A DISCO DANCE DIVA DISCOVERY FROM THE 1970’S

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Yes, at first glance this looks like so many cheesy LBD’S made today and that’s why some discriminatory powers are important to develop.  I can tell when something is true vintage or not, with a just little investigation.  This example was truly made about 40 years ago.

It is still not a prime favorite frock, but was worth picking up and I’ll keep it because it would make an outstanding costume for a play or Halloween (which is creeping up on us as we sit here!).  Keep your eyes open – it gets better . .. . . . . . . . . . . . . ..

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG:  MAGICVINTAGESPY.COM

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PRETTY AND GLAM 1980’S DOES 1940’S RAYON SHEATH GOWN

Definitely retro (not REAL vintage), but I love the styling and the drape of the rayon fabric.  It’s got the iconic fit of 1930’s – 1940’s sheath gowns that were so elegant and dramatic.

The huge hibiscus flower is probably a bit over-the-top in terms of designs from wartime, but some very bold floral prints were made then, too.  Anyway, I think this one rocks!

So, Mata Hari, move over!  The Magicvintagespy is on a roll . .. . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG:  MAGICVINTAGESPY.COM

TRUE VINTAGE SHORT BLACK GABARDINE JACKET FROM THE 1940S.

TRUE VINTAGE SHORT BLACK GABARDINE JACKET FROM THE 1940S.

Even though I’d want a heavier coat or jacket over this for winter, I’m often wearing a jacket inside all day this time of year.  For cool days and evenings, I love the trim, square shape of this jacket though the shoulders are not heavily padded.

Nice nipped waist, zip front, cuff detail, front welts and it may have tab detail at the waist and, maybe, the wrists.  It’s simple and tailored with a crisp look.

Not many of these are around now in excellent condition like this one.  Very special – I was thrilled to find it!  Looks equally good with pants or a skirt – that’s the beauty of this short style.  The lack of length means that I could wear it with any style skirt – pencil or full.  So versatile!

Love the ’40s.  This one takes me right into film noir, walking the dark city streets with my private investigator boyfriend, looking out for the murderer . . . . . . . . around that corner?  You just never know . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG:  MAGICVINTAGSPY.COM

 

SURPRISE FIND TODAY – SHIMMY SHAKE FLAPPER STYLE FROCK FROM THE SIXTIES

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If you can shimmy like your sister Sue, this is the dress for you!  It’s my size, but I have to learn how to do it justice on the dance floor.  However, it’ll probably make a statement with any kind of dance, excepting ballroom.

Someone made this frock or costume by hand in the 1960’s or 1970’s.  Definitely styled to make an impression.  If you’ve ever seen someone who can shimmy well, you know what I mean.

What fun!  I found another 1960’s version earlier this year – a trend?  Who knows.  They say that things come in threes . . . . . . . . . . . . . . . . . . . . . . ..

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG:  MAGICVINTAGESPY.COM

TRUE VINTAGE 1940s – ’50s LIGHTWEIGHT KNIT SWEATER OR BLOUSE

TRUE VINTAGE 1940s - '50s LIGHTWEIGHT KNIT SWEATER OR BLOUSE

Lovely nylon knit sweater-blouse in soft green. Perfect for making a transition to the cold weather. By Canterbury – a company which was known for beautiful cardigans, too. What’s the special magic about this one?

Look at the fit.  The knit drapes so nicely and it is full-fashioned, which always improves the way that a sweater fits the body.  At the neckline there are many tiny vintage shell buttons – the kind that are substantial and well-shaped, even though they are very small. They do allow you to close the neckline, if desired, but are mostly for decoration.

As long as you protect it from snags and stains, an item like this is very easy to care for. Hand washing (or delicate in a newer machine) is best, with similar colors.  This avoids stretching and, also, protects the color.  Nylon can absorb other colors in the wash so it’s always best to wash it alone or to avoid washing it with contrasting shades.  If you want to change the color of a nylon item, they accept dye very well.  Just be sure to follow the directions very carefully because they may end up streaky if you don’t.

With any kind of pants or a pencil, a-line or pleated skirt (depending on your figure) it looks wonderful.  This is how it was worn back in the day. Put a scarf at the neck, or pearls.  Perfect for every-day or dressed up – clothing of this quality is always elegant.

I found this at a small vintage shop, on the sale rack. I usually find the best things in unlikely places and at unheard of prices! I wonder who wore this one and where? You just never know . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG:  MAGICVINTAGESPY.COM

 

TRUE VINTAGE SWING COAT IN BLACK, WITH PHENOMENAL BUTTONS!

This true vintage beauty from the ’50s or early ’60s was another surprise find.  In textured wool, 3/4 length in a swing design (love that), angled pockets, wing collar and a silky satin black lining.

Label from Marshal Field & Company, Chicago.  The buttons, of plastic or bakelite, are carved to reflect light in such a way that they sparkle as though there were rhinestones! I’ve never seen buttons like this before (and I’ve seen LOTS of vintage buttons).

Like new.  Looks great on!  It was stuck in with a lot of other nondescript coats.  You just never know . . . .Image

MORGANA MARTIN, THE MAGICVINTAGESPY
BLOG:  MAGICVINTAGESPY.COM

 

YOU’RE SO VAIN: The Oft-Forgotten but Fabulous Accessory – HATS

The Oft-Forgotten but Fabulous Accessory - HATS

Although I always love hats, the beginning of Fall always gets me thinking about them more.  And,  there couldn’t be an easier style to wear than this one.

The average woman before 1970 understood the allure and the impact of hats.  They used to be a central part of any outfit and occupied a center-stage position in the wardrobe of any woman or man.

This one is a simple but very effective style from the late ’60s or ’70s,  it has a chain and ribbon band and is made of wool felt.   Carley Simon wears a similar one on the jacket of her famous debut album in 1972.

A wide brim is flattering to most faces and the key, as always, is to try it on before you buy and to learn what flatters your particular face and body.  A great hat can be the most important thing you wear.

They’re also very effective if you’re wanting to be a bit mysterious or difficult to recognize . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG:  MAGICVINTAGESPY.COM