Category Archives: Kennedy era

TRUE VINTAGE ’50’S – EARLY ’60’S COCKTAIL BLOUSE FROM DOWN UNDER

What a wonderful, unique and chic mid-century piece! Discovered during an investigation in Australia, this pretty top made in Britain (or by a British company) is made from semi-sheer fabric that has a woven-in contrasting pattern. It buttons up the back and has the distinctive feature of 3/4 length sleeves with fur cuffs. Great fit and gorgeous over a black skirt or dressy pants. Casual, but elegant.

Women’s semi-formal clothes were especially fabulous between the 1920’s and 1960’s. Although many dresses, skirts and blouses had lovely decoration in the years before, styles were too buttoned-up for my taste. After the 1960’s quality, creativity and elegance really seemed to take a dive. Give me styles from the Prohibition speakeasys, film noir and revolutionary Sixties any day. The Seventies had too much polyester, the Eighties had some great Forties retro and avante guarde New Wave but were overall too gaudy and the Nineties had an overabundance of black. Of course, great pieces were made during all these decades but seemed to be the exception. Just my opinion – you decide.

Thank goodness that modern faux fur and animal skin alternatives have become almost indistinguishable from real ones which, in my opinion, are an abomination. This also includes silk, tortoise shell, horn, coral, pearls and ivory. True vintage pieces made from these materials decades ago are an important part of fashion history and can be fun to collect and wear but I ask my viewers NEVER to support the market for these products by buying modern items made from them. This is how we can block the profit from breeding and slaughtering these wonderful creatures and stop it. If you are looking for clothing and accessories made from any of these, check at a secondhand thrift or antique store. Thank you and stay tuned for that 1940’s series . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

ELEGANT MOD TRUE VINTAGE 1960’S LBD

From the early to mid-1960’s, a sleek, sleeveless classic sheath style cocktail dress with a boat neckline, which I love. It’s knee to bottom-of-knee length, which is a very flattering hemline on most women and was common at that time right before almost everything had an above-the-knee or mini length. It’s so hard to get good detail on black clothing in photos, but this one is easier because the only decoration is a medium-width band of black beading at the waistline. Very well-tailored in a light-medium weight knit fabric with a very nice drape. This one factor takes it over the line from a Summer dress to one for Fall. Good quality, good fit – the signature features of well-made true vintage clothing.

I have more examples in the files of 1960’s LBDs but, in my images file, I ran across a large number of dresses of this type from the 1940’s. I’ll probably break the timeline to put these in the next posts before resuming to LBD’s from the more recent decades. I am traveling back to Headquarters as of tomorrow, so there may be a few days pause while I reorganize. Won’t be long so stay tuned . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

TRUE VINTAGE 1960’S DRESSY FROCK – ANOTHER FINELY HAND -TAILORED GARMENT FROM BRITISH HONG KONG

This dress is such a treat! I was so thrilled to uncover it. Look at the marvelous tailoring details and ingenious construction – A basic sheath style, with a heavily-decorated blouson top that appears to be separate, but is attached at the shoulders and fully-lined with a white silk under-blouse. Both layers close with a metal zipper. Hooks and eyes secure the neckline for good fit. The shoulders have strap-holders sewn in. The acetate skirt is also lined with black rayon and has a wide hem allowance plus a walking vent in the rear seam. Hand-finished all over.

In the ’50’s and 1960’s a woman of moderate means could save for the occasional purchase of clothing made this way and more prosperous women had closets full of nothing else. These were the standards of better-made garments during the mid-century. Now even very expensive clothing is sometimes constructed poorly and hardly ever as well as this dress is. The attention to detail and hand-done stitching made clothing fit better look more polished.

Tomorrow I’ll show you another frock from this decade. Stay tuned . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

1950’S – EARLY 1960’S BEADED TOPS GO ELEGANT TO DRESS-UP

Here are two examples of the most iconic cocktail fashions of this era, which could be dressed down for a home-based cocktail party or dressed up with a well-styled skirt for a more formal type of party or event. The best were made in British Hong Kong – sweaters were made of fine lambswool or cashmere and shell blouses of rayon or silk. They would always be lined and have tiny sewn-in labels showing the bust measurement. Finer pieces had cloth labels from fine tailoring shops. These two are beautiful, but not the nicest I have discovered.

Although many tops similar to this were made in the ’80’s and ’90’s when retro “vintage” fashions became really hot, I never saw any as well-made as these are. There was a great variety of designs and types of beads; sequins, seed beads, jewels and, ribbon were all used. Like these, most were monochromatic but there were some with contrasting designs. Usually, the design was also on the back side and required some care when worn but that was not considered to be a hardship for women in the 1900’s.

Tomorrow I’ll start showing some dresses. This is a category of true vintage fashion that is a very big one! Stay tuned . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

START OF A SERIES: TRUE VINTAGE PIECES FOR COOL, DRESSY EVENINGS

We’re now heading into the season for indoor parties, special occasions and events after the long, lovely summer; Cocktail parties, dinners, dances, recitals, holiday galas – you name it. I’ll be starting a series of posts of pretty, dressy and semi-formal garments in my collection from the 1950’s – 1990’s which will take us into the Fall and even Winter. Stay tuned . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

MORE WARTIME – MID-CENTURY COSTUME JEWELRY FINDS!

I love this! OK, I forgot my bag of donations but I stopped at the Op Shop (I’m in Canada right now) anyway to look for some Fall turtlenecks and took a few minutes to sift through the piles of jewelry. It’s rare to find true vintage jewelry items now, but I often do so I take a peek and look what I discovered! They’re both paddle back style clip-ons. The top pair are early – mid-1960’s girly flower earrings, which was a common design then. They aren’t really dressy, but the gold-tone and aurora borealis “diamonds” in the centers let them be dressed-up easily as well as being stylish with a more casual outfit. What could be better?

The bottom pair are really precious because they are PERFECT with the pearl and rhinestone bracelet that I found and posted a few weeks ago! Sparkly white rhinestones set in silver-tone metal would probably be from the early to mid-1950’s. They were never high-end but I’d happily wear them to the Opera or any gala (if I went to those things – you just never know). There’s one tiny rhinestone missing, but this would never be noticed and I may have a replacement at Headquarters. We’ll see.

So, the moral of this investigation is that taking the time to look for clues in hidden or unlikely spots is almost always a good idea! My experience has proven that many, many times. Stay tuned . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

UPSCALE TRUE VINTAGE 3-SEASON FAUX FUR HAT. SO MUCH FUN TO WRITE ABOUT THIS!

About the last thing I expected to encounter! There I was, looking for some chains for crystal pendants I’ve been buying and a dangle for the end of my 1960’s chain belt (which I found, by the way) and what was propped on a nearby hat-stand?; a quasi-luxe faux beaver fur hat, made in Italy for the iconic Simpson’s department store chain of Canada, which finally phased out in 1991!! More about that a bit later. First, the hat . . . . . . . . . . . . . . .. . . . . . . . . . . . . . .

Boy, do I miss my models who are having time free at Headquarters. They would do a much better job of showing this off, but you can get the essentials from these photos. Looking almost like new, with just a little storage crush. This baby is at least 35 years old and could be more like 60. The rayon-like liner is pristine, with the original label. Classic Russian toque style with a slim fabric hatband for best fit. It’s very flattering and super-practical – will fill an empty niche in my hat collection perfectly!

And, what a pedigree! Made in Italy, to their high standards of that time (some makers still seem to have them). Simpsons Department stores were historic vendors, started in 1872!!! They were in stiff competition with the Eaton’s chain and evidently tried to upscale their merchandise for a winning position. All the Eatons stores finally closed in 1999, so these two were head to head for well over 100 years. The first Simpsons store was in Toronto, Ontario, and could be compared to the iconic Marshall Field of Chicago in terms of the elegance of the store itself and its merchandise. Like Field’s, they also did the elaborate Christmas windows that families would travel far just to see. 80 years later, they teamed up with Sears, Roebuck & Co., becoming Simpson Sears. Like Sears in the U.S., they also offered a catalog service. In another 24 years, the Simpsons element was purchased by the Hudson’s Bay Company and the store name became The Bay in 1991. In the Northeast U.S. and Canada, all three of these names were very well-known and depended upon for high quality and fashionable merchandise. In the States, we could compare Eaton’s, Simpsons and The Bay to Marshall Field’s, Bloomingdales and Saks Fifth Avenue, to name a few. You can see why I’m so thrilled with this true vintage find!

So, as I always say: You just never know . . . . . . . . . . . . . . . . . . Stay tuned. I am . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

FALL IS COMING! IT’S TIME TO PULL OUT MY ICONIC 1960’S SUEDE LEATHER CAR COAT

So many mid-century gals had a similar coat when John F. Kennedy was president. This one is a well-made daily-wear style that goes with almost anything. It has a rayon satin lining that doesn’t make it too warm in mild weather, but I have seen and own examples with pile liners which usually zip out. Quality mid-century clothing was ingenious, stylish and practical.

Although 3/4 sleeves might seem awkward on a coat, they were a BIG fashion feature at that time and look SO GREAT with gloves that are longer. It’s always worth collecting true vintage gloves that are almost elbow-length; not the kind that are worn with evening dresses, but beautiful, tailored gloves of vintage kidskin. Knitted or cloth gloves would also work with this jacket in a casual mood because it’s so versatile. I love it here with my 1980’s Western-style suede skirt.

Huge plastic buttons were also a common feature on coats from the years before and after 1960 and would often give major giveaways about the garment. In general, the quality of the buttons reflected the overall quality of the coat. Detailed, sculpted buttons were very interesting and showed that a coat was not a bargain item. Sometimes they even had inlaid pieces of different colors or faux gems like “pearls” or rhinestones. A dressy coat might have buttons like that even though the coat style was very tailored. In this case, you see tailored elegance on a mid-priced garment that would last for many years.

I love Fall and, since the weather is changing, I’ll have to trot out a lot of clothing that has been in storage – maybe even open some of the archives . .. . …. . . . . . . . . . . Stay tuned. . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

LAST CHANCE TO WEAR MY 1960’S KENNEDY ERA SUMMER PUMPS!

It’s almost Labor Day, OMG!! According to the North American dress codes of the 1960’s, wearing white or shoes with cutouts like these pale beige ones after Labor Day would have been a traditional fashion faux pas (in other words, big “no, no”); an embarrassing mistake that spoke to your lack of fashion sense.

With great respect to individual and cultural standards of proper dress and modesty, thank goodness those rules no longer apply in general! Unlike our grandmothers and maybe our mothers, we can wear white and pastels whenever we want to!! We can also wear black to a wedding, white or bright colors to a funeral, slacks anywhere, sleeveless blouses anytime, shorts and sandals year-round, weather permitting. Good taste and elegance are, of course, another matter . . . . . . . . . . . . . . . . . . . . . . . . . . . ..

In 1960’s shoes like these, our grannies wouldn’t face the Fashion Police in any way. They’re exceptionally well-made (how could they have lasted so long if not?), color is pretty universal and not offensive, style is modest and mainstream and they’re comfortable for walking. Not my favorite style, but worth collecting.

That said, I much prefer the 1980’s Italian-made sandals discovery that I just posted a few days ago – interesting design, great quality, elegant and versatile style and much more flattering. But, hey, we don’t have any lock on that in the more recent decades. Fabulous avante garde and va-va-voom styles have been produced at least for the past 100 years. I should review the archives ……

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

JUST FOUND: TRUE VINTAGE WARTIME – MID – CENTURY JEWELRY

These pieces are very lovely and well-made. I am surprised that neither of them is signed or branded. It’s not often that I come across clues like these when just out and about – usually they wind up in antique stores or at estate sales.

The brooch is heavy and all the rhinestones are present. Its pin mechanism locks securely There is no corrosion on the gold-tone metal and it is quite clean overall. Someone loved this piece and stored it well. Easy to see why. I date it from the 1950’s to the early to mid-1960’s. The style is classic but modern and a bit lyrical, as was often seen in jewelry by Trifari during the same period.

The pearl bracelet is older and originally was at least as nice. There is a simple, box – push clasp which is not found on most precious jewelry with the exception of some very lightweight pieces; But the metal, while not fine, is untarnished and clean and the latch is secure. The bracelet is heavy but this is predominantly from the weight of the champagne-colored pearls, which I believe are genuine (though surely cultured). One is missing on the clasp, but I think I will be able to replace it. The strands are knotted between the gems. There are a few tiny rhinestones on the clasp and the keeper bars. Only one is missing, in a spot where this would never be noticed. Overall, this is also a very good-quality costume piece in a classic style and I would date it from the late 1930’s to the war-time 1940’s possibly to the early 1960’s.

Though fine jewelry is easier to trace, any accessory piece is a good place to start an investigation. I’ll probably keep them in the files for a while. What a coup if that missing pearl should show up . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM