Could be a Prom – party, wedding or casual summer day dress according to your wish! Love well-made frocks like this one, which has pretty fabric and trim as well as a liner that prevents see-through (excepting for a bit at the midriff and on the sleeves). Just right!
I’m always super-happy to find a gown or long dress of this genre and era. And, in perfect condition. Things just keep getting better . . . . . . . . . . . . . . . . . .
MORGANA MARTIN, THE MAGICVINTAGESPY
BLOG: MAGICVINTAGESPY.COM
When it rains, it pours! Wedding dresses have been coming my way. This beautiful frock would also do nicely as a semi-formal dress for Prom or something similar.
Pretty taffeta with a brocade design woven in – the head-dress is very sweet with little pearls and flowers and a short veil. The dress is really a straight sheath, with a poufy over-skirt lined by a netting crinoline. I think that elbow-length sleeves are so chic and elegant – it’s nice to see them here, finished with a little bow.
I don’t need a wedding dress or a Prom dress so this set may end up going to another bride or to a high school dance, but either way it will be a fabulous find again for some lucky girl . . . . . . . .. .. . . .
MORGANA MARTIN, THE MAGICVINTAGESPY
BLOG: MAGICVINTAGESPY.COM
It’s pretty gaudy, but somebody loved it back in the day! It can be worn off the shoulder, peasant-style, too. There’s nothing expensive about it, with simple workmanship and “cheap” fabrics so it makes me wonder if this was a wartime frock. If not, it was post-war early Fifties.
Anyway, it’s fun and the second dress I’ve come across in the past couple of years in this style. Must have been at the back of someone’s closet or basement for a long, long time – just safeguarding those special memories of a dance or party date. Hmmm, you just never know. . . . . . . . . . . . . . . .. . . . . . . . .
MORGANA MARTIN, THE MAGICVINTAGESPY
BLOG: MAGICVINTAGESPY.COM
Here’s my main collection of true vintage white rhinestone collars. From simple and sweet to sassy and sophisticated. These were made between 1940 and 1960, I’d say. Some might be older, or slightly newer.
To be worn alone, or almost alone. Unless you’re doing a period costume from a time when overkill was the usual fashion and everything was worn as a set, these lovelies shine most brilliantly when standing alone.
Just my opinion, for what it’s worth . . . .
MORGANA MARTIN, THE MAGICVINTAGESPY
BLOG: MAGICVINTAGESPY.COM
This is one of my favorite little necklaces, from the 1950’s or early Sixties. Very sweet – love the rhinestone bow and the faux pearl drop. The chain, also, is studded with rhinestones all the way.
The earrings are a bit later – late Sixties or Seventies, but they coordinate nicely. A parure like this would have been perfect with a formal pouf dress – depending on the age of the wearer and the occasion.
Definitely costume jewelry, but so pretty . . . .. . . . .
MORGANA MARTIN, THE MAGICVINTAGESPY
BLOG: MAGICVINTAGESPY.COM
This has been a week of more and more unusual and rare discoveries. No, I have not found a pink lab coat – it is a lower-end Easter coat made of faux linen or shantung material that pretends to be a more elegant item with the up-scale-looking fabric and decorative tabs at the waist. Better buttons would certainly transform it.
I have NEVER seen one like this! Lightweight, but fully lined. It’s very well-designed and the tailoring is nice for a less-expensive garment. I can’t imagine wearing it, but even today it would be just the thing for some girly girl to wear over her pretty Spring frock.
Some early – 1960’s lady did enjoy it and took exceptional care. This coat was obviously kept for special occasions only. Very out-of-season right now, but I just had to show you. Can only imagine what’s around the corner – stay tuned. . . . . . . . . . . . . . . . .
MORGANA MARTIN, THE MAGICVINTAGESPY
BLOG: MAGICVINTAGESPY.COM
Now we’re getting really serious about special events which may be taking place this month. This party gown is a little too demure for most Proms or whing-ding parties, but perfect for a social dance, someone in a wedding party, a dinner event, anniversary party, a recital or other celebration that is somewhat formal.
It looks almost white in the photo and is actually a very pale pink, with a sheer over-dress and opaque lining. The neckline and sleeves are edged with satin binding. Of course, a crinoline attached. Aside from the subtle embroidery, it is not fussy (no bows, ribbons or decorative buttons). Doesn’t need them! Very elegant.
When I find a dress like this, I always wonder where it was originally worn, by whom and where it was purchased or made.
Another surprise discovery, and they usually are. I know what I’d like to have, but I rarely go hunting with just one thing in mind and, I guess, that’s mostly because I’ve put together such a collection of true vintage that I don’t have to go looking for an outfit when some event comes up. With patience, skill and know-how you can do that, too.
I have the most fun looking for what will turn up! Because, you just never know . . . . . . . . .
MORGANA MARTIN, THE MAGICVINTAGESPY
BLOG: MAGICVINTAGESPY.COM
BOOK: HOW TO FIND THE BEST IN VINTAGE FASHION – AVAILABLE ON AMAZON.COM
This dress is of heavy taffeta. It looks so Spring-like, but in this substantial fabric and vibrant color it could stand on its own (almost literally!) any time of year. The photo is of the back view, because of the cute bow. In front, there is simple seaming at the waist for a cummerbund effect. Very elegant and sweet, but also quite flattering with the shaped fit.
Love the salmon pink color! The material, 3/4 sleeves and netting under the skirt are so common for that time. Such a beautiful fabric – I’ve found several dresses made of heavy taffeta from the late ’50’s to early ’60’s, in beautiful jewel tones. Would be perfect with a true vintage or modern FAUX rabbit stole ~ true vintage mink if you’re a real debutante.
As I’ve said before, when going for fur I choose true vintage (at least 50 years old) or faux/fake fur. It is getting so good these days that you can have the look without the cruelty. However, if I find a fur that is so old that buying it won’t support the current market for the fur trade, I go for it. There’s nothing like True Vintage.
This gown turned up a few years ago during one of my investigations. You just never know . . . . . .!
MORGANA MARTIN, THE MAGICVINTAGESPY
BLOG: MAGICVINTAGESPY.COM
BOOK: HOW TO FIND THE BEST IN VINTAGE FASHION – AVAILABLE ON AMAZON.COM
Back at headquarters, for a short break, and finally able to photograph this most recent discovery. Stella is dainty as a daffodil in her Prom/party frock from the 1950’s. The neckline scarf is the signature feature of this dress. Possibly it was for a bridesmaid or a debutante (of sorts – not lush enough for the Country Club set).
Like many(most?) older garments, it is so interesting and tells a story. The fabrics are not of the highest quality but they are adequate, and this short gown was off-the-rack, though there is no label remaining. Unless . . . . . . . . . .
It just may have been custom-tailored by someone who REALLY knew her(or his) stuff. The skirt has FOUR layers – a circle skirt of lace overlay with a solid yellow acetate(?) liner, a ruffle of tulle netting underneath and a final layer of white stiffening fabric gathered beneath it all. This was the standard construction of dressy special-occasion gowns in the mid-century.
No question that this frock was going somewhere really special. Makes you wonder . . . . . .
MORGANA MARTIN, THE MAGICVINTAGESPY
BLOG: MAGICVINTAGESPY.COM
BOOK: HOW TO FIND THE BEST IN VINTAGE FASHION – AVAILABLE ON AMAZON.COM
Here’s a mid-century Prom or dance party dress for Spring. I’ve had this frock for several years and it is in wonderful shape EXCEPT that the bodice had some old perspiration damage under the arms. No fixing that . . . . . . . .SO, I replaced the overlay fabric on the bodice with a nearly – identical modern material.
To the naked eye in normal room light, the dress looks perfect. Only the digital camera with flash shows the difference – that aging of the fabric over 60 – 70 years has slightly changed its color.
I’m pleased with my repair, but here’s a good example of why saving any old fabrics left over from sewing or hem changes makes a lot of sense. You might need them some time and, you just never know . . . . . . . . . . . . . . .
MORGANA MARTIN, THE MAGICVINTAGESPY
BLOG: MAGICVINTAGESPY.COM
BOOK: HOW TO FIND THE BEST IN VINTAGE FASHION – AVAILABLE ON AMAZON.COM
