Tag Archives: Post-war

OOPSIE DAISY, BACK IN THE 1940’S WITH A BLACK CREPE COCKTAIL FROCK

For cocktails and/or dinner, a dressy but elegantly designed garment. Either pre- or post-WWII (probably Post-) a simple rayon crepe sheath with a midi hemline. Notice the beautiful drape of this fabric. Modest but semi-flashy rhinestone decoration and an eye-catching deep keyhole neckline, saying “YES! The war is over and we can party in beautiful dresses again!”

This one came from Australia so may even have been made in Britain, as much of their clothing was before the 1970’s or so. The arrival of fast fashion put an end to many quality brands and their exports as well as iconic department stores and ladies’ clothing shops which used to sell them. Today we can have boatloads of cute crappy stuff instead of a selection of well-made and lovely garments and accessories. Progress? Ha! Don’t believe it. I’m old enough to remember my grandmother’s good stuff and trips to the city with my mom for Christmas shopping. Stay tuned for more . . . . . . . . . . . . . . . . . . . . .

Post-war 1940’s Early 1950’s Strapless Wiggle Cocktail Dress

This one was from Chicago, as the label tells me. It’s not officially an LBD because it is actually dark mid-night navy blue in a smooth, lighter weight fabric to get that sleek silhouette. In spite of the little flesh-color straps, which might have been mostly for hanging purposes, you’ve got to have the right figure to pull this off correctly. Marilyn Monroe did it wonderfully well.

This was a one-of-a-kind find originally sold by a higher-end store in the Windy City. Would love to know who, where, when and how it was worn but, sadly, there were no additional clues. Who cares – she speaks for herself. Stay tuned for more . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

1940’s POST-WAR 2-PIECE DRESSY WEDDING SUIT

Here’s Stella in a beautiful wedding suit from the 1940’s. In fact, it was the outfit she was wearing when I discovered her. Although this ensemble might have been worn for another special event, I’m sure it was a wedding dress. It’s in a heavier-weight jacquard fabric with classic bridal tailoring details such as tiny covered buttons and points at the wrists – almost midieval. Again, I suspect that it was tailor-made. The peplum and shawl collar are very Forties, plus a rare coil zipper and unusual piecing of the skirt which causes the uneven hemline.

A fabulous and fun find! Stella’s been part of the team ever since. Stay tuned for her modeling more semi-formal and long dresses . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

1940’S – ’50’S SEMI-FORMAL FROCK WHICH COULD ALSO HAVE BEEN FOR A BRIDE

Such an interesting frock. Midi length on Stella, but she’s tall so it could have been tea or floor length on a woman of short stature. I couldn’t decide whether this dress was tailor-made or purchased at retail, but I could find no labels. I suspect that it was custom-made for a cool-weather wedding and the style really makes me think of some Wartime or Post-war bridal dresses I’ve discovered. Could also have been designed for some other special event . . . . .

Pretty mid-weight textured but glossy fabric which may be synthetic or a blend. Unusual long sleeves; but the best thing about this style is the collar. Each layer is carefully supported around the edge with wire so that it can be shaped by hand. I’ve very rarely seen this and it helped me to date the garment. It came from Australia so I may notice a British influence(?).

More semi-formal and long dresses coming. Stay tuned . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

BACK TO THE FORTIES WITH A RAYON DAY-DRESS

Don’t you love the color combo? And, of course, that wonderful 1940’s rayon fabric that is soooo comfortable. Simple design, but it’s far from a house dress. It would have gone from city shopping to business meeting. Alas, was too big for me and I sold it some time ago, but I always keep the files . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

A LITTLE TRUE VINTAGE 1940’S JACKET AND SKIRT

I love the apple-green button trim on this navy jacket from the 1940’s. Alas, the original skirt was lost, but I was able to find one with an almost-perfect color, fabric weave and true-to-the-era style. That is phenomenal and rare, but not impossible for the Magicvintagespy.

Aside from the cute and iconic design, these pieces are able to be worn as separates as well as a suit.  The fabric, though it may be wool-based, is still 3-season and makes this find a very practical part of my wardrobe.

The only downside, if there is one, is that this material must be dry-cleaned and should be protected from moth damage.  When adding true vintage clothing to your wardrobe, it’s important to remember that some fabrics which look like the today’s synthetics and blends were often made with wool years ago.  The up-side, which is definite, is that wool lasts forever and the construction of these garments probably will, too!

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG:  MAGICVINTAGESPY.COM

AS PROMISED, THE SISTER FROCK TO THE DRESS SHOWN YESTERDAY. POST-WAR 1940’S TAILORED FOR A SOCIALITE.

No ifs, ands or buts about going to a fancy event this time. Also from Montevideo, Uruguay, it belonged to a woman who was or was posing as a member of “society”. This frock has a huge amount of glitzy embellishment both front and back, but what better way to hide in plain sight? Very pretty, and it’s all hand-done. There is a label from “Mae’s” but I still suspect a small tailoring business, unless this was a toney department store that had it’s own tailoring department. The suspect or agent in this case had access to money and obviously had “help” or a very loving and patient partner. Can you imagine any other way to manage all those close-together buttons in back? (Hey, Mae’s, looks like you could have gotten zippers from Argentina instead! See yesterday’s post)

The very 1940’s style details are evident – big shoulders, midi hem length, below-elbow sleeves with shaping detail and that bizarre stuff going on at the hip-line. Unless it’s on the right figure, it’s pretty gruesome but Stella can wear anything. This dress has a very different cut from the one shown yesterday. It may have been made for a different woman but I suspect the measurements have more to do with the style of the dress. The padded shoulders, naturally, are wider but so is the bustline. The hips are narrower. My best guess is that this was done to balance out all the pleating on the hips and keep our heroine from looking bottom-heavy.

It’s a little tired from long-term storage but we know what a good drycleaner’s can do in a jiffy. Stay tuned for stepping into the 1950’s . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

HOW INTRIGUING. A POST-WAR 1940’S COCKTAIL DRESS FROM URUGUAY

This garment came to light during an investigation in that nation’s capitol, Montevideo. It is a very international city and was undoubtedly a hotbed of clandestine affairs during the wartime 1940’s. The cocktail dress pictured above had been commissioned by a woman who was a member of the social elite who routinely had their fashions custom-tailored or traded with shops that offered handmade garments and imported couture. The lack of a label and evident hand-stitching point to a private tailor. Though the crepe is a little rumpled from years of storage, this frock has been well-preserved and is a perfect example of that genre.

I am not sure whether the tailoring differences from what we expect in dresses made in North America are due to historical constraints or to the culture of that country. The extended shoulders, sheer insets, midi-length hem and ubiquitous black rayon fabric are commonly seen in designs of that post-war time but I was a little surprised by the straight, matronly cut. Either the New Look with its nipped waist had not yet landed in high fashion, or this frock was made for a more conservative, older woman.

The same will be seen in a similar dress from that same investigation which will be shown, probably tomorrow. Stay tuned . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

TRUE VINTAGE POST-WAR SWEATER-DRESS? YES, APPARENTLY SO . . . . . . . . . . . . . . . . . . . .

Who would have thought? Until the mother of a friend gave me a 2-piece sweater-dress that she had made for herself in 1952, I never would have guessed it. That dress was a day-dress, whereas this one is dressy. It may even be from the 1940’s. It is hand-knitted from some kind of heavy synthetic yarn, which would make sense for that time period.

Previously, I would never have expected to see something like this before the 1960’s. It just goes to show that there is always more to learn and that clues often come from unexpected sources . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

ANOTHER MYSTERY GOWN AND A NON-TRADITIONAL IDEA

Two fabulous clues that I was never able to fit exactly into place. It’s pretty clear that they both originated somewhere between 1946 and 1962. The investigations they might have clinched have long-since been solved or placed into the dead file. At any rate, it’s clear that, if not a wedding, some gala event and prominent characters were involved.

Before my time, but would make great bases for a story. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM