Although I always love hats, the beginning of Fall always gets me thinking about them more. And, there couldn’t be an easier style to wear than this one.
The average woman before 1970 understood the allure and the impact of hats. They used to be a central part of any outfit and occupied a center-stage position in the wardrobe of any woman or man.
This one is a simple but very effective style from the late ’60s or ’70s, it has a chain and ribbon band and is made of wool felt. Carley Simon wears a similar one on the jacket of her famous debut album in 1972.
A wide brim is flattering to most faces and the key, as always, is to try it on before you buy and to learn what flatters your particular face and body. A great hat can be the most important thing you wear.
They’re also very effective if you’re wanting to be a bit mysterious or difficult to recognize . . . .
It’s still not too late to glam it up with fabulous fur accessories, especially during the variable March weather . . . . . . . our mothers and grandmothers had to be prepared to look chic no matter what!
Marlene and Celia have been waiting for another chance to get into the picture. Here you see them modeling a variety of mink accessories, with the exception of the black muff far left, which I believe is of rabbit fur and has a small zipper compartment and the black hat, which is curly lamb.
Whole skinned animals, with heads, feet and tails (and little glass eyes) were popular as stoles in the 1930’s & 1940’s, maybe the ’20’s, too. Big “Eeew!” factor for a lot of people now. I’ve already covered the fur issue so, if you love real furs (and animals) stick to 1960’s and before.
There’s a dark brown mink scarf that closes with a big mink-covered button (very elegant) and a blonde mink “dickie” to wear at the neckline under your coat.
The hats are probably the most visible accessory when you’re first seen – these are super-flattering but also will be warm. So, when you’re forced to take to the sidewalks, just remember —- to be well-dressed at all times is a gift to yourself and everyone who sees you.
These black crepe coats are so fun and individual – I really love wearing them! While not being fully antique, they are earlier examples from the ’30’s & ’40’s. One may be from the early ’50’s . . . . . . . . . .. . . . . . .
On the far left, the characteristic feature of this one are the shoulder tails, which are folded across the front in this picture. It also has a deep slit in the back hem – almost a long jacket, rather than a coat.
In the center is a rather plain, tailored black crepe coat, but you can see the scalloped hems on the sleeves. Perfectly elegant and discreet.
On the right, a plain, one – button front crepe coat with ivory lining, deep side slits and mink cuffs at the elbows. Hardly inconspicuous . . . . . . . . . . . . . . . .
Another true vintage retro-style discovery. I love, love, love finding super vintage separates!! This rayon blouse by Esprit will be great with my white 1940’s – style sailor pants, my 1970’s white suit, and, and, and, etc. The style era is about 1935 – 1955. It’s in beautiful condition and fits. The only thing I plan on doing is adding some modest – size shoulder pads to perfect the fit on my body. This also may help the keep the collar in line under jackets. And, I might turn up the cuffs on the sleeves. They are perfectly finished to do this without any additional sewing.
A little style tweak here and there is always fun, as well as making sure that the fit is just right for you, which can make all the difference in the world. With well-made garments, as so many true vintage ones are, alterations are often easier. When a piece is cut well, changing the size a bit doesn’t throw the lines off in a wonky way or require a lot of restyling. It’s harder to do with clothing made for imprecise sizes and without attention to detail.
So, there. A little snooty? But, so true . . . . . . . . . . .
This lovely white frock is from the J. Peterman label and though it’s style is very retro, was made recently. However, the quality and styling of the piece said “BUY ME, ANYWAY” and I did. Lace trim is a pale green.
Perfect for strolling in the park, rowing on the lake and summer lawn parties where we can observe social distance. I might even head to an ice cream social. A pretty lingerie slip underneath will prevent any intervention by law enforcement officers.
Although I confess that it might look even better on Stella, good thing I’m not at Headquarters. She won’t get this one . . .
It was the height of my happy dance when I spied this lovely! Almost-perfect condition (just a little hole mend in an inconspicuous area and missing belt) and from my favorite decade(s). Sorry that the pic is a bit out of focus – the apple print is very sweet.
A simple v-neckline with a fabric string tie. Seam at the waist, belt loops and gentle shaping, midi-length. With the black rayon background, the belt will be very easy to replace. Perfect for everyday.
Tomorrow, we’ll be traveling up toward modern time (as late as the early 1970’s). Keep watch . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ..
Sheer cotton “lawn”(?) – I don’t know. A beige color with delicate flower and leaf embroidery on the collar and skirt. Closes with snaps, hooks & eyes on the left and has partially-gathered sleeves and a two-tier skirt. Such interesting design details, so different from any styles we usually see, vintage or not.
So delicate. This will be worn with great care. The waist isn’t right for most dresses made in the 1920’s so it could, possibly, have been an earlier style made for a teen or someone who was very petite. But – early 1930’s could be the most accurate. Must do some more in-depth research.
Fabulous late 1930’s – early 1940’s styling details, hand-tailoring and original(?) fabrics??? I know the design (a relative had one similar). The embroidered mesh on the bodice is similar to the wartime dressing gown shown a couple of days ago. The synthetic(?) fabric is like nothing I’ve felt before. The gusset at the hemline is a period feature.
IS THIS AN ORIGINAL WWI – WWII GOWN OR AN EXPERTLY-MADE REPRODUCTION? I can’t be sure. It’s in almost-perfect condition, but has been around for a while. No label, of course. Would love to know it’s story. Any ideas, you well-trained experts out there? . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Couldn’t wait to get this gorgeous gown onto Stella. She’s just the right size (and maybe I am, too, if I can bear to risk wearing it!). The embroidered netting and roses on rayon are so, so 1930’s – 1940’s.
I love the special tailoring touches from that time such as the longer hem in back that makes a little train. This dress was probably meant to fit someone a little shorter than Stel.
It would seem that Montevideans from early in the wartime era loved their fashions and accessories from France. More to come . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Just found this great headscarf, in superb condition. I always pick these up when I come across them because they are unique. The floral, geometric or novelty prints are irreplaceable.
Hand-rolled edges and interesting fabrics make them quality items which obviously stand up well over time (if not silk or fabulous mid-century rayon, they are often made of one of the mystery synthetics of that era as this one probably is).
Nothing sparks up an outfit like one of these attention-grabbing pieces. Anyone with an “eye” will know that it didn’t come from a mall store or even modern Europe. But often, it just leaves them perplexed – “That’s a nice scarf. Where did you get it?” . . . . . . . . . . . .