TRUE VINTAGE LATE 1950’S – MID-1960’S DRESSES

Late Fifties saw slinky knit sheath dresses that carried over the new, easy-care synthetics from the 1940’s. The prints morphed slowly from geometric, atomic shapes back to cute animals, fruits and veggies. This fabric is amazingly comfortable and drapes beautifully but was economical. Common, moderately-priced frocks were made from it.

Just a few years later, lace overlay became the big thing. Dressy day-dresses were often made from it, as well as semi-formal and formal gowns. These were also generally made from synthetic or blended fabrics but probably required dry-cleaning. Better frocks often came from British Hong Kong, where the design and hand-made tailoring made them exceptionally elegant and of higher quality. These dresses were still within the reach of middle-income ladies but were more expensive. See the black dressy sheath with a beaded over-blouse above. The straight black high-neck sheath came from Saks Fifth Avenue.

Then, again from the Brits, came Mary Quant’s Tent Dress in 1964. Although the Mod style had started in the 1950’s, it’s appearance in clothing was totally revolutionary. It brought with it radically shorter hemlines and easy-to-wear, casual shapes. See the light blue, home-sewn version above.

Some styles retained their classic, conservative lines and stuck to neutral or basic tones while bright colors became ever more popular, even in formal garments. While political and social movements became radicalized and changed society, the Hippie, Boho and Prairie styles started to take over in the late 1960’s and carried over into the early 1970’s. Tomorrow we’ll look at some of the ways that popular fashion incorporated these trends into mainstream dressing. Stay tuned . . . . . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

TRUE VINTAGE LADIES’ DRESSY AND FORMAL – WEAR FROM THE EARLY 1950’S

From cocktail party to Prom to a wedding, these dresses and separates went to many swanky events. A sparkly bling necklace and earrings were a necessity, too. Stiletto pumps became the hugely big footwear trend for women.

Jacquard “brocade”, satin, lace, metallic thread, organza and netting, cashmere, beads and sequins and even fur trimming – all popular materials in garments for nights out and special events. The prosperity of the Fifties brought on a real break-out in middle-class spending and ostentation. Showy was good but, fortunately, so was elegance so we had some of the most beautiful gowns produced during this time. Female movie stars of this decade were some of the best-dressed women ever seen. The first dress pictured, with the fur-trimmed sleeves, is a gorgeous example of the New Look style. Fun and novelty were also present in many examples of the more casual clothing but the cheap-looking garishness of the 1990’s was not the thing.

I love these clothes and it’s fun to show them. All would have fascinating stories. The elegance of design showed up in dressy daywear, too, and I’ll be showing some of that tomorrow. Stay tuned . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY.COM

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TRUE VINTAGE WWII LADIES’ BLOUSE AND TOP TRENDS

These blouses and sweater all came from the war years spanning the late 1930’s to the very early 1950’s. The first blouse is a women’s-wear version of the Western-wear trend. Perfect for square-dancing. Gingham and sculpted plastic buttons were popular. This example might have been home-sewn by a skilled seamstress.

Cashmere cardigan sweaters also were seen worn as blouses, sometimes with the buttons in back if it were a plain knit. This trend was especially popular among co-eds. A beautifully-decorated one like that above would have been front-facing, of course. Pringle of Scotland was a known brand and higher-end.

Before and after rationing, lace and other embellishments on tops and dresses were very popular. Tailored styles were also made, but lots of the designs before and after the war were quite fussy with many details.

Tomorrow I’ll show my newest discoveries. Stay tuned . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

LATE 1930’S DAY AND DRESSIER FROCK and ACCESSORIES

Too many photos to do both decades together! I’ll spread them out over 2 or 3 days instead. Here are a couple of pretty 1930’s frocks and their accompaniments. First, one that our Depression Era gal might have worn to town. Perfect for shopping and a movie. It’s a lovely crocheted lace over-dress with a matching acetate satin slip underneath. Look at the celluloid belt buckle, also died to match.

The second dress is a rayon sheath with an over-blouse look and Art Deco beaded decoration. She might have worn it to cocktails, dinner and dancing later. Probably, the hemline would have been midi-length on her figure. An acetate slip underneath would have enhanced the fit and it has such unusual decoration on the bodice.

No matter where she was going, she might have carried a chatelaine rouge and powder compact and an antique needlepoint handbag. The clutch above also has a celluloid closure on the metal frame. The pot metal charm bracelet for daytime has European coins and Depression Era male figures dangling – a soldier, a laborer and a tycoon.

Pretty but practical shoes made for walking and dancing – and, of course, she can’t go anywhere without her 1930’s Zippo lighter. She’ll want to visit the smoking lounge during the movie matinee’.

Late Thirties – Forties tomorrow. Stay tuned . . . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

TRUE VINTAGE 1940’s FORMAL DRESSES, PLUS A DRESSY 1930’s CLUTCH PURSE

Beautiful, glossy fabrics – most of them synthetics – and lovely designs. I adore them all, but especially the first one. Let’s look at them one by one.

The first gown has a dark green velvet bodice, trimmed with the same pale green satin fabric that the skirt is made from. So flattering and luxurious. The bright red dress is a more conservative style, but still gorgeous. It’s made of an interesting fabric type which I’ve seen in other 1940’s dresses – it has a satin finish but with tiny black diamonds machine-embroidered all over. I suspect that this fabric, though lovely, was a more economical one.

The blue dress was tailor-made by hand. It is sewn from a bias-cut rayon which gives it that wonderful, drapey fit. The atomic/stellar cut-outs surrounded by seed beads were all done by handwork. I love the cut of the sleeves and the way the bustline and waistline are finished. That back tie belt gives it a really wasp-waist fit.

Finally, the black velvet two-piece dress is an entirely different design. Very proper and buttoned-up in velvet and crocheted lace, with rhinestone-center buttons.

Each of these gowns was a surprising and fabulous find. It’s rare to find 1940’s formal garments in the first place, and to find them in near-perfect condition is almost unheard of. The best bet is if they can be acquired from the original owner, or their estate. This is always a more informative clue when starting any investigation.

I’ve re-opened the 1940’s archives and am finding myself doing a deep dive there. Stay tuned . . . . . . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

TRUE VINTAGE LINGERIE ROBES & SLEEPWEAR FROM 1930’S TO MID-CENTURY

I’m definitely in the mood to look at some pretty Spring lingerie, although it won’t keep us as warm. The 1970’s RED velour robe by Vanity Fair is an exception, but I had to include it for St. Valentine’s Day.

A floral heavy cotton housecoat robe from the 1930’s with big sculpted buttons was a fabulous find! See how it compares when we jump to the 1950’s, 1960’s and 1970’s. Double-layer nylon peignoirs and gowns began to appear in the Forties and there were some beautiful ones in silk during the Thirties and Forties before WWII rationing disrupted all of that. Lots of great synthetic materials were developed during this time, however, and the 1950’s nylon used for sleepwear and slips is fabulous! Thick, glossy and still silky to the touch, it could be found into the 1960’s and very early 1970’s but since then has mostly been replaced by cheaper, poorer quality fabric that doesn’t feel or look the same and is definitely inferior.

Until then, we had this wonderful nylon that can be dyed in bright colors, lasts forever and feels like heaven on the body. Lingerie from this time also included beautiful tailoring and details like lace and embroidery which was high quality and didn’t come loose. Tiny pearlized plastic or fabric-covered buttons and satin ribbon were also common. That’s why these garments still look and feel so beautiful 50 – 70 years later!

This marvelous nylon was also used to make lingerie slips, of course, and women bought a gazillion of them while day dresses were still the standard outfit for daily wear. When we go back to looking at day dresses through the decades, I will be opening an archive of beautiful slips, too. First, I think our mid-century gal is getting back from her vacation tomorrow so we will see what she bought at the beach and start the dresses review afterward. Stay tuned . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

Early 1960’s Pleats! A Semi-dressy Pleated Skirt on a Wasp Waist Party Dress

Pleats have been popular fashion for centuries (think Scotsmen’s kilts!) but they seem to have trendy moments once or twice a decade. The early 1960’s was one of those times. We’ve also got the repeatedly ever-popular shirtdress style and the lace overlay, which were also mega-popular in the Kennedy era. The unique feature of this frock is the contrasting color underneath the lace bodice and sheer fabric of the skirt. We’ve got a dark robin’s egg blue hue over a rosy lavender color that gives us a light magenta tint. You can see a bit of the under-skirt liner peeking out below the hemline. So unexpected! I’ve found only one other dress of that time that did this lace overlay color play, so it was a fad to a small extent.

Sheer over opaque again. That will never stop, but every few years produce a very different look, even if some features remain the same. Staying in the ’60’s but with very unique designs coming. Stay tuned . . . . . . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

Beautiful True Vintage Victorian Prairie Style Dress from early 1970’s

In a pretty apricot pink pastel hue, this lace and cotton gown is a perfect example of the prairie dresses in Victorian style from the late 1960’s to the very early 1970’s. Unlike the ones that were hippie-style, this type is very straight-laced and conservative, modeled after the dresses from the late 1800’s. Never my favorite, but definitely worth collecting since they represented a major Seventies fashion trend.

This one is not a famous label like Gunnie Sax, but it’s well-made and well-designed. During those few years when these were most popular they sometimes found their way to church as non-traditional wedding fashions and less buttoned-up styles sometimes found their way to the Prom. Speaking of Prom and other formals, we’ll be seeing more of them in the next few days. Although it’s early, girls traditionally started thinking about formal dresses for Prom and for the Spring holidays about this time of year – after all, it does require a lot of planning. That was especially true if you were having your dress custom-made, either by Mom or the neighborhood lady who took in sewing. Stay tuned . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

Sweet 1960’s Long Dress for a Special Occasion – Wedding?

A really pretty formal gown with a wasp waist, cummerbund effect, scooped neckline and short sleeves. I’d put it in the 1960’s, but could be slightly older or slightly newer. Very classic. I’d also guess that it was made for a Teen or young woman, but who knows. Bridal, Prom or other special event – there’s no other clue; just absolutely beautiful tailoring . . . . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

Heading Toward Spring – Another Pretty Party Frock from the Mid-Century

Still from the same genre and general Post-war Mid-century era as the dresses I’ve been showing since before Christmas, but this frock is so much more Spring-like because of the color. Feels like we’re already looking toward Easter or Prom. I suspect that this one might be just a little bit newer than the one shown yesterday, but it has some conflicting clues with regard to the tailoring and fabric. Unlike yesterday’s, it does have attached stiffening in the skirt and a slightly shorter hemline, though still below the knee. Dating it right between 1955 and 1962 would be accurate.

The butter yellow is different but the most distinctive feature is the neckline. Love the drape in front and the LONG tails in back. The wasp-waist fitting is always stunning on those who wear it well. As we begin to get away from the darker colors and heavier fabrics, the undergarments become critical. Stay tuned . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM