Tag Archives: clothing

NEW FINDS: MORE BEAUTIFUL LEATHER ACCESSORIES

More from the 1970’s – 1990’s. Let’s start with the fabulous handbag. Remember that I mentioned Portugal in the last couple of posts? Well, this purse was handmade there. Likely, a traveler picked it up during her(?) trip since leather goods have been premier souvenir items from that country for decades. Look at the craftsmanship! Inside, it has convenient pockets and dividers and is a useful medium size with an adjustable shoulder strap. Pretty gold-tone hardware and my favorite feature: the clasp. This one reminds me of many unusual and crafty closures that are seen on purses from the 1940’s and 1950’s. The circular metal ring fits over the round metal knob and closes firmly with the hinged latch. Not locked, but tightly fastened. These ingenious and pretty hardware items always fascinate me!

During the investigation I also found this small card holder, meant for carrying business cards so no RFID protection required. It is simple, but luxurious. The leather is butter soft and the pouch is lined with a rayon-type fabric, all in perfect condition, Another lovely handbag accessory.

I’m always on the lookout for high quality belts and they are elusive, especially in my size. But, you just never know and look what turned up! Super simple in it’s style. Classic, elegant embossed basket-weave design that adds a bit of interest but won’t be a distraction. 100% leather with a buckle that is probably brass. Sometimes I find them stamped as brass on the underside. That means strong, with no corrosion. Another find in near-perfect condition – just right for jeans, slacks or for cinching a sweater or jacket. Perfect for Fall (yes, it’s coming . . . . . . . . . . . . . . . . . . . . . . . Stay tuned.)

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

JUST FOUND – TRUE VINTAGE BEAUTIFUL, HIGH QUALITY LEATHER BOOTS!

Love, love, love!!!!! Most likely from the 1980’s – maybe the 1990’s. Always one of my favorite finds (they fit!!!!!), and definitely keepers that will serve me well forever. These boots were made in Brazil of lovely, soft leather. The clues abound regarding their excellent pedigree:

1. The craftsmanship is exquisite: even, strong stitching with high quality elastic gussets that have held their shape and stretch. Notice the nice little tab at the back which looks good but also provides a gripping place to pull the boots on comfortably, without stretching that would pull them out of shape.

2. The soles and heels look very much like leather, which is always a plus because it can be repaired by a skilled shoemaker or shoe-repair technician, but instead are made of the wonderful Vibram-type material which came later in the mid-century and is virtually indestructible. The finish eventually wears off the soles but they don’t wear down as quickly as leather. Repair and replacement are hardly ever needed.

3, The heels are so well-crafted that they have the look of stacked leather, though they probably are not(?)

4. The Granny-style of the heels was fashionable at the time these were made but the overall design is perfectly classic and elegant. Despite the heel style these boots are wearable with most clothing types without looking dated and will continue to be in the future.

This investigation proved not only the age, origin and construction details of these boots, but also strong clues as to what class of person owned and wore them as well as the type of vendor which sold them originally. Although modern technology would allow a greater depth of detailed knowledge to be ascertained in a laboratory, I will leave those tasks to the forensic teams. For my purposes, the investigation is perfect and ends here, in my closet.

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As I’ve said before, I don’t support the markets for any type of animal skins (including fur) by buying newly-made products that involve the raising, hunting and slaughter of the animals who provide them. I also avoid products made from wool, down and other feathers and silk, which also involve animal cruelty. Collecting beautiful true vintage artifacts easily satisfies my curiosity and fulfills my needs.

As the marketplace continues to offer more alternatives, my diet and toiletries are always vegetarian and vegan whenever possible. Excellent alternatives to most products are available and the prices are constantly coming down. Now that cruelty-free hard goods (not food or other things that will spoil) have been in the marketplace for a few years, it’s increasingly possible to find them in places where previously used items are sold or traded. True vintage items may not have been made with an ethical mentality, but they don’t contribute to cruelty and abuse in the present. Secondhand purchases don’t give money to current unethical manufacturing processes or the people who sell them either, as long as you are not buying from the original producer or vendor. And, the older things are, the better the quality in most cases. What could be better?

This is just the beginning of my posts of recent discoveries. More are coming. Stay tuned . . . . . . . . . . . . . . . . . . . . . .. . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

TWO FRESH HANDBAG FINDS! NEW WAVE 1980’S BACK TO THE MID-CENTURY. COULDN’T BE MORE DIFFERENT.

I’m always delighted to find a New Wave early 1980’s piece in beautiful condition. The shadow lines seen in the photo are just a reflection from the glossy surface. This black silk satin evening bag with a gold-tone geometric chain handle was made in Italy and sold by Holt Renfrew, a luxury department store in Canada. It’s very sleek and slim – a great example of the genre. Wouldn’t you know, I have a black leather cinch belt with gold edging from 1980 – perfect match!

Another little coin purse was found at the same location. It’s vinyl from the 1950’s or, more likely, the early 1960’s. Durable and cute, but cheap and hardly elegant. Why did I bother to collect this? Well, if you carry true vintage handbags regularly, you know that although some of the best ones had little matching coin purses tucked inside and attached by a cord, the majority had no secure place to carry coins. That always had to come from a separate coin purse or a ladies’ wallet which had a coin purse inside (or her escort’s pocket). Wallets like that were rarely, if ever, made for women before the late 1950’s and early 1960’s, in my experience. I wonder if that had anything to do with women’s ability to manage their own money? But, I digress . . . . . . . . . . . . . .

Fortunately, that’s one thing we can more or less take for granted now and I don’t like hunting in the bottom of a handbag or in a pocket for change. Much less do I like to mend holes in the bottoms of pockets that have been abused that way. Therefore, handy purse accessories are always at the top of my list when I’m investigating. And sometimes, the most interesting clues can be found inside. You just never know . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

JUST FOUND: MID-CENTURY MEN’S(?) LEATHER KEY CASE ACCESSORY

Practically “new”; just a little corrosion on the metal parts. I couldn’t pass this up since it is an iconic true vintage personal item. This fine accessory is an example of a key case style that had been made for decades and decades, mostly before the 1970’s. Always in leather, and with a simple fold-over design and with these little metal hooks that can hold old-style car keys, house keys, post office box key, storage box key, office key, etc,, etc. I’ve seen many of them, and they’re always a good clue – especially if the keys are still present. . . . . . . . . . . . .

The design is meant to lie flat when the keys are tucked inside, so best for a pocket only. That’s why I have always guessed that it’s mostly a men’s accessory. When other types of more modern and prettier key-rings were not available, though, one of these could tuck securely into a lady’s handbag and they do allow the owner to carry all their important keys in one tidy place. Many of them, like this one, contained a card on which the owner could write their name and address in case the keys were lost. Often, people ignored these and they were still left tucked inside.

It’s another example of the elegant and high-quality items that our ancestors owned and used almost every day. I just never know what might turn up. Stay tuned . . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

PRETTY WHITE COTTON MINI FROM MID-CENTURY EUROPE

While I’m missing Stella (my fabulous vintage mannequin model), please use your imagination to visualize how fun and flattering this mini-dress or tunic looks when it’s on. Without my honed sleuthing skills, I never would have found it and am so glad that I did. As a mini-dress (if you don’t mind the side slits showing your whole leg almost to the hip) it’s really cute and calls for a 1960’s/’70’s chain belt to finish it off. As a swimsuit cover-up or beach dress it would be perfect – cool, crisp and lightweight while giving some reasonable sun protection. Over a pair of skinny white pants or shorts I LOVE IT!! Also love the elbow-length sleeves and unusually-shaped neckline.

How do I know it’s from Europe? The size label tells me. How do I know that it’s true vintage? By my guesstimate, a European size 42 would always be too big for me, but I look great in this whether worn as a mini-dress or a tunic over pants. So, the cut seems to be smaller than a modern garment of that size would be. This is always tricky with international sizing, but I think I’m correct. The fabric is a nicely-woven cotton with some weight (but not too much for Summer) and all-over floral embroidery – similar to vintage fabrics that are almost never seen now. Also, the interior tailoring is different from what I find on modern garments. Not fine tailoring, because this is a very simple garment and probably sold at a lower price. However, some of the finishing is remarkable – if it did not have a size label, I might say that it had been home-sewn. It has darts in back to give it extra fit and style. The size label, printed rather than embroidered, is sewn in at the back neckline and there are no other tags at all.

All right, the verdict is in. This dress is probably from the 1970’s, give or take 5 years. Allowances have to be made for the overseas manufacture. Whatever it’s exact heritage, it’s wonderful and I will really enjoy it. I love solving mysteries but an open-ended investigation is always intriguing. Who knows – sometimes I solve a cold case years later! You just never know . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

FABULOUS AND FUN SURPRISE FIND – TRUE VINTAGE, AS ALWAYS . . . . . . . . . . . . . .

A wonderful authentic Lily blouse from the 1970’s! I was out and about dropping off a charity donation and found this beautiful shirt. Such a surprise; I have several other Lily blouses in my closet, from the 1960’s but haven’t seen one during an investigation for a long time. These lovely shirts were a mid-century staple. The signature fabric is so soft and airy, the pretty embroidery done so well. Most older ones had monochromatic Asian-inspired designs. This one is similar to colorful Latin American indigenous designs, which became more popular in the early 1970’s.

I love the old-style sizing on these blouses and am thrilled that it is in a size I can wear – just about a modern size 2(which would be perfect for Stella, as well. I certainly miss her when I’m not at Headquarters. See her modeling work in many previous posts). It also has double-button cuffs, which is another late 1960’s – early 1970’s tailoring detail, AND a button and loop at the neckline which can be fastened to lessen gaping there, if you want to. True vintage garments almost always have such excellent tailoring and, despite it’s age, I see no signs of wear. The previous owner may have washed it by hand, which would be so easy to do, and avoided the wear and tear of traditional machine washing. So, this lovely won’t be going to eBay or Etsy!!

I also found another true vintage item in pristine condition, which I will post tomorrow. I’m a Satisfied Sleuther!! Just goes to show that you just never know . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

TRUE VINTAGE 1950’S – 1960’S DESIGNER AND HIGH-QUALITY ACCESSORIES

Now that we’ve reached the Spring Equinox, let’s start off with a Calvin Klein Easter hat in Spring pastels. A continuous flat tube of fabric is woven into a toque shape, overlaid with netting. A Mod-ern take on a traditional style. A lucky woman could look like an ice cream cone.

Some dressier handbags continued to be made of traditional tapestry-design fabric. Both of these above are small, one with a rigid leather-covered handle,, leather trim and metal feet on a covered metal frame. The other is a soft bag with a decorative closure and snake chain handle, sold with it’s own protective cover.

Classic pumps for everyday evolved in the early – mid 1960’s to mid-heel height with a slightly rounded toe but stilettos were still more popular than chunky heels – a necessary Rockabilly accessory. A pair of white pumps was an essential part of Spring – Summer wardrobes, even though pastels to match outfits and classic neutrals, beige, gray, navy, black and brown, still held their places. Miss Wonderful was a fun, mid-priced brand.

This has been a fun review of some of the files since December. Guests have arrived and international travel is looming. Daily transmissions over this airwave will be suspended, though periodic bulletins may continue. Archived posts in the public domain will remain available. Over . . . . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

TRUE VINTAGE PATIO LEISURE LONG DRESSES FROM THE 1970’S – 1990’S

Through the decades the changes in style are often subtle, but they’re noticeable if your sleuthing trade skills are sharp. One thing that all these dresses have in common is excellent quality. I showed several dresses of this genre which were made in the Victorian/Prairie style when covering 1970’s Prom dresses a couple of months ago. Early in that decade, girls sometimes wore them to the Prom but they were usually fussier with lace and more details. Jessica McClintock of Gunne Sax styled them for at least 20 – 30 years. Labels always help, of course, but aren’t always present. The condition of all these examples is near-perfect, which can make the job a easier, though tell-tale signs of wear can sometimes be very helpful clues. Let’s start from left to right:

A Prairie-style gown, pretty and modest in cotton. Looks like it was made for retail because of the precise tailoring detail, but there is no label. I would put it in the 1970’s but it could possibly have been made later by an individual expert or a company that catered to a niche market which preferred very modest styles of dress.

A red and white plaid gown that picks up on the Prairie style, but in a much more casual, carefree design reminiscent of the 1960’s. It’s probably made from cotton but I can’t be sure without the file in front of me and it could be cotton/poly blend. It was made in the 1980’s in West Germany. This is an example of trends jumping the oceans, usually years after they originally appeared in the Western nations. Although they’ve done their own take on the style, it’s exceptionally well-made, as goods from West Germany have always tended to be, in my experience.

A black and white floral print gown made in Hawaii. This one is from the 1980’s, give or take a decade and is the most elegant. Same deal about the fabric as in the previous dress. The style is pure average conservative, which makes it harder to date exactly. A pretty dress, but nothing distinctive about it excepting for excellent tailoring. It might have been a wardrobe item of someone who lived in Hawaii, purchased at a specialty shop stateside which carried Hawaiian garments or by someone who bought it while on vacation. Hawaiian-made gowns have been popular with women worldwide since the 1950’s, but earlier ones were usually made in more traditional Hawaiian style and, often, of Hawaiian fabric with traditional island prints. The more mainstream universal designs like this one came later.

The final dress is from the 1990’s. Always harder for me to think of as true vintage, but it is worthy because of the good tailoring, 100% cotton fabric and the retail designer label sold by a high-end department store in New York City. It’s got pedigree. Again, nothing notable about the style but it is very well-cut, which can make a world of difference in terms of how a dress fits. That’s one feature of even plain, rather boring vintage clothing items that can make them worth collecting and wearing. The style can always be elevated by adding accessories but one thing that always elevates any garment is how well it is made and how well it fits.

Tomorrow I’ll be showing a collection of dressy day-wear accessories from the 1960’s that fit the category of well-made, classic and designer items that can “make” an outfit. Stay tuned . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

TRUE VINTAGE MID – LATE 1960’S LONG LEISURE DRESSES – MOD, WITCHY, ETHNIC

British influence Medieval/Victorian/Edwardian vibes, Op-Art, Flower Power and Indigenous influences allowed mainstream women to enjoy some “revolutionary” style during this transformative decade while not getting too far away from classic traditions. Plus the fact that they couldn’t have been more comfortable, convenient and flattering.

Fabulous sleeves, hand-done embroidery, geometric floral graphics. Love, love, love! Of course I had to collect these clues. Tomorrow we’ll step into the progression of this genre in examples from the Seventies, Eighties and Nineties. Stay tuned . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

TRUE VINTAGE 1960’S LEISURE DRESSES – ALTERNATIVE STYLE FINDS THE MAINSTREAM

In the early 1960’s home-based seamstresses began making at-home leisure dresses. Velveteen was a popular fabric for hostess dresses that could work for cocktails with friends. An early flower-power dress in a traditional style was a more timid effort (looks like a vintage tablecloth) and a Mod print gown stepped firmly into the mid-decade. Washable cotton and blends made these easy-care garments and fashionable alternative styles for women who hadn’t been ready for 1950’s Boho or early ’60’s minis.

Tomorrow we’ll look at dresses from this genre that appeared later in the Sixties. Stay tuned . . . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM