ARE YOU READY FOR THESE? TRUE VINTAGE 1950’S – EARLY 1960’S SUNDRESSES

TRUE VINTAGE 1950'S - EARLY 1960'S SUNDRESSES

Here we have two beautiful sundresses, in similar colors.  Not really my colors – I’m a Summer skin-tone, rather than Spring or Fall, but who’s going to quibble when faced with these!

I’m guessing that the one on the right is the newer of the two.  The one on the left has more detail on the bodice and even has bows fixed to the shoulder straps in back.  It has a covered belt, whereas the other dress just has piping at the waist.

They’re both lovely, in a beautiful heavy cotton.  Madge wears it very well, don’t you think?  Such exceptional fit and tailoring.

Either of them could go from simple daytime activities to work (probably with a sweater or jacket), dinner, dancing, a party or date.

I often see dresses like this in movies from that era. Wear them and step into a time warp . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG:  MAGICVINTAGESPY.COM

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LOVELY COTTON SHIRT-WAIST FROM THE 1950’S – EARLY 1960’S

LOVELY COTTON SHIRT-WAIST FROM THE 1950'S - EARLY 1960'S IN FALL COLORS

Here’s another dress from about the same time as the last one.  It has the same features of design – the side metal zipper is the most significant.  I don’t know why that was a favorite feature, rather than allowing the front opening to be longer.

Although it was more trouble to put that side zip in, it was hidden (more or less) from view and allowed the front and back lines of the garment to be unbroken.  My best guess is that this style feature is more elegant than a back zip or long front opening would be.

So many of the styles and tailoring methods from the ’50’s and before paid a lot of attention to keeping the lines of a garment very elegant, with good fit and clean silhouette.  Back zippers on pants and skirts are a good example of this.

This dress is, I’m sure, custom tailored.  The skill of the sewer is excellent and it would challenge the quality of any commercially-made things today, outside of haute couture.

The reds, golds and mossy browns in this print make me think of leading into Fall, but let’s not rush our summertime, when the livin’ is easy . . . . . . . . . . . .

MORGANA MARTIN, the Magicvintagespy
Blog: Magicvintagespy.com
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Book: How to Find the Best in Vintage Fashion available on Amazon.com

AN INTERESTING VINTAGE/VINTAGE-STYLE WEDDING/DANCE DRESS

AN INTERESTING VINTAGE/VINTAGE-STYLE WEDDING/DANCE DRESS

This ’20’s – style dress was made in the 1970’s and was probably intended to be a wedding gown.  The design is actually a hybrid ’20’s/’40’s in some ways. As marginal as the 1970’s were with regard to quality fashion (in my opinion), I have found some vintage-inspired garments made during that decade that were pretty cool.

This dress has never been worn – still has a paper inventory tag fastened inside the left sleeve. Also, there are care and content tags, but no maker’s label.

It seems fairly well-made and is an interesting design.  I find it intriguing as a curiosity, mostly, and would put it in the category of the Gunne Sax dresses of that time, many of which were styled after antique fashions.

Was this the remnant of a wedding that never happened, or just dead stock?  I wonder.. . . .  you just never know . . . . . . . . . . . . . . . . . . . . . ..

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG:  MAGICVINTAGESPY.COM

I HAVE JUST BECOME CUSTODIAN OF A BEAUTIFUL WEDDING ENSEMBLE FROM 1955

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Isn’t this just to die for?  Of course, the little bolero jacket comes off to reveal a sleeveless gown with slim straps – that’s for after the ceremony when the party really starts!

The tulle, lace and embroidery plus the poufy skirt are so Fifties and wonderful as can be.  Don’t make ’em like this anymore . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG:  MAGICVINTAGESPY.COM

THIS TIME I REALLY HIT THE JACKPOT! 1950’S – 1960’S CLUTCH PURSES – METALLIC, LEATHER AND BEADS

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Look at these beauties!  The convertible clutch style which lets you use the handle or not has always been so versatile and convenient.  Although some of these are very mid-quality, they all have some distinctive features that make them stand out as great true vintage finds.  Let’s start out from left to right . . . . . . . . . . . . . . . . . . ..

The white purse at far left is a high-quality construction from the Sixties and has that shiny box hardware enclosing it on 3 sides.  It is made of leather and has a shoulder strap that can be tucked inside. Very sleek and streamlined – a great look for summer.

The 1950’s beaded evening bag in front is in perfect condition, with a silk satin lining and a beautiful clasp and box chain handle, which can be hidden inside.  This type of handbag was always hand-made, usually in Hong Kong.  Even for an expert, can you imagine the care and time it took to attach all those beads so perfectly and securely?

The other three bags have a metallic finish and are made of synthetic materials or cloth – not in quite as good shape as the first two.  But, they are nicely made and all have pretty hardware clasps – always interesting to find.  The two in the center also have box or braided chain handles, rather than the simple chain that is most often seen.  These more complex types of chain are prettier and also seemed to break less easily.

As always, they all show that care was taken to preserve and protect them, so I can enjoy them 50 or 60 years later!  The throw-away quality that we seem to be satisfied with today can’t begin to compare, but is still way over-priced!! Such  a shame – but not for this Magicvintagespy . . . . . . . . . . . . . . . . . . . . . ..

 

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG:  MAGICVINTAGESPY.COM

MID-CENTURY TRUE VINTAGE SISTER HANDBAGS-MADE IN HONG KONG

Both these little ladies were made in Hong Kong, of similar basic design, but there is a world of difference between them.  Lady Right was made for the uptown market, while Lady Left was sold downtown.  Though they’re both clean and well-put-together, Lady Right grew up with all the best, while Lady Left’s beginnings were more humble.

It’s obvious “in person” that these bags were made for different markets. The styling in both is superior, but the materials and extra attention to detail show that Lady Right brought a higher price.  Just comparing these two pretties, found at the same time, was a fun chance to evaluate a number of “clues” about their backgrounds.

I don’t have a favorite.  Their stories are equally interesting to me  (maybe Lady Left’s is a little more so . . . . .).  Each one is perfect with the outfit that coordinates with it.  While Lady Left could be much more casual, she is no less elegant – maybe even more so, if you don’t look too closely. Lady Right could seem a little tasteless if she showed up everywhere dressed like that.

I see one for holiday festivities or a very gala occasion (maybe tonight?), while the other would be lovely with a pretty summer dress.  Both would be gorgeous for a bridal venue. It can all be so fascinating . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG:  MAGICVINTAGESPY.COM

ANOTHER MID-CENTURY HANDBAG FIND, BUT SO DIFFERENT!

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Handmade by someone in the 1960’s – 1970’s era, this was a popular tote-style purse during that time.  Many were handcrafted and decorated.  It’s fun to see where she ran out of one green thread and switched to another – true vintage fashions always have a story to tell.

Back in the day many women made these bags from scratch or from kits.  Macrame’ was common.  Unless a home wood shop was handy, the handles would be purchased and then she’d go from there in whatever fabric or weaving she chose.  Some would even be lined, but usually the handcrafted bags were not.  Designs were as original as the people who made them.  I like the pretty Spring feeling on this one, and the lavender color.

Hadn’t come across one of these in a while but, you just never know . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG:  MAGICVINTAGESPY.COM

TRUE VINTAGE HEADSCARVES TIED IN THE KELLY WRAP STYLE – EARLY 1950’S

TRUE VINTAGE HEADSCARVES TIED IN THE KELLY WRAP STYLE - EARLY 1950'S

Celia and Marlene are modeling the ever-chic-and-elegant scarf tie style popularized by and named for Grace Kelly in the early 1950’s.  It frames your face and covers your hair beautifully, doesn’t flap or blow and lets you show off that gorgeous true vintage print scarf you just found!

Celia wears a vintage floral print in silk which highlights rose and blue tones.  Marlene opts for a multi-color basket-weave print with a coffee brown border, also in silk.

This is one of the most elegant disguises I wear . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG:  MAGICVINTAGESPY.COM

UNIQUE TRUE VINTAGE SCARVES ADD UNMISTAKABLE RETRO CHIC

UNIQUE TRUE VINTAGE SCARVES ADD UNMISTAKABLE RETRO CHIC

Here are 3 small scarves from my large collection.  I have selected them to show you for their unusual patterns.  Vintage novelty graphics and florals are lovely and very distinctive.  Always perfect to brighten a jacket pocket, or add a bright touch to your neckline, to a purse handle or your hair.

On the other hand, patterns like the one on top – looks like little postage-stamp drawings – are very unusual and interesting.  Check out the green square on right – see the little ballerinas around the edge?  FUN! I loved discovering this one!!

The fabrics in these scarves are also unique by today’s standards.  The silks are lovely and delicate.  Hems are always hand-stitched.  Rayons and nylons also have a really nice “hand”.  Even the old polyesters are different.

I’ll show more of my favorites in different sizes and styles.  Marlene and Celia are always very happy for another opportunity to model and, I’ll be introducing Daphne . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG:  MAGICVINTAGESPY.COM

TRUE VINTAGE 1950’S PROM DRESS GETS REFURBISHED

Here’s a mid-century  Prom or dance party dress for Spring.  I’ve had this frock for several years and it is in wonderful shape EXCEPT that the bodice had some old perspiration damage under the arms.  No fixing that . . . . . . . .SO, I replaced the overlay fabric on the bodice with a nearly – identical modern material.

To the naked eye in normal room light, the dress looks perfect.  Only the digital camera with flash shows the difference – that aging of the fabric over 60 – 70 years has slightly changed its color.

I’m pleased with my repair, but here’s a good example of why saving any old fabrics left over from sewing or hem changes makes a lot of sense.  You might need them some time and, you just never know . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG:  MAGICVINTAGESPY.COM

BOOK:  HOW TO FIND THE BEST IN VINTAGE FASHION – AVAILABLE ON AMAZON.COM