Category Archives: little black dress

MOD 1960’S COCKTAIL SHEATH DRESS BY CAROL CRAIG

Here we’ve got a black crepe sheath, gently fitted with a band of op-art bling at the hemline. Notice that the hemline has become shorter than in the previous examples. Although it’s obviously a cocktail party style, there’s nothing dressy here excepting the band of sequins. Classic and simple – could cautiously be described as elegant on that account – but seems pretty “ho-hum” to me though we have to remember that in 1964 or so this would have been seen as fashion-forward in a mid-priced dress.

Carol Craig was a mid-century division of the Loma Dress company and designed moderately-priced frocks in Misses sizes during the 1950’s and 1960’s. In my experience, they’re not “cream-of-the-crop” but very nice and stylish for the time; worth collecting. I’ll see about showing my “new” 1960’s finds from yesterday before getting back onto the LBD and cocktail circuit. Stay tuned . . .

MORGANA MARTIN, THE MAGICVINTAGESPY’

BLOG: MAGICVINTAGESPY.COM

TRUE VINTAGE EARLY 1960’S LBD FROM SAKS FIFTH AVENUE

Definitely a conservative, go-almost-anywhere style but with an upper-mid-level pedigree as it has a Saks Fifth Avenue label (take my word for it). The hemline still hovers below the knee, but we see a stand collar, which is becoming more popular on ’60’s dresses and tops. The sequin trim on the collar and skirt defines it as a semi-formal cocktail design. Though you wouldn’t be likely to turn many heads on your entrance to the party, that’s exactly the impression that many upper class women have wanted to make, especially in the Mid-West (and this dress likely came from Saks in Chicago).

Excellent tailoring, as would be expected, and perfectly classic in design. The aristocratic heritage is what makes this evidence collectible. Moving ahead into the mid-’60’s we’ll lighten up a little. Stay tuned . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

TRUE VINTAGE EARLY 1960’S UP-SCALE LBD – SO PRETTY!

“Daring” spaghetti straps, the ubiquitous ’50’s/’60’s grosgrain ribbon bow and a tiered skirt that harks back to the 1940’s plus a solidly early Sixties below-the-knee hemline. Youthful, attractive, classic and conservative at the same time. Looks like this designer was being experimental while styles were shifting. I’d say it was a success!

This is a very well-tailored semi-formal dinner/dance/cocktail frock, probably sold at a department store which carried upscale goods or a smaller women’s boutique. Crepe fabric which drapes beautifully, a well-fitting cut, elegant simplicity with the surprisingly unexpected skirt. A very “modern” design. A first step toward Mod, which wasn’t as avant garde or counter-culture as the styles which followed in the mid to late 1960’s. We’ll keep stepping along the path tomorrow. Stay tuned . . . . . . . . . . . . . . . . . . . . . . . ..

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

BACK TO PERFECTION – TRUE VINTAGE KENNEDY ERA SILK SHEATH LBD

Gorgeous 100% silk cocktail frock. Discovered in Canada, by a Canadian designer. Look at the ruching and draping from the waistline in this very unique sheath style. The cap sleeves and below-the-knee hemline plus the fitted shape place this beauty’s vintage from the late 1950’s to the very early 1960’s. Never will see another one like it.

Tomorrow we’ll be squarely in the 1960’s with a variety of cocktail dresses on the way as a new design era unfolds. Stay tuned. . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

A PRETTY LITTLE LBD COCKTAIL DESIGN FROM THE 1960’S – 1970’S

In terms of it’s pedigree, this dress has nothing to brag about. In fact, it’s very cheaply made; But, I decided to include it here because of the bodice design. This sheer panel with small decorative embellishments is something that I’ve seen several times on 1940’s and 1950’s styles. It’s an attractive but conservative way of accenting the shoulders and mimicking a strapless effect without any of the architectural challenges (the dreaded wardrobe malfunction).

The prettiest and most interesting version I’ve seen was a 1950’s beige sheath with a asymmetrical bodice. The sheer part had some little flower motifs worked into the fabric at intervals but everything was a beige skin-tone. The wearer certainly didn’t look nude, but the effect was much more subtle and attractive. If I come across the photo in the archives, I will publish it. Back to finer examples of Sixties LBDs tomorrow. Stay tuned . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

TRUE VINTAGE EARLY 1960’S KENNEDY ERA COCTAIL PARTY DRESS

Interesting tailoring on this dress. Much more fussy than a true LBD. The lace overlay fabric was commonly used in the early 1960’s but the pouchy drapes attached to the hips almost look like something from the late 1940’s and the pleated bodice looks like many from the early 1950’s. All of this confusion makes a straight-cut sheath style look entirely different and made this frock completely unique.

It seems to me that changes from one decade to the next and significant historical events have often caused interesting and, sometimes, odd shifts in fashion. The early ’60’s also swung back to the New Look nipped waistlines and poufy skirts for a little while. More 1960’s designs on the way – stay tuned . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

A PROPER BLACK TEA OR COCKTAIL DRESS FROM THE POST-WWII ERA

Frilled up a little by the lace inset at the neckline and lace trimming at the hem, this dress would have been accepted at any semi-formal gathering, cocktails or not. Although it’s a little bit “secretary, librarian, school teacher” in it’s modesty, the cap sleeves, peek-a-boo neckline and nipped waistline are a bit flirty. The ever-present black crepe fabric gives it the figure-skimming drape. Elegant, even though it wasn’t the most expensive frock.

Back when dresses were always the expected attire for any gathering that was professional or vaguely formal, this dress was an easy, comfortable design to meet the need. Styles were loosening up a little, though structure was still important and tailoring very elevated. In the 1950’s things changed hugely in Western society and, of course, in fashion. I’ll be investigating during the next few days but we’ll continue the cocktail fashion timeline next week. Stay tuned . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

TRUE VINTAGE RAYON SHEATH – PURE 1930’S DECO STYLE

Sleek and streamlined with a back neckline button closure. Overall gold-tone metal studs. Made of a heavy knit synthetic fabric that still drapes well despite it’s weight. A very business-like dress that would also go to a cocktail party with supreme confidence. This dress has PRESENCE. Worthy of any Hollywood actress of that time – looks like Joan Crawford to me. So completely different from the 1930’s frock in yesterday’s post.

Tomorrow we’ll be edging from the late 1940’s into the early 1950’s. Stay tuned . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . By the way, I apologize for the photos that aren’t aligned to vertical. For some reason neither WordPress or my computer will allow me to edit this or I simply don’t know how.

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

THE “LBD” FROM THE 1920’S AND 1930’S

These two are certainly not designs by Coco Chanel, who came up with the Little Black Dress in 1926, but they still might have been seen at a cocktail party. They’re both oh-so-proper in spite of the loosening restrictions on women’s dress that were happening after the Edwardian 1910’s. The dress on the left, from the Thirties, is not terribly interesting to me but the bodice has those Deco-style pleats in the sheer lace panel that elevate the whole design. It was so amazing to discover it with the original floral ornament in front.

The midi-tea length lace dress from the 1920’s is pretty and would be very swishy over a rayon slip worn underneath. It was discovered in an antique wardrobe at a farm sale. The dropped waist is iconic. This frock was meant for a dressy special occasion rather than a night dancing the Charleston in a speakeasy.

How amazing it was discovering these pieces in such wonderful condition after almost 100 years! Most textile clues don’t last as well over so many decades but there are more to come . . . . . . . . . . . . . . . . . . . .Stay tuned . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

FUN TRUE VINTAGE 1940’S POST-WAR NIGHTCLUB DANCE DRESS

I’m back in black today, but more color coming. I really loved discovering this frock in Texas. Sold by an upscale privately-owned clothing company that had it’s own label. The trim is black velvet tube ribbon and the skirt is made for swingin’ and swayin’. Perfect for wearing to any dance hall or vibrant party, and we know that Texans love to party!

It’s got ruching on the sleeves, which was a favorite ’40’s tailoring feature. Nipped waist and wide skirt plus a midi hem puts in firmly in the post-war time frame. So much fun to discover – a fun dress from a very jubilant time in history. More Forties fashion coming, but dressing it up with an international twist. Stay tuned . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM