MORE CLASSIC TRUE VINTAGE EXAMPLES FROM THE FIFTIES AT THE SHOE MUSEUM

MORE CLASSIC EXAMPLES FROM THE FIFTIES AT THE SHOE MUSEUM

From the early to the late 1950’s, this was one of my favorite displays at the museum. I can just imagine Grace Kelly wearing the sling-backs in the movie High Society. I’d put them on in a second  . . . . . . . . . . . .

Exquisitely hand-made of premium leather and man-made materials that last for many, many years.

Classic vamp decorations and toe styles all represented here. Such a delight to see these looking like new!

MORGANA MARTIN, THE MAGICVINTAGESPY

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TRUE VINTAGE FROM 1955 – A VERY ELEGANT FROCK FOR A SPECIAL OCCASION

FROM 1955 - A VERY ELEGANT FROCK FOR A SPECIAL OCCASION

This dress was worn to a semi-formal event in 1955, in Europe. Lace overlay, dropped waist and double-layer chiffon skirt.

No cutesy business going on here – just serious fashion, quality, classic elegance and glamour . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

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PRETTY SPRING ACCESSORIES – FINE TRUE VINTAGE COSTUME JEWELRY BROOCHES FOR COAT AND JACKET LAPELS

FINE TRUE VINTAGE COSTUME JEWELRY BROOCHES FOR COAT AND JACKET LAPELS

There’s nothing more eye-catching on a plain tailored dress, coat or jacket lapel than an outstanding piece of jewelry. These costume brooches are each signed, by different designers.  Whimsical and elegant, women hardly felt dressed without one on back in the day.

From the 1950’s – 1960’s, they are either glamorous or fun. I love the turtle!

MORGANA MARTIN, THE MAGICVINTAGESPY

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PRETTY TRUE VINTAGE 1960’S SPRING FROCK FOR AN EASTER PARTY

PRETTY SPRING SIXTIES FROCK FOR AN EASTER PARTY

Spring flowers abound on this breezy semi-formal dress from the 1960’s. It is lined, but I think that originally a stiff a-line petticoat would have been worn underneath – probably with a crinoline to hold its shape.

However, the print is casual, so the petticoat could no doubt be omitted for an informal party. So up-beat for Easter doings, though a little jacket or warm shawl would also look pretty if it’s cool.

Empire waistline styling with a simple back zip. Although I adore the elegance of the Fifties and before, sometimes the extra simplicity of fashions that took over in the Sixties is refreshing – certainly easier for a quick costume change . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

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TRUE VINTAGE GOWN MODELED AFTER GRACE KELLY’S IN THE HITCHCOCK MOVIE “REAR WINDOW”

A very favorite find, custom-tailored in the early 1950’s after one that Grace Kelly’s character, Lisa, wore in the classic Alfred Hitchcock movie, Rear Window.  Lisa’s dress had a yellow printed skirt, rather than blue.  I even know the woman who made this frock in 1954!

The black fabric in the bodice is stretchy and the neckline very unusual.  It fits perfectly, no matter how your own curves go!  The skirt is of three layers, with sheer fabric on top and netting underneath.  The little black “leaves” are embroidered on the sheer overlay.

What could be more fabulous? – a costume similar to one worn by one of my all-time favorite actresses in a favorite movie by a favorite director! How intriguing . . . . . .. . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

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FOR EASTER, CHURCH OR A ST. PATRICK ‘S DAY DRESSY EVENT, A TRUE VINTAGE GREEN FEATHER HAT IS CHIC!

FOR CHURCH OR A ST. PATRICK'S DAY DRESSY EVENT, A GREEN FEATHER HAT IS CHIC!

No matter when you wear the green hat, it’s going to draw attention. So, why not St. Paddy’s Day? The black and white number with artistic feather trim is also to die for.  Chin straps were so practical.

These two are from the 1950’s and/or 1940’s. Marlene and Celia are feeling pretty “haute mode”.

Just love feather hats, and I’ll be showing some more before the Spring fashion parade is through. Notice that we’ve also got a veil. . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

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NEW DISCOVERY! TRUE VINTAGE MID-CENTURY CUSTOM-TAILORED DRESSY DRESS

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CUSTOM-TAILORED VINTAGE FROCKS ARE OFTEN THE MOST INTERESTING!

I love this find!  All the details of the talented seamstress’s work are evident here.  She was good!

Like many dresses from the  Fifties – early Sixties era, this frock is made with a contrasting liner under sheer illusion fabric.  The black overlay has flocked design with little reflective accents, like tiny, tiny sequins, sprinkled throughout.  The neckline treatment took a lot of skill to create, with many folds and tucks.

The side metal zipper was a standard in many of these early styles.  Because it’s a bit shorter, I suspect that the owner was a buxom lady of petite stature or that she shortened the dress over many seasons of wear as the hemlines went up in popular fashion.  Although the dress is in exceptional condition, some wear to the flocking shows that it was worn more than once – maybe many times.  She loved it!

The original belt is missing and I put one of my own on just for illustration.  The sizing is a vintage plus, or half-size as they were known then, and is made for a full figure.  Can’t wait to photograph it on Madge, whose measurements will do it some justice!

More new finds tomorrow, so stay tuned . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

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NEW FIND! TRUE VINTAGE 1960’S LACE OVERLAY DRESSY DRESS

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A POPULAR CONSERVATIVE DRESSY STYLE FROM THE EARLY TO MID-1960’S

Can’t wait to photograph this frock on Madge, whose figure will show it off to best advantage.  It’s a vintage Junior size 9(which would be about a Misses 6 now) – aimed at teens and young women.  Lace overlay (very popular then for special occasion styles), but in matching color rather than a contrast.  I could almost see it being worn as a non-traditional wedding dress!

The buttons are gold-tone sculpted metal and there is a gold thread in the lace edging around the neckline, sleeve hems and front placket. The hem is quite wide, so I suspect that someone shortened it – either because they were of petite height or because the mini length was in style when this frock was last worn – 1965 or sometime later . . . . . . . . . . . .

Although I think the design is pretty  blase’ (but I’ll have to see it on Madge to make the final judgement), the fabric and tailoring are of excellent quality and it’s always a pleasure to see that.

MORGANA MARTIN, THE MAGICVINTAGESPY

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FINE TRUE VINTAGE COSTUME JEWELRY BY TRIFARI – THE SMART WOMAN’S CHOICE 1930’S – 1980’S

FINE COSTUME JEWELRY BY TRIFARI - THE SMART WOMAN'S CHOICE 1930'S - 1980'S

Trifari made lovely costume jewelry – here are a few examples of pins and earrings from several decades. Always high quality. Pick them up if you find them . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

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FABULOUS RAYON FIND – A TRUE VINTAGE BEADED DRESS FROM THE 1930’S/1940’S

FABULOUS RAYON FIND - A TRUE VINTAGE BEADED DRESS FROM THE  1930'S/1940'S

Was I ever thrilled to run across this beauty! Sleek and slinky, it’s got great film noir presence.  Another dress that Madge can’t wear, but I can’t wait to photograph it on Stella because it would fit her just right!

With a side zipper at the waist and fabulous design, it’s such a neat wartime style.. The color is tricky to photo – a medium mauve, grayish purple. Very unusual and lovely.

The best thing is the bead trim – and especially the trailing streamers that hang from the hip area. You’ll see more of these rare & interesting tailoring features in some future posts.. . . . . .

No, it’s not a dirty camera lens and Yes, there is a flaw on the front, with a funny stain or fade on the left bodice that can’t be remedied. However, it’s just the right place for a pin, a flower or corsage which early mid-century women often wore for a night out.  I think I’d love a piece or two of markasite jewelry with this frock . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

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