Rare and unusual short-sleeved jacket with many of the best features of the wartime / post-war originals. I have several of the real Forties examples in my collection for comparison. Look at the detail photo for a better view of the covered buttons, sleeve pleats and crepe-style fabric.
Love the fitted cut, all the tailoring detail and smooth lines. Made before quality really hit bottom, it’s an honest and true attempt to simulate the real deal.
These jackets look wonderful over pencil skirts, cigarette or wide-leg pants and skinny sheath dresses. A super find!
Long, sweeping gown in a beautiful, heavy cotton(?) – the photo on left shows the cut while the photo on right gives the true color and close-up of the interesting print. This dress has many construction contradictions; some point to 1940’s and some to 1960’s. Undoubtedly, it was custom-tailored.
Maybe our mid-century tailor was very experienced and knew how to use various methods to achieve exactly the slinky, hourglass fit she wanted. The bell sleeves and commercial braid trim say 1960’s but the mid-back zipper placement, dip in the front waistline and fabulous art print fabric say 1940’s. Looks like a film noir hostess gown. I love a mystery!
Anyway, it’s an absolute beauty and fits me like a glove. Dresses with the zipper placed mid-back are always a trick to get into and out of – pays to understand the method. However, when the fit is right and the construction good, it’s a snap. Tomorrow I’ll show you a cute shift with a clear Sixties pedigree. Stay tuned . . . . . . . . . . . . . . . .
Oh, I love this – just my style. Dark navy gabardine fabric with a fabric-covered belt and interesting details. Peplum waistlines are so flattering, on the right figure.
This beauty is in such good condition for it’s age. I do need to replace the tattered lining and re-install shoulder pads, but that is a minor repair. The best things are the authentic 1940’s styling, the belt in great condition, the quality fabric and tailoring. I’ll wear it forever.
A very pretty fabric handbag in faille on the outside and satin on the inside both, I believe, of silk. With hardly any wear, the inside is pristine. I love the kiss clasp inset with black cabochons and the sculptured metal frame.
So, that’s what I’ve been doing on the side in the past few days. What next? You just never know . . . . . . . . . . . . . . . . . . . . . . . .. . . . . . . . . . . . . . . . . .
Fabulous! Both these slips are rare finds, but the one on left – the oldest – is REALLY RARE. Let me describe them both, and the most fascinating details –
The long slip on right is a post-war 1940’s – early 1950’s length. Look at the beautiful embroidery on the bodice. It’s a very small size (not unusual at that time), but I can wear it and it’s perfect under many of my dresses from that era. Nice to have the hemline lower for those midi-length frocks.
The shorter slip on left is the real elusive find. It’s made of cotton or cotton blend, which is extremely rare and sought-after for wear during the warmer months. I have a couple in white, but BLACK is like WOW!!!!!!! Black sheer summer dresses in my wardrobe will get a lot more wear now. Also, look at the bodice decoration – cute embroidery and RUCHING, which is rarely seen and an older style of embellishment.
The red color of the lace may be due to the effects of perspiration over time. It’s so uniform that I’m not sure about this, but could be that the lace is of a different fabric content (likely) which reacted to the chemicals in sweat. It could be re-dyed but it is kind of pretty as is . . . . . . . . . . . . . . .
Here’s another dressy frock from Montevideo, Uruguay – probably just a few years younger than her sister shown yesterday. This dress is stylish, but not as Crawford vampish as the other. The 1940’s styling has been played down, excepting for the puffy shoulders and embroidered mesh trim. I forgot to take a picture with the black curly lamb jacket which was also a recent find, from the early 1950’s. Would be a perfect wrap over this dress.
No, it is not bare on the bodice. The mesh has been lined with a flesh-tone panel which is a perfect match for bare skin peeking out at the shoulders. The tailoring of these mid-century frocks is just astounding, especially when they were hand-made by dressmakers. The well-to-do ladies in Montevideo would have had much of their clothing custom-made to their specifications and fit.
However, remember the dressing gown from a few days ago? It was also hand-made, but from France, and probably purchased before the European war. Many Montevidean women purchased French fashions and accessories back in the day.