Tag Archives: gown

NOW, FOR A GENUINE PROM DRESS FROM THE 1940’S

Back to the delightful tailoring of the early mid-century. This is real 1940’s Prom dress style before they became over-the-top- flouncy a few years later. I love the unusual color palette of this frock – sheer powder blue over mauve pink. The ruching on the bodice is quite unique and especially flattering on someone with a small bustline. Looks like a comfortable design that wouldn’t invite wardrobe malfunctions.

Extra crinoline layers could be worn under the skirt if a mid-1950’s silhouette is more your style. However, comfort and freedom of movement are always the gold standard for any effective disguise. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

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SAPPHIRE BLUE AND SATIN, TOO . . . . . . . . .

This version of “satin” is really heavy and is also a bonded fabric. Materials like this crop up here and there throughout the mid-century and seem like they would be uncomfortable to wear. However, they hold their shape very well without the need of too many stiff crinoline underskirt layers which, I suppose, was the point and an improvement over 1950’s styles. The hem is tea-length on Stella but an average-size gal from 1960 – about 5 inches shorter – might have found it to be ankle-length. Again, not really a Prom dress but it would have been perfect at a gala or music recital.

The most striking features are the intense color and the back-view design. Bows were a big deal – even up into the early 1970’s. Comfortably demure but also sexy in it’s own way, gowns like this provided lots of coverage for girdles, garter belts and structured bras – the standard foundation garments of that time. Less prone to “wardrobe malfunctions”? Not sure about that. I’m sure there are stories . . . . . . . . . . . . . . . . . . . . . . . . .. . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

OKAY, LET’S GO COMPLETELY DIFFERENT (AGAIN) FOR ANOTHER 1960’S WEDDING(?)

Now we’re Prairie – Victorian, or some combination of the 1800s. Empire waistlines were in style earlier in that century and high necklines with tight sleeves mostly in the 1890’s. The late 1960’s and early 1970’s fell in love with the 1800’s fashion. Think early Gunne Sax. This was especially true for white cotton lingerie undergarments, sleepwear and casual clothing but also spilled over into some day dresses and formals. In this case, a white structured gown was likely meant for a wedding or, at the least, some kind of formal occasion

This one is all 20th century fad fashion, with a zip up the back and polyester fabric. But, it was fun while the trend lasted. Not the best disguise, however, unless you’re in the theater . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

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LET’S MOVE FORWARD A COUPLE OF YEARS AND SEE WHAT AN EARLY 1960’S BRIDE MIGHT WEAR

Although full skirts were still seen on wedding gowns in the early 1960’s (and probably always will be), narrower skirts and differently-styled bodices began to show up more often. Society was beginning the overthrow of traditional ways of doing things. Especially after Americans’ and the world’s hearts were shattered by the murder of our King Arthur in 1963, all bets were off and the Mod fashion revolution began.

I somehow doubt that the Kelly Arden mini-dress on right was intended as a wedding frock, but it could have been – even with the contrasting buttons and sash. Grandma would have been scandalized and all but the most fashionista of mom’s wouldn’t have liked it, either. That would have been a powerful clue to the identity of the mystery bride . . . . . . .a closet revolutionary. Not surprisingly, the anti-establishment trend continued as the files further reveal. Stay tuned. . . . . . . . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

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TWO PRETTY GOWNS FROM THE KENNEDY ERA – AMERICA WAS DEEP INTO THE CAMELOT DREAM

These dresses are very similarly designed, from right around a couple of years either side of 1960. Although they both reflect the New Look changeover which had begun 10 years before, the most notable thing about the style on the left is the shoulder tails. These had been popular on dresses in the 1930’s and earlier, I believe, but made another appearance right around this time. That element changes this garment from a Prom dress into what I suspect was meant for a wedding. The sparkly sequined cummerbund cements the dressy deal.

On the right, our heroine is either a Bridesmaid, Matron of Honor or a bride herself for the second (or 3rd or 4th . . . . . . . . . . . . . .) time. This style has more of the 1940’s elements we’ve seen before, though I still believe that it is newer than that. The sleeves are a clue. However, it was custom-tailored so there is always the element of mystery involved. . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

ANOTHER MYSTERY GOWN AND A NON-TRADITIONAL IDEA

Two fabulous clues that I was never able to fit exactly into place. It’s pretty clear that they both originated somewhere between 1946 and 1962. The investigations they might have clinched have long-since been solved or placed into the dead file. At any rate, it’s clear that, if not a wedding, some gala event and prominent characters were involved.

Before my time, but would make great bases for a story. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

BEAUTIFUL TRADITIONAL WEDDING GOWN FROM 1955

This gown deserves to be shown on its own. I know the history of it since it belonged to a family member. Imagine an 18 yr.-old girl with stars in her eyes on her special day. Look how sweet – with the cute little bolero jacket. The strappy gown on its own would be great for the Prom. And that tiara headdress . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

A MYSTERY DRESS THAT I STILL CAN’T DECIDE ABOUT – PROBABLY ’30’S, AND 2 FROM THE ’40’S

Yes, probably 1930’s there on the left, or maybe even ’20’s. It would look completely different with the appropriate undergarments, but still super-unstructured. What a difference 10 years can make. We go from shaped like a bag to built like a battleship in the 1940’s. Especially after a war – everything changes. This can certainly be seen in the fashion world and makes the sleuthing trade a little easier, but a LOT more fascinating . … . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

IT’S A BIG FILE! LET’S KEEP LOOKING AT LATE 1930’S – EARLY 1950’S

Here’s a beautiful gown from 1942 which I discovered via clandestine information filtered through the espionage grapevine. It was a surprise and fabulous find and so wonderful to get first-hand intelligence about the history! This was originally a department store purchase imported from Europe. What a gorgeous veil, with excellent disguise potential . . . . . . . . . . . . . . . . ..

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

SILKY BOUDOIR GOWN FROM FRANCE – VIA MONTEVIDEO, URUGUAY

Found in the historic city of Montevideo, capital of Uruguay, this at-home dress may have seen a lot of intrigue. From the pre- and wartime 1930’s – 1940’s, it came from France to the home of a well-to-do woman who had the means to buy her wardrobe from there. Apparently, French-made garments and accessories were favorites of Uruguayan women in Society; at least, until they became unavailable. Some pieces may have remained accessible from occupied France, but probably only to the most elite.

It makes me wonder if clandestine activities may have taken place in order to procure these goods for those who could pay . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM