purse? I LOVE FINDING THESE!!!!! Not too many of them exist anymore and they are SO convenient and iconic inside a true vintage handbag. This one, also, is navy blue rather than black. It will definitely have a home in one of my purses at Headquarters.
OK, that’s the first of my recent deja’ vu finds, but there is another one which I will put in a separate post because it is in a different category – Men’s true vintage accessories! Stay tuned . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Magicvintagespy 