TRUE VINTAGE JEWEL-TONE EVENING COAT – IN EMERALD GREEN

IMG_1246 IMG_1247Stella by starlight in my fabulous Lillie Rubin evening coat – perfect for any special dressy occasion.  From somewhere between 1955 and 1963, it’s the most beautiful bright emerald green with a turquoise lining.  Amazing.

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG:  MAGICVINTAGESPY.COM

 

True Vintage Early 1960s Dressy Coat Over Your Easter Day Frock

True Vintage Early 1960s Evening Coat
I showed this coat last year, but what time could be more appropriate for a re-run . . . . . .

Imagine yourself in this, over a gorgeous green dress, on your way to a swanky cocktail party or the church dance.  This beauty is by Lilli Rubin, in emerald rayon blend, lined in turquoise blue!  The collar, neckline bow and elbow-length sleeves are hallmark features of that era, as well as the color.  The fabric is a jacquard with flowers embroidered all over.
What a great surprise it was to find this!!  It starts up all kinds of fantasies about elegant dinners, evenings at the theater . . . . . you just never know . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG:  MAGICVINTAGESPY.COM

TRUE VINTAGE EARLY 1960s FESTIVE COAT OVER YOUR EASTER PARTY FROCK

Magicvintagespy

True Vintage Early 1960s Evening Coat
I showed this coat last year, but what time could be more appropriate for a re-run . . . . . .

Imagine yourself in this, over a gorgeous green dress, on your way to a swanky cocktail party or the church dance. This beauty is by Lilli Rubin, in emerald rayon blend, lined in turquoise blue! The collar, neckline bow and elbow-length sleeves are hallmark features of that era, as well as the color. The fabric is a jacquard with flowers embroidered all over.
What a great surprise it was to find this!! It starts up all kinds of fantasies about elegant dinners, evenings at the theater . . . . . you just never know . . . .

Morgana Martin, the magicvintagespy
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BEAUTIFUL MID-CENTURY SHERBET GREEN LINGERIE SLIP

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I know, I know, I know – I’ve collected so many gorgeous true vintage slips during my escapades, but  just can’t help myself!  When this wonderful Spring color and pretty lace showed up, that was it – cannot resist the pastel colors from the 1950’s and early 1960’s.

Beautifully-made by Vassarette.  What more can I say?  It’s undoubtedly a little bit different from other similar ones I own and will go perfectly with some particular dress . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG:  MAGICVINTAGESPY.COM

TRUE VINTAGE 1950s WIGGLE DRESS BY EVE LE COQ OF CALIFORNIA

TRUE VINTAGE 1950s WIGGLE DRESS BY EVE LE COQ OF CALIFORNIA FOR ST. PATRICK'S DAY

Here’s a line-up of wool dresses from the 1960s and 1950s, lightweight and classic enough to wear in some parts of the world in three seasons of the year.  Although I’m highlighting the second from the left, I’ll describe them all to start.

On the far left, a mid-weight jumper from the mid – late 1960s in a brown tweed.  Can’t recall the maker, but made in the U.S.  The bodice is lined and it is intended to be worn as a sleeveless dress or with a blouse underneath – your choice.  In the cold weather I’d probably want the blouse, but some people like their arms bare even in winter and that was a popular style then.  A cardigan sweater over would work, too.  Although it didn’t come with its own little jacket, sometimes sleeveless dresses did.  Great style for school or office.

Third in line is a straight, belted shift in heather blue by Pendleton.  They’ve been making quality wool clothing for decades and it is always classic.  This one from the late ’60s can also be worn alone or will a blouse or turtleneck.  Also perfect for school or work.  Some women would put this on as a day dress for shopping, meetings, etc.

On the far right is a wiggle sheath from the late ’50s.  Also a U.S. maker.  It is lined around the upper bodice and neck and is designed to be worn sleeveless.  It’s a simple, un-decorated design but would look best in the evening or at an after-work party or dinner.  It could have gone to work if dressed down a bit with a sweater or jacket.

Now for our star of the day – Are you looking for ideas about what to wear on St. Paddy’s Day?  Look no further.  This is a smart, figure-enhancing dress that is demure enough for any setting and also sophisticated enough for any.  It all depends on your accessories. In a lovely kelly/emerald green, it’s also a nice transition color into Spring.  Eve Le Coq of California produced lovely dresses – very chic.

It’s not been unusual for me to encounter these kinds of wool frocks at various places in my searches.  If you find yourself in a store, they are often marked down at this time of year.  Don’t let wool fabric discourage you – as long as you’ve got a breathable (well-ventilated) storage bag for moth season and a clothing brush, it’s easy to care for and can be dry-cleaned at home if there are no serious stains.  Very versatile, very vintage and worth the investment.

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG:  MAGICVINTAGESPY.COM

WOWEE AGAIN!!! MORE GREAT FINDS TODAY

file0001209214386-ebook-cover-1-11111211111112111Today, on a more-or-less routine survey, I had wonderful good fortune.  I’m just about to re-examine and photograph my newest acquisitions and get them ready to post on the blog.  Because I have already scheduled postings for the next three days, expect to begin seeing these on Sunday, Nov. 13.

Stay tuned . . . . . . . . . . . . . . . . . . . . . . . . …

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG:  MAGICVINTAGESPY.COM

 

PERFECT TRUE VINTAGE 1950’S PARTY DRESS

PERFECT TRUE VINTAGE 1950s  PARTY DRESS FOR ST. PATRICK'S DAY

Looking for a special-event frock?   Here we go again – a lovely pouf dress from the 1950s of acetate rayon and chiffon, in minty sherbet green this time.   I love this for Spring, with the sheer 3/4 sleeves and the jewel neckline.  Look at that deep hem in the overskirt!

This is a below-the-knee formal dress that could also be worn to a Prom, dinner, dance or any formal event that doesn’t require a full-length skirt.  ‘It would also be lovely worn in a wedding by attendants or by a bride who didn’t want to wear the typical white or ivory. Many ’50’s brides wore gowns of this length.

The sheer chiffon covers the rayon dress underneath and there is a sewn-in crinoline of netting.  I don’t believe that there are any tags remaining but I suspect that it was commercially-made.  However, it’s not always certain – many seamstresses in business or at home were VERY skilled.

Finding dresses like this is always magical.  Where was it first worn?  Who kept it for decades and why was it so special?  You just never know . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG:  MAGICVINTAGESPY.COM

BOOK:  HOW TO FIND THE BEST IN VINTAGE FASHION – AVAILABLE ON AMAZON.COM