Category Archives: sequins

TRUE VINTAGE LATE 1950’S – MID-1960’S DRESSES

Late Fifties saw slinky knit sheath dresses that carried over the new, easy-care synthetics from the 1940’s. The prints morphed slowly from geometric, atomic shapes back to cute animals, fruits and veggies. This fabric is amazingly comfortable and drapes beautifully but was economical. Common, moderately-priced frocks were made from it.

Just a few years later, lace overlay became the big thing. Dressy day-dresses were often made from it, as well as semi-formal and formal gowns. These were also generally made from synthetic or blended fabrics but probably required dry-cleaning. Better frocks often came from British Hong Kong, where the design and hand-made tailoring made them exceptionally elegant and of higher quality. These dresses were still within the reach of middle-income ladies but were more expensive. See the black dressy sheath with a beaded over-blouse above. The straight black high-neck sheath came from Saks Fifth Avenue.

Then, again from the Brits, came Mary Quant’s Tent Dress in 1964. Although the Mod style had started in the 1950’s, it’s appearance in clothing was totally revolutionary. It brought with it radically shorter hemlines and easy-to-wear, casual shapes. See the light blue, home-sewn version above.

Some styles retained their classic, conservative lines and stuck to neutral or basic tones while bright colors became ever more popular, even in formal garments. While political and social movements became radicalized and changed society, the Hippie, Boho and Prairie styles started to take over in the late 1960’s and carried over into the early 1970’s. Tomorrow we’ll look at some of the ways that popular fashion incorporated these trends into mainstream dressing. Stay tuned . . . . . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

TRUE VINTAGE LADIES’ DRESSY AND FORMAL – WEAR FROM THE EARLY 1950’S

From cocktail party to Prom to a wedding, these dresses and separates went to many swanky events. A sparkly bling necklace and earrings were a necessity, too. Stiletto pumps became the hugely big footwear trend for women.

Jacquard “brocade”, satin, lace, metallic thread, organza and netting, cashmere, beads and sequins and even fur trimming – all popular materials in garments for nights out and special events. The prosperity of the Fifties brought on a real break-out in middle-class spending and ostentation. Showy was good but, fortunately, so was elegance so we had some of the most beautiful gowns produced during this time. Female movie stars of this decade were some of the best-dressed women ever seen. The first dress pictured, with the fur-trimmed sleeves, is a gorgeous example of the New Look style. Fun and novelty were also present in many examples of the more casual clothing but the cheap-looking garishness of the 1990’s was not the thing.

I love these clothes and it’s fun to show them. All would have fascinating stories. The elegance of design showed up in dressy daywear, too, and I’ll be showing some of that tomorrow. Stay tuned . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY.COM

BLOG: MAGICVINTAGESPY.COM

TRUE VINTAGE 1940’S DRESSY DRESSES FROM AFTER THE WAR YEARS

Here’s another group of finds that were fabulous. Let’s look at the details on these frocks, which were over-the-top when wartime rationing was no more and fashion was ready for a break-out right before the New Look. Lots of glitz – rhinestone buttons, metallic thread, sequins, beads, lots of little buttons and velvet. Hemlines went down again. Rayon reigned – it had become the darling of fabrics.

There was certainly an element of weirdness to some of these designs. The last two black dresses were discovered in Montevideo, Uruguay and had been made by specialty dressmakers. Many of their wardrobe items in that city came from France, and I suspect that there is a lot of European influence in these styles.

The top two designs are squarely U.S. American and the tag on the dress with the big velvet bow indicates that it was made by a company that was producing affordable garments, probably during the early recovery from wartime. The navy blue dress was higher-end and looks so much like the costumes seen in late 1940’s film noir.

Tomorrow we’ll look at some examples of how 1940’s dress styles have persisted during the following decades. Stay tuned . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

True Vintage Late 1970’s – 1980’s Prom Dress and Heels

Again, a bow at the waistline and sheer fabric over opaque. But, the flavor has changed – big, bold Eighties does Forties floral print and in-your-face colors. Also, the sequins and beads sprinkled on the bodice looks like Eighties and Nineties, rather than the mid-century style. The pumps are a Sixties throwback. This gown is much more showy than the tailored, sophisticated styles of the Fifties and early Sixties and we’re still about 10 years away from the glitzy power frocks of the Dynasty decade.

Still pretty and girly, though not quite as “sweet”, in spite of all the pink underneath. It’s so interesting to see how clues and evidence overlap from year to year. Stay tuned for the file containing mid-century day-wear suits, dresses and accessories as Winter moves toward Spring . . . . . . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

AND, HERE’S MY EARLY 1960’S KENNEDY ERA WEDDING DRESS SURPRISE FIND

Isn’t she sweet?  The early Sixties were still so precious, with their knee-length princess dresses.  And, they brought shoulder tails back again for dressy frocks.  So unusual.  With sequins decorating the midriff, too . . . . . . . .

I’d be confused whether I was going to get married or going to the Prom . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG:  MAGICVINTAGESPY.COM

MID-CENTURY TRUE VINTAGE SISTER HANDBAGS-MADE IN HONG KONG

Both these little ladies were made in Hong Kong, of similar basic design, but there is a world of difference between them.  Lady Right was made for the uptown market, while Lady Left was sold downtown.  Though they’re both clean and well-put-together, Lady Right grew up with all the best, while Lady Left’s beginnings were more humble.

It’s obvious “in person” that these bags were made for different markets. The styling in both is superior, but the materials and extra attention to detail show that Lady Right brought a higher price.  Just comparing these two pretties, found at the same time, was a fun chance to evaluate a number of “clues” about their backgrounds.

I don’t have a favorite.  Their stories are equally interesting to me  (maybe Lady Left’s is a little more so . . . . .).  Each one is perfect with the outfit that coordinates with it.  While Lady Left could be much more casual, she is no less elegant – maybe even more so, if you don’t look too closely. Lady Right could seem a little tasteless if she showed up everywhere dressed like that.

I see one for holiday festivities or a very gala occasion (maybe tonight?), while the other would be lovely with a pretty summer dress.  Both would be gorgeous for a bridal venue. It can all be so fascinating . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG:  MAGICVINTAGESPY.COM

FOR WHITE NIGHTS – 1950’S BEADED EVENING SHELL BLOUSE

FOR WHITE NIGHTS - 1950'S BEADED EVENING SHELL BLOUSE

Now that we’re beginning to feel like getting out of sweaters and wool . . . . . . .  Whether you’re clubbing or out for a very elegant dinner, this beautiful beaded shell would steal the show.   Bead decoration was still done beautifully in the late ’50’s- early ’60’s.

Not the same as beading in the 1920’s and earlier, but equally nice. Dance the night away . .. . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG:  MAGICVINTAGESPY.COM

TRUE VINTAGE 1960s COCKTAIL PARTY DRESS BY CAROL CRAIG

TRUE VINTAGE 1960s COCKTAIL PARTY DRESS BY CAROL CRAIG This is a timeless, year-round-wearable black crepe dress with a full rayon acetate lining. The decorative band at the bottom is of alternating iridescent and black sequins. It has a vintage nylon zipper in back..

By Carol Craig, a popular maker of the ’50s and ’60s, this dress in classic black crepe can be worn all year long. The simple A-line style suits almost any figure and is form-fitting enough to be very attractive while not overly tight. So, anywhere that sleeveless dresses are considered acceptable, so would this dress be. Pretty versatile!

What sets this apart from the tons of black crepe dresses from the 80s, 90s and 2000s that are out there? 1. the fabric (a little heavier) 2. the lining (full – nice material) 3. the workmanship (zipper put in very well, no loose threads everywhere, small hooks and eyes in the right places) 4. the design (the sequin band at bottom is different and nicer than glitzy trims on most things now)

A dress of this quality today (and a lot of them not nearly as nice) would cost an arm and a leg, but my purse is full of songs!  I never know what I’ll find or exactly where, but that’s half the fun!

MORGANA MARTIN, THE MAGICVINTAGESPY
BLOG:  MAGICVINTAGESPY.COM

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FABULOUS TRUE VINTAGE 1950’S STRAPLESS DRESS WITH BEADED BODICE AND MATCHING JACKET

Here’s the flip-side of sweet – my favorite strapless number from the 1950’s. Rayon with beading and a killer fit.

I love to imagine where this one has or could have been. Smokey nightclubs come to mind. Maybe she was a singer.

It was a dark night in the city. The story you are about to see . . . . . . . ….. . .. . . . . … . . ..

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG:  MAGICVINTAGESPY.COM

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NEW DISCOVERY! TRUE VINTAGE MID-CENTURY CUSTOM-TAILORED DRESSY DRESS

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CUSTOM-TAILORED VINTAGE FROCKS ARE OFTEN THE MOST INTERESTING!

I love this find!  All the details of the talented seamstress’s work are evident here.  She was good!

Like many dresses from the  Fifties – early Sixties era, this frock is made with a contrasting liner under sheer illusion fabric.  The black overlay has flocked design with little reflective accents, like tiny, tiny sequins, sprinkled throughout.  The neckline treatment took a lot of skill to create, with many folds and tucks.

The side metal zipper was a standard in many of these early styles.  Because it’s a bit shorter, I suspect that the owner was a buxom lady of petite stature or that she shortened the dress over many seasons of wear as the hemlines went up in popular fashion.  Although the dress is in exceptional condition, some wear to the flocking shows that it was worn more than once – maybe many times.  She loved it!

The original belt is missing and I put one of my own on just for illustration.  The sizing is a vintage plus, or half-size as they were known then, and is made for a full figure.  Can’t wait to photograph it on Madge, whose measurements will do it some justice!

More new finds tomorrow, so stay tuned . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG:  MAGICVINTAGESPY.COM

BOOK:  HOW TO FIND THE BEST IN VINTAGE FASHION – AVAILABLE ON AMAZON.COM