BACK TO THE EARLY 1950’S – JUST FOUND A BEAUTIFUL WOOL SKIRT SUIT

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Made of the finest Scottish wool and specially tailored for a specific brand name.  Very nice detail on the jacket front, and in back it’s got a little belt with a center button that matches the silver ones on the pockets.  The skirt is straight style with a back kick pleat.

A little big on me, but it might be worth having it altered to fit.  I can’t get enough of the gorgeous jackets from that time and a pencil skirt is always wonderful.  Classic mid-grey, also, is great to have on hand in mix-able pieces.  I’m thrilled!  One of the handbags I’ll show you tomorrow would look just lovely with this . .. . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG:  MAGICVINTAGESPY.COM

HAND-TAILORED AND ELEGANT: MID-CENTURY SILK SHEATH DRESS FROM HONG KONG

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This dress is another keeper!  I wish Stella were here to model it for you – it’s so beautiful. So chic and elegant, of 100% silk with a floral jacquard design, with all the fine details that would be expected from an expert tailor.   This dress was made in the late 1950’s – early 1960’s by a tailoring firm especially for a higher-end shop in the Bahamas.

Excepting for the missing original belt and a few stitches in the hem which need to be repaired, it is in perfect condition.   A dress of this type would have been especially prized by it’s mid-century owner, and protected from damage.  That’s why it’s still possible, if you are lucky, blessed and skilled, to discover these frocks today.

I’m also fortunate to be of a size that was more or less average at that time, so I can wear many of my finds without alterations.  However, an expert cleaning service will have skilled seam-sters who can work wonders when necessary, so carry on . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY’

BLOG:  MAGICVINTAGESPY.COM

HEADING FURTHER BACK IN TIME – A HAND-TAILORED FLORAL FROCK WITH A FULL CIRCLE SKIRT

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In a ’50’s to early ’60’s style, but with mid-1960’s-type fabric this dress illustrates the creative power that home-sewers in the mid-century had over their wardrobes.  The size, style and fabric were completely at their discretion and genre’s could be combined in any way.

This example was made for a teen or a petite woman (the photo is somewhat foreshortened, too, so it’s not quite as short-waisted as it looks), probably as a dressy day or party dress.  It’s a simple style in cotton blend with a zip back and elasticized sleeves but shows evidence of extra care and skill in the insertion of piping detail at the waist and flounce on the skirt.  There are also strap-keepers sewn in at the shoulders and some seams that were done by hand.

What a fun little mystery-history to unravel!  More back to the future on the way . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG:  MAGICVINTAGESPY.COM

 

A MAGICAL FIND – PRETTY TRUE VINTAGE VEIL ILLUSION HAT

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Couldn’t be simpler, but that’s what makes it so elegant and lovely.  I also like the midnight navy color – a nice switch from black.

Velvet and netting – nothing is more flattering and alluring while adding a touch of mystery. . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG:  MAGICVINTAGESPY.COM

SOPHISTICATED 1940’S LADIES’ HAT OF SUEDED WOOL FELT

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This hat is made of the most wonderful fabric that feels almost like fine suede leather! It’s so hard, sometimes, to photograph black items – I hope that you can see the two bows under the brim in the first photo.  The hat is almost a beret, but has stitched decoration on top and a kind of souffle’ construction so that it can puff up or lay flat on the head.

I suspect that it would be worn more like the first photo, in order to expose the bows above the hairline.  Tricky to do with any kind of hairdo and probably would require hatpins.  What women used to go through to get the “right” look!

So, maybe it was designed to be worn with a sleek head and hair coiled up underneath or massed beneath at the nape of the neck.  It’s fun to wonder what the milliner who designed this beauty had in mind . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG:  MAGICVINTAGESPY.COM

 

ANOTHER WARTIME – POST-WAR STRAW HAT. THIS ONE HAS SUEDE TRIM!

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Spring, Summer, Fall?  Who cares?!  This unusual ladies hat will make any simple outfit a stand-out.  Suede leather is a unique combination with the woven straw.

The odd UFO platter shape makes me lean toward dating it in the Forties, but who knows for sure.  During the decades of millinery-mania, there were many innovative and even bizarre styles.

It’s so fun to find an example of that hat madness that is not a run-of-the-mill, frequently-seen design.  More on the way . . . . . . . . . . . . . . . . . . ..  . .. ..

 

NEW TO ME – GORGEOUS 1940’S – 1950’S LINGERIE SLIP

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I just had a windfall of finding a whole armful of lovely pastel full slips from the ’50’s and early ’60’s, but I’m going to show you this one first, which I found a few days ago.  It’s older, and longer, and more elaborately-styled in a design which I rarely find.

This slip is from the era when lingerie was made as if it were the main attraction of your whole outfit.  Forget what you’re wearing on top of it – the beautiful underthings is what’s really going on.  Look at those stunning crystal pleats on the bodice and the flounce at the hemline.

A slip that is so well-styled, carefully-made and of a wonderful, heavy nylon or rayon (or cotton, for summer) that it could stand alone as a dress is the kind of slip that our grandmothers wore every day.  Some were fancier than others, but even the more day-to-day items were elegant.

More pretties to come, and more to discover.  Stay tuned . . . . . . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG:  MAGICVINTAGESPY.COM

ANOTHER “NEW” BRIDAL ENSEMBLE – FROM THE 1940’S – 1950’S

When it rains, it pours!  Wedding dresses have been coming my way.  This beautiful frock would also do nicely as a semi-formal dress for Prom or something similar.

Pretty taffeta with a brocade design woven in – the head-dress is very sweet with little pearls and flowers and a short veil.  The dress is really a straight sheath, with a poufy over-skirt lined by a netting crinoline.  I think that elbow-length sleeves are so chic and elegant – it’s nice to see them here, finished with a little bow.

I don’t need a wedding dress or a Prom dress so this set may end up going to another bride or to a high school dance, but either way it will be a fabulous find again for some lucky girl . . . . . . . .. .. . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG:  MAGICVINTAGESPY.COM

JUST FOUND! A SHIMMY-SHAKE LITTLE BLACK DANCING DRESS FROM THE LATE FIFTIES OR EARLY SIXTIES

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I had one other 1960’s sheath dress with fringe like this several years ago, and it was a surprise.  Looks like a hoochie-coochie 1920’s or ’30’s frock but that kind of fringe is so GREAT for Sixties dancing, too.  I guess some women thought so . . . . . . . . . . .

The interesting thing about this particular one is that the body of the dress is made of a soft fabric that feels like cotton with chenille stripes.  I thought chenille was just for bedspreads, bathrobes and sweaters.  That’s one thing I love about this investigating – you learn something new every day (and get to play dress-up every day, too).

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG:  MAGICVINTAGESPY.COM

THREE OF MY OLDEST TRUE VINTAGE HAWAIIAN GOWNS

THREE OF MY MOST VINTAGE HAWAIIAN GOWNS

From the 1960’s back to, maybe the 1920’s, these three are my oldest vintage examples of Hawaiian gowns.  From the farthest left, to right –

Psychedelic hues and patterns on the far left – not hard to see the late Sixties here.  The center dress is from the 1950’s and is fashioned in the traditional Hawaiian style, with a panel on the back that is almost like a train, without the dragging hem.

On the far right is a mystery dress with a metal side zipper. It has images in the print that are not your standard Hawaiian shirt variety and the fabric is very different –

instead of being the heavy cotton that I’d usually expect, it is a fluid material that I’d guess is rayon. If the label did not indicate that it was made in Hawaii, I’d say it had come from Japan.  The toggle closure at the neck is also something often seen on Chinese and Japanese garments. It’s also got a very 1930’s cut – close to the body.

Hmmm . . . . . . . . . this is REALLY Mata Hari undercover espionage stuff.  I wonder how she wound her way to the place where I discovered her . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG:  MAGICVINTAGESPY.COM