A LADIES WAR-TIME EARRINGS AND BROOCH JEWELRY SET FROM 1940

This set reflects very well the resourcefulness of war-time women and their suppliers in the fashion trade. The availability of metals was restricted, if not yet rationed in 1940. Why not use a hardening and preserving process to manufacture beautiful pieces from natural leaves? The brooch might even have a loop behind for hanging on a chain as a necklace, which was often done. Of course, we’ve seen similar jewelry in the commercial market for the past 3 or 4 decades but this must have been a new or rarely-used technique back in the day. Looks like copper was part of the witch’s brew used here.

Just love it when a lady (investigator, victim or witness? . . . . . .) made notes about the evidence which we sleuths can use in the future and kept the original packaging. Perfect clue . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . …

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

IT’S A BIG FILE! LET’S KEEP LOOKING AT LATE 1930’S – EARLY 1950’S

Here’s a beautiful gown from 1942 which I discovered via clandestine information filtered through the espionage grapevine. It was a surprise and fabulous find and so wonderful to get first-hand intelligence about the history! This was originally a department store purchase imported from Europe. What a gorgeous veil, with excellent disguise potential . . . . . . . . . . . . . . . . ..

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

SILKY BOUDOIR GOWN FROM FRANCE – VIA MONTEVIDEO, URUGUAY

Found in the historic city of Montevideo, capital of Uruguay, this at-home dress may have seen a lot of intrigue. From the pre- and wartime 1930’s – 1940’s, it came from France to the home of a well-to-do woman who had the means to buy her wardrobe from there. Apparently, French-made garments and accessories were favorites of Uruguayan women in Society; at least, until they became unavailable. Some pieces may have remained accessible from occupied France, but probably only to the most elite.

It makes me wonder if clandestine activities may have taken place in order to procure these goods for those who could pay . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

1970’s DOES 1940’S FESTIVE SWING DRESS

This dress is made very faithfully to style elements of the wartime 1940’s. The zipper told me that it was made during the early 1970’s during the Forties fashion revival of that time, but otherwise it could have been original. Sometimes well-done reproductions are even better in some ways such as ease when dressing (zippers are not in hard-to-reach places) and laundering. However, there’s NOTHING as wonderful as original vintage so I love finding beautiful reproduction garments from eras where a lot of the originals no longer are with us. More to come, in colors and styles just right for the coming season . . . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

BRIGHT MID-CENTURY DAY DRESS FROM A TIME OF AUSTERITY

Love the color, the atomic print and collar shape. I believe that this dress was made during the 1940’s, when sewing materials were hard to come by. However, if so, our seamstress didn’t skimp on the hemline. What tells me that this may have been a wartime dress or sewn at a time when money was scarce is the lightweight material in some kind of synthetic and the very pared-down design. The bright color and au courant print for that time speak to how wartime women and manufacturers rose to the challenges during a very difficult era and held on to their fashion-sense.

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

A VERY SLINKY MATA HARI VIBE, PROBABLY FROM THE 1990’S

Remember that true-life wartime spy who became famous for her espionage during World War 2? A woman after my own heart and a mentor, for sure. Asian and Asian-inspired fashions became really popular back in the day because of her. I have another dress almost like this one, but I think I’ll keep both. Rayon, again, and oh, so flattering.

The makers also got something else right – the sleeves are made of sheer fabric. This style feature was quite popular in the Forties on bodices, sleeves, shoulders and inserts near the waist. And, of course, there’s nothing like a black and scarlet combo. Perfect for a little intrigue . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

1980’S DOES 1940’S RAYON DAY – DRESS WITH A LITTLE MORE FASHION – FORWARD STYLING

This dress was made by Liz Claiborne back in the Eighties day. Rayon again, of course. The fabric print colors say more Fifties to me, but the styling is right for a salute to styles from the middle of the Forties decade. The shoulders are padded substantially and the classic shirtwaist styling is very mid-1940’s. I especially like the slightly-dropped waist which gives a great fit on the hips. Love it – come on, summer!

While not a sarong style a la Dorothy Lamour, it’s still got that Pacific vibe which became popular after Japan joined the fight. Exotic island colors and little palm trees so we could forget about the actual horrors taking place halfway across the world. . . . . . . A sad memory for the day after Veterans Day, but thanks to the Liz Claiborne designers for getting a lot of it right!

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM