Tag Archives: 1940's

NO MID-CENTURY WOMAN LEFT HOME FOR AN OUTING WITHOUT A LITTLE BLING

Whether it was a trip to town for the weekly shopping, the Women’s Club meeting or a visit to a friend in the hospital, a church service or a weekend in the city, most women’s jewelry boxes would have them covered. A simple, but elegant, pair of silver earrings purchased during that trip to Mexico would be perfect with a cotton shirt-dress or cotton blouse and capris at the grocery store. That simple string of white pearls can go almost anywhere anytime, even though these are costume (just don’t wear them in the shower). The brooch in raspberry tones would go well with a nice dress or on the lapel of your coat and the iridescent blue parure is perfect with a dressy suit. Some other time we’ll have to explore the eveningwear file –

At any rate, a few pieces could be very versatile but still leave sleuths with valuable clues about when, where and by who they were worn. It’s often enough to clinch a case . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. . . . . . . . . . . . . . . . . . . . . . . . . . . . . ..

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

AS PROMISED, THE SISTER FROCK TO THE DRESS SHOWN YESTERDAY. POST-WAR 1940’S TAILORED FOR A SOCIALITE.

No ifs, ands or buts about going to a fancy event this time. Also from Montevideo, Uruguay, it belonged to a woman who was or was posing as a member of “society”. This frock has a huge amount of glitzy embellishment both front and back, but what better way to hide in plain sight? Very pretty, and it’s all hand-done. There is a label from “Mae’s” but I still suspect a small tailoring business, unless this was a toney department store that had it’s own tailoring department. The suspect or agent in this case had access to money and obviously had “help” or a very loving and patient partner. Can you imagine any other way to manage all those close-together buttons in back? (Hey, Mae’s, looks like you could have gotten zippers from Argentina instead! See yesterday’s post)

The very 1940’s style details are evident – big shoulders, midi hem length, below-elbow sleeves with shaping detail and that bizarre stuff going on at the hip-line. Unless it’s on the right figure, it’s pretty gruesome but Stella can wear anything. This dress has a very different cut from the one shown yesterday. It may have been made for a different woman but I suspect the measurements have more to do with the style of the dress. The padded shoulders, naturally, are wider but so is the bustline. The hips are narrower. My best guess is that this was done to balance out all the pleating on the hips and keep our heroine from looking bottom-heavy.

It’s a little tired from long-term storage but we know what a good drycleaner’s can do in a jiffy. Stay tuned for stepping into the 1950’s . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

HOW INTRIGUING. A POST-WAR 1940’S COCKTAIL DRESS FROM URUGUAY

This garment came to light during an investigation in that nation’s capitol, Montevideo. It is a very international city and was undoubtedly a hotbed of clandestine affairs during the wartime 1940’s. The cocktail dress pictured above had been commissioned by a woman who was a member of the social elite who routinely had their fashions custom-tailored or traded with shops that offered handmade garments and imported couture. The lack of a label and evident hand-stitching point to a private tailor. Though the crepe is a little rumpled from years of storage, this frock has been well-preserved and is a perfect example of that genre.

I am not sure whether the tailoring differences from what we expect in dresses made in North America are due to historical constraints or to the culture of that country. The extended shoulders, sheer insets, midi-length hem and ubiquitous black rayon fabric are commonly seen in designs of that post-war time but I was a little surprised by the straight, matronly cut. Either the New Look with its nipped waist had not yet landed in high fashion, or this frock was made for a more conservative, older woman.

The same will be seen in a similar dress from that same investigation which will be shown, probably tomorrow. Stay tuned . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

A VERY DIFFERENT ACCESSORY FROM THE 1940’S – “EL RITA” PASTEL FEATHER HAT

What could be a better brand name for something this flamboyant? Next time I need a flamingo costume . . . . . . . . . . . . . . . . . OK, it IS pretty and definitely tells us that Spring has sprung. The El Rita label has apparently made hats (of various kinds) for many decades, but the elastic chin strap is always a good clue to the early mid-century or before.

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

AN HISTORICAL CHARM BRACELET FROM THE 1920’S 1930’S 1940’s DEPRESSION – World War ERA

So, when I unpacked this I thought “Oh, a charm bracelet. Those started to become fashionable in the mid-century.” Well, when I looked at it closely it’s no regular charm bracelet. It tells the story of the New Deal and wartime. Those coins are from various European countries, and the United States. Germany, France, Italy and England are represented. Leaving out several players, these are the principal Enemy and western Allies of World Wars 1&2. The little male figures (only men, of course) represent people from different walks of life and levels of society. The Native American, the professor, the businessman, the teamster, the beggar, the Laborer and the Elite. This may represent the New Deal’s aim of leveling the economic playing field across all the population. A great idea. Good luck with that.

Fabulous clue, however. Only a certain type of woman at a certain time and from a certain type of place would wear such a bracelet. Or, perhaps, it was an individual creation worn as an unobtrusive bauble but carrying a coded message . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

WITH VALENTINE’S DAY COMING RIGHT UP, I RE-OPENED THE WEDDING GOWN ARCHIVE

This is a heavy satin gown from the post-war 1940’s or maybe the very early 1950’s. The detail is incredible, while keeping the tailored, non-fussy style which was popular then. Take a close look at that cape collar. It is edged with beading all around. The buttons and loops in front are just for show. The bride gets into this dress by opening a long metal zipper on the left. So figure-enhancing! My first guess was that this frock had been custom-tailored – and perhaps a lot of custom-fitting did take place – but in truth it was sold by the high-end department store Harzfeld’s in Kansas City, MO. Part of an iconic chain of these stores, it was 11 stories high in the downtown. Undoubtedly, our blushing heroine received elite attention from the sales staff and tailoring department.

The skirt is very full, but there’s no crinoline underneath. That’s an easy thing to add, depending on taste. Just examining all the construction clues is a fascinating way to put together a picture of the era and the circumstances of this particular novia on the day of her wedding. We’ll get a chance to do some more similar sleuthing tomorrow . . . . . . . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

SILKY BOUDOIR GOWN FROM FRANCE – VIA MONTEVIDEO, URUGUAY

Found in the historic city of Montevideo, capital of Uruguay, this at-home dress may have seen a lot of intrigue. From the pre- and wartime 1930’s – 1940’s, it came from France to the home of a well-to-do woman who had the means to buy her wardrobe from there. Apparently, French-made garments and accessories were favorites of Uruguayan women in Society; at least, until they became unavailable. Some pieces may have remained accessible from occupied France, but probably only to the most elite.

It makes me wonder if clandestine activities may have taken place in order to procure these goods for those who could pay . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

HERE’S THE SWEETEST POST-WAR EARLY SPRING COAT THERE IS!

Don’t you love those great big buttons, dyed a pale mauve to match the lining of this coat? Also, those sweet bows on each sleeve and Peter Pan collar, paired with the always-necessary and convenient hip pockets – good design that makes this a wonderful true vintage garment. The wool shell is a rather loosely-woven fabric that provides warmth, but not enough for the weather we’re having now. But, just wait . . . . . . . . . . . it’s almost February and warmer days aren’t far away.

Always love the cut of swing coats, as you can tell. Some are much more flared than others, but all are classic and comfortable over whatever is worn underneath. That’s especially important in a 3-season item like this one, when temps may vary a great deal while the season is changing. Over a dress, sweater or even a suit underneath, the coat will still fit well. What could be more practical when disguises may have to be changed frequently . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

ANOTHER FABULOUS FIND FROM THE FORTIES

Stella looks fabulous in this frock, as she does in everything, but actually it’s several sizes too large for her and, so, for me, too. I can’t get away with the things that she does! Therefore, this file is to be retired. However, it’s been fun to review, with all the great features of the dresses in that era. This is a specialty design also, with the dressy velvet bow that pigeonholes it for some type of non-everyday event. Very unique and intriguing clue . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM