Empire A-line styling with flutter sleeves and a floral print – couldn’t get more ’60’s early ’70’s than that. But, there are so many retro versions made recently – why would I decide to collect this one?
Frocks that I might otherwise pass on if they were commercially – made, I will collect if custom-tailored. Hand-sewing always tells it’s own story, with special touches and unique designs or fabrics.
So, this dress is especially pretty and versatile. It only needs a few TLC interventions and will be ready to go. I might lose the sleeves, as I like sleeveless styles so much, but will decide later.
More finds from this general era, but very different. Stay tuned . . . . . . . . . . .
At first glance, this frock looks like something modern but the tailoring details and fabric tell it’s true age. It’s hard to be sure of the true color in this photo, but it is another beautiful velvet, in aubergine with iridescent flocking in a floral design. Again, sorry for the poor focus.
This dress could go from being a swanky hostess outfit at home to a night on the town. Long sleeves are so practical in the evening and the deep slit in front adds the drama that is lacking in this otherwise conservative style.
Very well-made and fits like a dream. I’ll get a lot of use out of it, when the occasion calls . . . . . . . . . . . . . . . . . . . . . . . .
So unusual to find a maternity blouse this old, let alone two of them within a couple of weeks! This example is definitely from the 1960’s, per the fabric, but with styling from an even earlier era.
Peter Pan collar, contrasting cuffs, back button closure and a deep inverted pleat in front. Although maternity wear was available commercially long before this garment was made, most early pregnancy-wear seems to have been sewn at home.
It’s fun to see prim and proper pregnant meet psychedelic! More to come – stay tuned . . . . . . . . . . . . . . . . . . .
OK, we’re going from oldest to youngest in these next 3 posts. My apologies for the poor focus. Cropping efforts didn’t come through, either, but you can see all that is necessary for this description. Was astounded a few days ago to find this rare garment! In the past two years 3 or 4 frocks in this early 1950’s style have suddenly come my way; haven’t seen them before that for quite a long time. . . . . . . . . . . .
Like only one of my other examples of this fashion, the gown pictured here was custom-tailored (probably at home) and made for an adolescent girl, from the style indications. Usually, dresses made with the fur-trimmed sleeves, neckline or hem were sophisticated styles made for women. Of course, girls like to wear their own versions of adult designs in every decade.
Aside from the empire styling, rather than a New Look design, one tell-tale clue is the type of fur used. Garments made for women usually had mink trim, whereas the 2 girls’ dresses I’ve discovered have had what looks like rabbit hair. However, the cranberry velvet is plush and I’m sure the young miss who wore it was pleased. It’s so much fun to follow the stories that these old clothing items tell. Stay tuned for a 1960’s item – a repeat of another recent find . . . . . . . . . . . . . . . . . . . . . . . . . .
Iconic evening style of the time – 3/4 length sleeves with fur cuffs. This one has the bateau neckline that I love, with a deep plunge in back. The hemline is below-the-knee, but not quite midi.
An off-the-rack piece with only an inventory label, but very lovely. The tailoring is quite good, with a full lining, underarm gussets and the overall condition is exceptional. Obviously, the owner considered it a spacial frock and guarded it carefully over the decades.