TRUE VINTAGE 1940’S DRESSY DRESSES FROM AFTER THE WAR YEARS

Here’s another group of finds that were fabulous. Let’s look at the details on these frocks, which were over-the-top when wartime rationing was no more and fashion was ready for a break-out right before the New Look. Lots of glitz – rhinestone buttons, metallic thread, sequins, beads, lots of little buttons and velvet. Hemlines went down again. Rayon reigned – it had become the darling of fabrics.

There was certainly an element of weirdness to some of these designs. The last two black dresses were discovered in Montevideo, Uruguay and had been made by specialty dressmakers. Many of their wardrobe items in that city came from France, and I suspect that there is a lot of European influence in these styles.

The top two designs are squarely U.S. American and the tag on the dress with the big velvet bow indicates that it was made by a company that was producing affordable garments, probably during the early recovery from wartime. The navy blue dress was higher-end and looks so much like the costumes seen in late 1940’s film noir.

Tomorrow we’ll look at some examples of how 1940’s dress styles have persisted during the following decades. Stay tuned . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

WEIRD EARLY 1930’S – 1940’S LADIES’ HATS

The late 1930’s, coming out of the Depression, and early 1940’s were very strange times for hats. Little bowlers with chin straps and straw hats looked almost like women had raided their grandfathers’ closets. After that, hats became really odd and sometimes frankly ugly, in my opinion. Later in the Forties some beautiful hats were worn but, let me tell you, the one’s I’ve seen that have survived have generally been pretty strange. I have a photo of a relative in 1940 who wore a hat along with her wedding suit that looked like a battleship sitting across her head.

Above, we have grandpa’s hats, plus a pretty picture hat and an early wartime model that looks like a cross between a tam-o-shanter and a French beret that have been parts of Naval uniforms. I’m not quite sure how it was meant to be worn.

Later versions with veils and flowers or feathers are softer and more stylish – looking more like what we saw in the Post-war late ’40’s and early 1950’s period. In the meantime mid-’40’s came the fedora styles for women, which are my favorite. Very wearable, versatile and almost universally flattering (and perfect for any undercover agent) but not as interesting.

But, all the pre- and post-WWII fashion trends ARE very interesting and I’ll continue to delve into them. Stay tuned for fabulous wartime Utility Suits and post-war skirt suits plus 3 Prom dresses. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

THE SECOND POST IN MY ICONIC LABELS SERIES – A COUTURE SILK SCARF

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It’s rare to discover one of these from a fabulous couture label of the 20th century!  Although not what we traditionally call “Spring colors”, it’s always worth picking up a high quality designer label vintage item if you find one!  I’ll enjoy this forever. . . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG:  MAGICVINTAGESPY.COM

A FAVORITE TRUE VINTAGE SPRING/SUMMER DRESS FROM THE FIFTIES, WITH A FRENCH THEME PRINT

A FAVORITE SPRING/SUMMER DRESS FROM THE FIFTIES, WITH A FRENCH THEME PRINT

I love this little shirtwaist with a saucy, sassy French foodie print. The style is what almost every woman wore as everyday dresses in the Fifties and early Sixties.  A classic day dress – house dress.

It’s a little bit sheer, so you have to wear one of your lovely slips underneath, but women almost always did during the mid-century era – sheer dress or not.  Because they were usually wearing a garter belt or girdle and nylons, they needed lingerie to mask the lines and let the dress move on top.

Perfect for shopping and light work around the home; coffee with the neighbor.  Easy to wear.

It’s what “happy days” was all about . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG:  MAGICVINTAGESPY.COM

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MY BEAUTIFUL, SEXY, FRENCH – INSPIRED MID – CENTURY WINTER COAT WITH FUR

Gorgeous for tonight . . . . . .

Morgana Martin, the magicvintagespy's avatarMagicvintagespy

MY BEAUTIFUL, SEXY, FRENCH - INSPIRED MID - CENTURY WINTER COAT WITH FUR

This is one of my very favorite coats because I LOVE the nipped waist and big, feminine collar. Really shows off the face and enhances your figure.

The mid-blue is nice, too. Not as many coats were made in this color as in the neutrals: black, brown, navy and grey. They’re all gorgeous, but this one is special. Remember, ONLY true vintage or faux fur are humane. Buying modern fur supports the cruel market.

Rarely have I seen a style like this – it is an unusual find. But, those are always the most intriguing . . . .. .. . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG:  MAGICVINTAGTESPY.COM

BOOK:  HOW TO FIND THE BEST IN VINTAGE FASHION – AVAILABLE ON AMAZON.COM

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MY BEAUTIFUL WARTIME FRENCH-MADE DRESSING GOWN FROM MONTEVIDEO

Couldn’t wait to get this gorgeous gown onto Stella.  She’s just the right size (and maybe I am, too, if I can bear to risk wearing it!).  The embroidered netting and roses on rayon are so, so 1930’s – 1940’s.

I love the special tailoring touches from that time such as the longer hem in back that makes a little train.  This dress was probably meant to fit someone a little shorter than Stel.

It would seem that Montevideans from early in the wartime era loved their fashions and accessories from France.   More to come . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG:  MAGICVINTAGESPY.COM

 

LOTS OF 1960’S MOD – THIS ONE FOUND IN PARIS!

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A standard mod-look vintage plus-size day dress from the early-mid Sixties, but, this one is rare to find today because the fabric is Arnel Triacetate – not many of them around now!  It got pushed out of the marketplace by good old polyester, which had some easier-care qualities.

However, triacetate feels really good and not exactly like any of the many polyester incarnations that are possible.  That’s the beauty of true vintage fabrics – the qualities of most have not/cannot be duplicated by more modern materials.  There’s just nothing like them . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN,THE MAGICVINTAGESPY

BLOG:  MAGICVINTAGESPY.COM

WOWEE AGAIN!!! MORE GREAT FINDS TODAY

file0001209214386-ebook-cover-1-11111211111112111Today, on a more-or-less routine survey, I had wonderful good fortune.  I’m just about to re-examine and photograph my newest acquisitions and get them ready to post on the blog.  Because I have already scheduled postings for the next three days, expect to begin seeing these on Sunday, Nov. 13.

Stay tuned . . . . . . . . . . . . . . . . . . . . . . . . …

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG:  MAGICVINTAGESPY.COM

 

TRUE VINTAGE FRENCH NIGHTGOWN – ALMOST A HUNDRED YEARS OLD

Just had to re-photograph this lovely rayon gown from Paris in order to show it off properly.  I’ll do a couple more with my recent wedding gown finds.

It’s from somewhere between 1920 and 1945.  Haven’t had time to research more extensively.  Love the old-style ruching and lace – so beautiful and rare.

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG:  MAGICVINTAGESPY.COM

ANOTHER MID-CENTURY FLOWER-POWER FROCK – FROM PARIS!

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GIRLY, GIRLY, GIRLY FLORAL DRESS FROM ABOUT 1970

See the similarities to the dress shown yesterday, from Canada?  Yes, the siren call of Fashion was making slaves of us all on both sides of the Atlantic.  All over the world, women who were able to follow the latest trends were rushing to wear this 1940’s retro style.  Even though Paris was slow to be corrupted, it happened.

The thought of it kind of ruins your day, doesn’t it?  Well, thankfully we’ve now reached the era when we can wear whatever suits our fancy without worrying about whether we’re up-to-date.  Because, if we develop our own unique, personal look, we will be very fashionable (and who cares, anyway)!

This dress was probably custom-tailored, too.  We’re still in polyester (of course), but not in a knit.  This is a woven fabric with a much lighter hand and a woven-in stripe for texture and eye appeal.  Same prim collar, fussy trim, puffed sleeve, nipped waist and swing skirt.  It’s also a little more sophisticated than yesterday’s frock – less of a rockabilly feel.

Still not haute couture, by any means.   And, like all the “newer” garments, it carries the stamp of international trends and fabrics that take away from it’s Parisian roots.  That’s one reason that I always prefer clothing from the early 1960’s and before.  But, if you have to go with something made later, why not choose something from Paris?  Tomorrow, we’re off to Ireland . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG:  MAGICVINTAGESPY.COM