A PROPER BLACK TEA OR COCKTAIL DRESS FROM THE POST-WWII ERA

Frilled up a little by the lace inset at the neckline and lace trimming at the hem, this dress would have been accepted at any semi-formal gathering, cocktails or not. Although it’s a little bit “secretary, librarian, school teacher” in it’s modesty, the cap sleeves, peek-a-boo neckline and nipped waistline are a bit flirty. The ever-present black crepe fabric gives it the figure-skimming drape. Elegant, even though it wasn’t the most expensive frock.

Back when dresses were always the expected attire for any gathering that was professional or vaguely formal, this dress was an easy, comfortable design to meet the need. Styles were loosening up a little, though structure was still important and tailoring very elevated. In the 1950’s things changed hugely in Western society and, of course, in fashion. I’ll be investigating during the next few days but we’ll continue the cocktail fashion timeline next week. Stay tuned . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

BEFORE ANIMAL RIGHTS ACTIVISM – FUR AND WOOL COATS AND CAPES FOR DRESSY DAYS AND EVENINGS

Seal, curly lamb, fine wool – even the more masculine overcoat and trench coat styles were worn by women. Remember Ingrid Bergman’s in Casablanca? Classics like this were considered to be very elegant back in the day. They still are, though our choice of materials is changing, thank goodness. Any of them would have been considered appropriate over dressy attire. On a warmer evening, this little velveteen jacket with 3/4 sleeves and a peplum waist would suit for any semi-formal or even formal occasion to keep bare arms and shoulders cozy.

Next, back to the ’30’s – ’40’s “cocktail” dresses rundown. Stay tuned . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

TRUE VINTAGE SHOES AND BAG TO COMPLETE YOUR 1940’S DRESSY ENSEMBLE

Velveteen pumps, velveteen and velvet bags, even a 1930’s beaded version – what could be more perfect for a dressy evening out? Marvelous finds! Tomorrow I’ll show some 1940’s outerwear for the occasion. Stay tuned . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGSPY

BLOG: MAGICVINTAGESPY.COM

BEAUTIFUL TRUE VINTAGE 1980’S DOES 1940’S REPRODUCTION DRESS

Here’s a lovely frock made by an amateur (?) tailor with her own name label sewn in. The photos don’t do it justice – the tailoring is exceptional. No decoration – classic and elegant. Neckline is the focus, but the features of a post-war 1940’s New Look dressy frock are faithfully recreated – nipped waistline and the point at waist front, sweetheart neckline, very short sleeves and circle skirt. The fabric is a lush velvet.

So, I had to collect it when it showed up. More coming before we round out this decade. Stay tuned . . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

TRUE VINTAGE POST-WAR 1940’S BEADED COCKTAIL DRESS

During a South American investigation, this frock was discovered in the beautiful and historic city of Montevideo, Uruguay. During WW 2, well-to-do Uruguayan women still had beautiful dresses made for them and did some trade in clothing and accessories from France. This dress has the label of a small tailoring shop, is exquisitely made by hand and was obviously owned by a woman from the upper class who would wear it to dinner or any semi-formal festive gathering.

Style-wise, the augmented shoulders, funky ruching on the hips and sleeves plus the midi hem point directly to the late 1940’s. Heavy decoration with beads and sequins is all done by hand, as is the finishing. Look at all the small buttons in back, each with it’s own fabric loop closure. Stay tuned for more from the 1940’s . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

FUN TRUE VINTAGE 1940’S POST-WAR NIGHTCLUB DANCE DRESS

I’m back in black today, but more color coming. I really loved discovering this frock in Texas. Sold by an upscale privately-owned clothing company that had it’s own label. The trim is black velvet tube ribbon and the skirt is made for swingin’ and swayin’. Perfect for wearing to any dance hall or vibrant party, and we know that Texans love to party!

It’s got ruching on the sleeves, which was a favorite ’40’s tailoring feature. Nipped waist and wide skirt plus a midi hem puts in firmly in the post-war time frame. So much fun to discover – a fun dress from a very jubilant time in history. More Forties fashion coming, but dressing it up with an international twist. Stay tuned . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

BEAUTIFUL RAYON DRESSY DAY-DRESS FROM THE POST-WAR 1940’S

Taking a short break from the LBDs and going for a little color. This beautiful navy blue fitted rayon dress is a perfect example of the late 1940’s return to more luxurious day wear after the restrictions of rationing were ended. The label is Loma Leads, from a dress company that was organized in the late 1920’s and operated in New York and Paris. It had several departments and was around in one form or another at least into the early 1960’s. A very uptown classic ladies dress from the time when there was more fabric available again, so hemlines came back down and extra tailoring details like the peplum and bodice tucks were again possible. Women had been SO waiting for this! The exuberance of big rhinestone buttons on a day dress speaks to the attitude of a return to extravagance in fashion. The big skirts of Christian Dior’s New Look at this time is another example.

This style, however, is very buttoned-up and, to my mind, underlines the haughty, elegant and “rich” look intended here. After all the restrictions and deprivations of the “make do and mend” wartime years, luxury and affluence were the beckoning horizon for the United States and Canada while Europe was more intent on surviving and rebuilding after all the extensive damage to their infrastructure and land. But, Paris had always led the world of couture and design so fashion bounced back there, too, as Dior and other designers met the challenges and optimism of the new era and resumed their lead.

It is so fascinating to untangle the ways that fashion trends dovetail with historical events. The clues are everywhere and a good sleuth always looks for them. A completely different example from this time tomorrow – stay tuned . . . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM . . . . . .

TRUE VINTAGE ’50’S – EARLY ’60’S COCKTAIL BLOUSE FROM DOWN UNDER

What a wonderful, unique and chic mid-century piece! Discovered during an investigation in Australia, this pretty top made in Britain (or by a British company) is made from semi-sheer fabric that has a woven-in contrasting pattern. It buttons up the back and has the distinctive feature of 3/4 length sleeves with fur cuffs. Great fit and gorgeous over a black skirt or dressy pants. Casual, but elegant.

Women’s semi-formal clothes were especially fabulous between the 1920’s and 1960’s. Although many dresses, skirts and blouses had lovely decoration in the years before, styles were too buttoned-up for my taste. After the 1960’s quality, creativity and elegance really seemed to take a dive. Give me styles from the Prohibition speakeasys, film noir and revolutionary Sixties any day. The Seventies had too much polyester, the Eighties had some great Forties retro and avante guarde New Wave but were overall too gaudy and the Nineties had an overabundance of black. Of course, great pieces were made during all these decades but seemed to be the exception. Just my opinion – you decide.

Thank goodness that modern faux fur and animal skin alternatives have become almost indistinguishable from real ones which, in my opinion, are an abomination. This also includes silk, tortoise shell, horn, coral, pearls and ivory. True vintage pieces made from these materials decades ago are an important part of fashion history and can be fun to collect and wear but I ask my viewers NEVER to support the market for these products by buying modern items made from them. This is how we can block the profit from breeding and slaughtering these wonderful creatures and stop it. If you are looking for clothing and accessories made from any of these, check at a secondhand thrift or antique store. Thank you and stay tuned for that 1940’s series . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

ELEGANT MOD TRUE VINTAGE 1960’S LBD

From the early to mid-1960’s, a sleek, sleeveless classic sheath style cocktail dress with a boat neckline, which I love. It’s knee to bottom-of-knee length, which is a very flattering hemline on most women and was common at that time right before almost everything had an above-the-knee or mini length. It’s so hard to get good detail on black clothing in photos, but this one is easier because the only decoration is a medium-width band of black beading at the waistline. Very well-tailored in a light-medium weight knit fabric with a very nice drape. This one factor takes it over the line from a Summer dress to one for Fall. Good quality, good fit – the signature features of well-made true vintage clothing.

I have more examples in the files of 1960’s LBDs but, in my images file, I ran across a large number of dresses of this type from the 1940’s. I’ll probably break the timeline to put these in the next posts before resuming to LBD’s from the more recent decades. I am traveling back to Headquarters as of tomorrow, so there may be a few days pause while I reorganize. Won’t be long so stay tuned . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

TRUE VINTAGE 1960’S DRESSY FROCK – ANOTHER FINELY HAND -TAILORED GARMENT FROM BRITISH HONG KONG

This dress is such a treat! I was so thrilled to uncover it. Look at the marvelous tailoring details and ingenious construction – A basic sheath style, with a heavily-decorated blouson top that appears to be separate, but is attached at the shoulders and fully-lined with a white silk under-blouse. Both layers close with a metal zipper. Hooks and eyes secure the neckline for good fit. The shoulders have strap-holders sewn in. The acetate skirt is also lined with black rayon and has a wide hem allowance plus a walking vent in the rear seam. Hand-finished all over.

In the ’50’s and 1960’s a woman of moderate means could save for the occasional purchase of clothing made this way and more prosperous women had closets full of nothing else. These were the standards of better-made garments during the mid-century. Now even very expensive clothing is sometimes constructed poorly and hardly ever as well as this dress is. The attention to detail and hand-done stitching made clothing fit better look more polished.

Tomorrow I’ll show you another frock from this decade. Stay tuned . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM