MADE FOR A BOND GIRL? . . . . . . . . . . . . . .

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The most interesting dress – by Lawrence Kazar  New York and it looks like a “daring” mid-’60’s design to me, but may be 1980’s as I can’t find any earlier history on this designer.  The fit is slinky and small but the armholes are cut very low and it’s styled to wear without a bra.  That’s a trick to do effectively but this design succeeds.  If your dimensions are right, it’s a knockout!!

Besides the bra-less top, the most distinctive feature is the peek-a-boo waistline which was sometimes seen around 1965 or so.  It’s very nicely tailored and such a gorgeous color.  So, Mod or Dynasty, I really couldn’t care less.  Oh, James . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG:  MAGICVINTAGESPY.COM

“NEW” FIND TODAY – 1960’S VERY LADY-LIKE PATIO FROCK

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Yes, it’s a summer dress but how could I resist?  We don’t usually find them with all these pretty details – a very Victorian Prairie thing for a hot-weather girl.  Looks like it was commercially-made, but there are no tags.  I may end up selling it next year but, you just never know . . . . . . . . . . . . . . . . . . . . .. . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG:  MAGICVINTAGESPY.COM

BEAUTIFUL TRUE VINTAGE FIND! A ’60’S TO ’70’S LONG SUMMER GOWN

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This is absolutely the prettiest apricot-color floral print dress!  It’s got an old Talon zipper in back and is in fabulous condition (and my size, if not my best color – maybe a little summer tan will help).

Don’t know whether this was Prom or whatever in it’s first life, but now I’d wear it almost anywhere.  Could even be worn as part of a wedding party.  The cut and skirt treatment are very well done, making this a super-flattering frock.

Let’s see what’s next . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG:  MAGICVINTAGESPY.COM

LOVE THIS HAND-TAILORED COTTON GOWN IN A PRETTY PEONY PRINT

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The colors are beautiful and the styling unusual, with a faux train detail back and front – falling from the bodice.  My first impression was that this dress may have been made in Hawaii, but I’m not sure.  There is no label and my impression is that it was made by an individual with tailoring expertise or at a small tailoring shop.

The fabric and construction details say true vintage to me, so I’m going with that.  Such a pretty design – it floats from just above the bust-line, swirling down to the hem, which is cut just a little longer in the back to make the dress fall properly.  This is a detail that is not often (if ever) seen in mainstream patterns that have been cut recently – one of the important styling elements that have gone by the wayside in modern times.  Surely true couture houses still observe them(?).

Anyway, gorgeous, gorgeous, gorgeous.  Very informal but extremely elegant.

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG:  MAGICVINTAGESPY.COM

LATEST FIND! TRUE VINTAGE 1960’S HOUSECOAT – MOD AND SWEET

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Nothing “Lady of the Manor” about this dressing gown – a little bit more Carnaby Street.  Still a perfect hostess gown or leisure wear garment.

Lovely, heavy nylon with cute button trim at the neckline and the Sixties bell sleeves.  I love the print and the colors in this gown!

It’s always such fun to find beautiful clothing that is 50 years old but still in perfect wearing condition.  I breeze around the house in this one a lot!!

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG:  MAGICVINTAGESPY.COM

 

 

GORGEOUS CUSTOM-MADE POST-WAR FORMAL GOWN IN SUMPTUOUS BLACK RAYON VELVET

Although very similar, I might place this dress as having been made a little earlier than the one shown yesterday – looks late 1940’s to me.  It might or might not have been worn with a crinoline underneath.  Like the other, it’s completely hand-made and this one has the tailor’s label sewn into the neckline.

One of the best things about this gown is the fabric – a plush, heavy velvet that feels like old rayon.  Love the sweetheart neckline and off-the-shoulder sleeves that, to my taste, are done a bit more artfully than those on yesterday’s dress.  I think it’s mostly a style change that took place over a couple of years around the turn of the ’40’s to ’50’s decade.

Anyway, who wouldn’t love it!  I so wonder what events these dresses were made for and where they went.  That part of the mystery is as yet unsolved . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG:  MAGICVINTAGESPY.COM

 

 

 

 

THE FIRST OF TWO FABULOUS MID-CENTURY FINDS – NEW LOOK CUSTOM-TAILORED BALL GOWN

This gown is hand-tailored with extreme attention to detail.  It would be worn with a crinoline for a full, bell-shape.  Because of the styling, I would guess that it was made in the early 1950’s but, possibly, as early as the late 1940’s.  A special occasion dress, of course, and there’s hardly any evidence of wear.  Maybe it was even made for a Prom or Homecoming dance back in the day.

Women were so happy to dress in longer skirts, sumptuous fabrics and new styles after the austerity of the war years.

I’ll be showing a sister gown tomorrow – very similar style and probably made a few years earlier.  What fabulous discoveries!

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG:  MAGICVINTAGESPY.COM