Although seeing any fur in fashion – even true vintage ones – stabs at my heart, I can’t help loving the elegant design, art and craftsmanship showcased in these old garments. This surprising full-length mink example is retro 1940’s from the 1980’s! All in all, it’s a super and rare find. I’m happy to see it enjoyed in a responsible way while it survives and look forward to equally beautiful faux fur creations in the future.
Loving the Forties style features such as notched collar, shoulder pads and cuffed sleeves (as well as the small size)! The brand is “Miss O” by Oscar de la Renta and the neckline label says Albrect. Even though it is a more modern piece than it’s wartime grandma, the seller followed the tradition of embroidering the buyer’s initials inside the lining.
She won’t get out much, but on some starry night over a Post-war frock . . . .
Look what I discovered and picked up for pennies! Although I avoid buying any modern pieces of leather, skins or fur, I’m still captivated by the style and quality of true vintage examples which have endured in the second-hand market.
Made in Mexico, this belt from a bygone era combines the best features of beauty and craftsmanship. (And, it’s my size!)
Someone enjoyed this lovely accessory for years and perhaps was reminded of a great trip south of the border. I’ll carry on the fantasy while I nip the waists of pants, skirts and jackets. Ole’!
Fun – three in one! I think all these dresses were owned by one woman who loved the easy-wear shirt-style frocks of the late 1950’s to early 1960’s. The nicest one, in center, was custom-made and is maybe the “newest” of the 3. It’s got a vintage nylon zipper whereas the other two have metal zips. They came from Montgomery Ward and Sears and Roebuck.
A little large for me, so they’ll probably find their way onto eBay next Spring, but I love them just the same. Wonder who recently had to give them up ? Part of the mystery – you just never know . . . . . . . . . . . . . . . . . . . .
Can’t you see Stella greeting her cocktail party guests at the door of her penthouse on Park Avenue? At first glance, in photos 3 & 4, this looks like a sumptuous but sedate evening gown. However, when she begins to walk . .
there’s a strapless jumpsuit underneath! Wide embroidered mesh panels with streams of shiny sequins from shoulder to hem, finely tailored with satin binding, waft and swing across her legs as she fetches your martini. I have never, ever discovered one of these and I’m so excited!
It’s Joan Leslie by Kasper and it’s a late 1960’s – early 1970’s vintage. Almost looks like ’40’s – ’50’s to me, but that would pre-date the label. Just a continuation of the glam costumes which began to appear in the 1920’s when women’s hostess outfits started showing up with wide-leg silk and satin pants.
So, I always love a party . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Yes, yes, yes, ANOTHER one. I just can’t pass up true vintage hand-tooled leather bags. Maybe because they’re always different from one another. The designs, while traditional, are all unique and sometimes very personalized.
This is the only one I have of exactly this shape or with this motif. Love the rigid frame that gives it a very roomy interior. It could be from the 1940’s up to the early 1960’s.
Designs on leather handbags were very popular beginning in the 1920’s(?) and 1930’s but the earlier ones may have been stamped designs. Western-style and Mexican hand-carved designs came a little bit later and the bags usually tended to be bigger. Then it became all the rage to make these bags at home with lessons, leather-craft materials and tools from suppliers like Tandy. Today, they are real treasures! More to come – stay tuned . .. . . .