TWO FRESH HANDBAG FINDS! NEW WAVE 1980’S BACK TO THE MID-CENTURY. COULDN’T BE MORE DIFFERENT.

I’m always delighted to find a New Wave early 1980’s piece in beautiful condition. This black silk satin evening bag with a gold-tone box chain handle was made in Italy and sold by Holt Renfrew, a luxury department store in Canada. It’s very sleek and slim – a great example of the genre. Wouldn’t you know, I have a black leather cinch belt with gold edging from 1980 – perfect match!

Another little coin purse was found at the same location. It’s vinyl from the 1950’s or, more likely, the early 1960’s. Durable and cute, but cheap and hardly elegant. Why did I bother to collect this? Well, if you carry true vintage handbags regularly, you know that although some of the best ones had little matching coin purses tucked inside and attached by a cord, the majority had no secure place to carry coins. That always had to come from a separate coin purse or a ladies’ wallet which had a coin purse inside (or her escort’s pocket). Wallets like that were rarely, if ever, made for women before the late 1950’s and early 1960’s, in my experience. I wonder if that had anything to do with women’s ability to manage their own money? But, I digress . . . . . . . . . . . . . .

Fortunately, that’s one thing we can more or less take for granted now and I don’t like hunting in the bottom of a handbag or in a pocket for change. Much less do I like to mend holes in the bottoms of pockets that have been abused that way. Therefore, handy purse accessories are always at the top of my list when I’m investigating. And sometimes, the most interesting clues can be found inside. You just never know . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

TWO MORE OUTSTANDING TRUE VINTAGE ACCESSORY FINDS! STAY TUNED, THEY’RE COMING

The investigation continues! I’ll get them posted as soon as weekend sleuthing is a wrap.

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

EXCITING “NEW” TRUE VINTAGE HANDBAG FINDS!

Let’s start with a deja’ vu item (for me) – I call it this because I discovered a nearly identical one and posted it just two weeks ago! However, the exciting thing is the different clues involved in their stories. Always SO interesting! Plus, one new item which is a rare find and always makes me do an extra happy dance. . . . . . . .. . . . . ..

Oh, Ho hum you may say. Another black cocktail clutch. Yes, I have many of these in my case archives (and closet), but each one is unique in some way. The fun thing about this one is the similarities to the other one recently found; 1. Both are rectangular and designed to be hand-held. 2. Both are made of black rayon satin. 3. Both have hand-done beading on the front AND back. 4. Both have an additional pocket (or two) inside. 5. Both are from the mid-century, probably post-WWII.

HOWEVER, the one found two weeks ago is more finely made. It was constructed in Hong Kong (while it was still British Hong Kong) while this one above was probably made in North America but is an iconic brand name (Soure’). The first found has more elaborate beading on the front. It is a sac design with no stiffening and simply folds over to close, while this one has stiffening between the layers, probably some form of cardboard, and a metal snap closure (more common and less elegant). These clues lead me to decide that the first find is 10 – 20 years older even though they are so similar. Investigations are so fun! You can check out the previous post and see what I mean.

The final item, just found, is the one that really gives me happy feet – see the little coin purse? I LOVE FINDING THESE!!!!! Not too many of them exist anymore and they are SO convenient and iconic inside a true vintage handbag. This one, also, is navy blue rather than black. It will definitely have a home in one of my purses at Headquarters.

OK, that’s the first of my recent deja’ vu finds, but there is another one which I will put in a separate post because it is in a different category – Men’s true vintage accessories! Stay tuned . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

TRUE VINTAGE 1950’S – 1960’S DESIGNER AND HIGH-QUALITY ACCESSORIES

Now that we’ve reached the Spring Equinox, let’s start off with a Calvin Klein Easter hat in Spring pastels. A continuous flat tube of fabric is woven into a toque shape, overlaid with netting. A Mod-ern take on a traditional style. A lucky woman could look like an ice cream cone.

Some dressier handbags continued to be made of traditional tapestry-design fabric. Both of these above are small, one with a rigid leather-covered handle,, leather trim and metal feet on a covered metal frame. The other is a soft bag with a decorative closure and snake chain handle, sold with it’s own protective cover.

Classic pumps for everyday evolved in the early – mid 1960’s to mid-heel height with a slightly rounded toe but stilettos were still more popular than chunky heels – a necessary Rockabilly accessory. A pair of white pumps was an essential part of Spring – Summer wardrobes, even though pastels to match outfits and classic neutrals, beige, gray, navy, black and brown, still held their places. Miss Wonderful was a fun, mid-priced brand.

This has been a fun review of some of the files since December. Guests have arrived and international travel is looming. Daily transmissions over this airwave will be suspended, though periodic bulletins may continue. Archived posts in the public domain will remain available. Over . . . . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

TRUE VINTAGE EARLY 1950’S DRESSY DAY-WEAR

Let’s start with this novel style by a famous French (undoubtedly Paris) designer. The knock-off pictured above was by Nelly Don, a well-known mid-century ladieswear label in the U.S. The belted sheath dress woven of substantial cotton or a blend has a wide detachable peplum which creates this avant garde silhouette. The French designer brought this luxury style out in 1952 and the mid-priced American version followed quickly.

A very pretty semi-sheer dress with a scarf neckline is unusual in an olive green and purple print which I love. Again, it’s belted and fitted as were most of the dresses of this time and follows a shirtdress style.

This green pencil skirt is made in a relatively briefly-used but popular fabric which consists of thin, rayon(?) ribbon that is coiled in a continuous design, appliqued onto another fabric base. Imagine it worn with a pretty, fitted blouse. I have a black skirt suit made in this fabric and a family member owned a short-sleeved dress in a gold color, back in the day.

The shirtwaist dress never lost it’s place and continued into the Fifties and beyond in fabrics which ranged from cotton and cotton blends to rayon and silk. The simplest daywear styles continued to be the housewife’s daily uniform. This one is a slightly upscaled version in a more complex print with embroidered trim and tucks.

This black and white dressed-up sundress would have been appropriate to go on a date, to the Ladies’ Club, Country Club or shopping in the city. It may have been custom-made, as women and professional tailors continued to use their skills this way though not as much out of necessity as during wartime. The Fifties were about being thrifty but also stylish and having more!

Shoe styles carried over from the 1940’s but with sleeker lines. Pumps were a bit more cutaway and more often had sling-backs. Soles and heels were slimmer. Peep toes continued, which I absolutely love. Hairstyles became smaller and neater again as did hats, which continued to be de rigueur for any well-dressed woman. Also, a pair of well-made gloves in a style which complemented your outfit and a short string of pearls with almost anything from casual to dressy outfits were considered to be necessities for elegant style. Handbags adopted many styles but here are a couple of semi-dressy designs that carry over the classic “tapestry” floral design and introduce the decorative metal frames and vinyl covering which began to be more popular.

Tomorrow we’ll stay in the same Forties to Fifties time-frame but focus on casual separates and trends. Stay tuned . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

MORE WONDERFUL TRUE VINTAGE 1940’S SPRING DAY DRESSES AND ACCESSORIES

Some of my very favorite frocks. Wonderful rayon and blended synthetics. Pretty cotton. One sheer, the others opaque and drapey. Don’t you love these prints? Atomic, abstract and floral – big wartime and post-war favorites. Here, also, are some of the handbags, scarves and pumps that might have been worn with them.

Iconic styles, rationing-compliant and “modern” plastic alternatives to leather and wool. Silk and silky synthetic scarves were constant purse accessories. A few items carry over from the 1930’s – a few point toward popular styles as we go into the 1950’s. Since we’ve had such a long, cold winter, tomorrow I will show a few of the coats and outdoor accessories which might have accompanied 1940’s dresses outside the home. Stay tuned . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

1970’S – 1990’S DOES 1940’S. TRUE VINTAGE RETRO DRESSES AND JUMPSUITS.

The Seventies, Eighties and Nineties produced a lot of popular retail styles that imitated 1940’s designs. Some were very well done and others not so much, to be charitable. As I’ve said, it’s hard for me to call these decades true vintage but, technically, they are. The two purses echoing shapes and tapestry design popular in the Forties might have shown up in the 1960’s.

All of these could be fun and the reproduction details became best during the mid-1980’s but, unfortunately, modern polyester fabrics and production techniques lowered the quality a lot. No valid comparison, in my opinion, to true vintage from the 1940’s – even the home-sewn versions that were made from older clothing during rationing.

Of this group, the best-made is the black velveteen custom-tailored frock from the 1980’s or 1990’s. It was made by an expert seamstress and is worthy of being called a reproduction in the Post-war New Look style. The retail day-dresses are versatile and the prints are great – pretty faithful to authentic ones that I’ve come across. I always love the padded shoulders and cinched waistlines that are very flattering but were also a nod to the style of military uniforms. Jumpsuits were just for fun in the Seventies, but always are inconvenient. I suspect that the jumpsuits worn by women working in the war effort during the Forties had drop seats, which makes it a little bit better. I do have a pair of high-waisted slacks from the ’40’s that have an ingeniously-designed drop seat that looks quite good.

So, these clues were fun to find and seemed worthy of collection though I always prefer the real deal. Speaking of which, I just came across another archived file of true vintage 1940’s dresses which I will show tomorrow. Stay tuned . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

TRUE VINTAGE 1960’S TRENDS IN DRESSES, HOUSEDRESSES & ACCESSORIES – TO THE START OF MOD

Casual cotton and cotton blend housedresses and model’s coats became really popular as styles started to become less traditional. Some of these dresses would even be seen at the grocery store or for other casual errands in warm weather. The shirtwaist dress was still around, of course, but was starting to take a back seat for everyday. The culotte mini/play-dress was also a new take on the 1940’s/’50’s romper. Casual designs like those shown above were still very well-made, generally, and had cute and pretty prints and tailoring elements.

Dresses with little matching jackets became very popular for everyday wear when a step up the dressy scale was called for – an important appointment, special event or church. The shoes, purses and hats are examples of those which might have been worn with dresses like this. The blue & green example above was home-sewn in the color combo that defined popular design in 1963. The prints on the two blue dresses in center are a harbinger of the MOD trend that was just about to erupt.

Stay tuned for a trip to the mid-1960’s tomorrow . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

TRUE VINTAGE DAY DRESSES THROUGH THE DECADES, HANDBAGS AND SHOES – 1930’s

Two of my favorite 1930’s dresses to wear and one when I feel like Bonnie of Bonnie and Clyde. The fabrics feel so wonderful on the body and the fit is killer because of the fabulous drape. An earlier find, I was thrilled to discover the blue dress because of it’s condition. The original buttons and belt are present and no damage to the trim at the neckline. Also, no stains! You can see that the body of the dress has faded a bit due to years of washing by the original owner (compare to the color of the belt, which would not have been put in the laundry), but I don’t mind. The floral-print yellow and green frock is near-perfect and is a bit more casual. Super easy-breezy. The crocheted dress with satiny rayon slip given to me by a family member who found it in an old antique wardrove is the real star. It still has the authentic celluloid plastic belt buckle. The longer hemline makes it probably the oldest of the group, from the very early ’30’s. I have to include a 1980’s or ’90’s dress that dipped into a retro 1930’s. The yellow rayon belted sheath is a fun fashion with loyalty to the Thirties style and lovely rayon fabric.

These are both mid-priced dresses, at most, but have held up over 70 years before finding their way into my closet. It’s possible they were home-sewn. I love the elbow-length sleeves and the way that the fabric causes the hemline to ripple and sway. Very flattering. Both do require a slip underneath because of the sheerness and, since they are warmer weather frocks, I like to wear a true vintage cotton slip with very little decoration so that it doesn’t show through and compete with the print. Slips of that sort are hard to find since most of the slips that have survived are made of nylon and full of decorative detail. Although some fabrics don’t seem to require a slip, wearing one often causes the dress to fit and move so much better. Your other foundation garments i.e. brassiere, underpants and even stockings will have a real effect on how your outfit looks so it’s an important consideration. I have silk tap pants and some silk slips from the pre-war and WWII era that are good examples of undergarments that work really well with dresses like these.

Mary Jane style shoes are seen in every decade since the 1920’s. Decorated flats became popular for women, too, especially when they began wearing slacks. The shoes shown above may be a little younger than the dresses and purses, but are still within a decade or so. Handbags woven from synthetic yarn were another way that the market for clothing and accessories coped with the economic downturn of the Depression and the looming rationing of wartime. Leather, silk, quality cotton and wool were less available and too expensive for many buyers. The big move forward in the development of synthetics changed clothing in big ways, many having to do with fit, comfort and convenience so, overall, the deprivation turned out to be a plus. Tomorrow we move into the 1940’s. Stay tuned . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

A FEW TRUE VINTAGE PURSE ACCESSORIES FROM THE 1950’S TO ADD TO FALL HANDBAGS