TRUE VINTAGE FUR HAT BONANZA – A TOQUE IN CURLY LAMB

This was another one worth nabbing, because though I have similar curly lamb hats in black and marled grey, I didn’t have a luscious chocolate brown like this one.

It’s got a beautiful, architectural design that makes me think of the 1940’s.  It’s true vintage but is so classic that I can’t date it exactly.  Again, in near-perfect condition.

Curly lamb seems to be one of the furs that is easiest to replicate in imitation form, so go for it if you can’t find a real one made in the 1960’s or before.  Leave anything modern on the racks or, preferably, on the animals’ backs.

MORGANA MARTIN, THE MAGICVINTAGESPY

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TRUE VINTAGE FAUX FUR FABULOUS FROM THE SEVENTIES

Though not purely the best of the best, this is a good example of faux fur that has been available for several decades.  I have others from the 1950’s.  It’s a reliable true vintage brand, and is a fabulous alternative to real fur – has to be seen up close and touched to be sure.  Some made now require a second look and feel.  Vive les animaux . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

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TRUE VINTAGE MID-CENTURY MODERN LAMPS – FASHION FOR MY HOME!

IMG_1784IMG_1785This is a little off my usual track, but had to show you.  I’ve been scanning the radar for these for a while and, voila’!  They need a little TLC, but that’s easy.  They are in fabulous condition for their age and, as usual, they were a steal . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

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TRUE VINTAGE 1960’S COCKTAIL DRESS – SAKS FIFTH AVENUE

Imagine my delight finding this LBD!! Very Mad Men, Jackie O and all that.  It was originally purchased at Saks Fifth Avenue.  What could be a better item to have as a wardrobe staple?  I’ll have fun with this one.

A black crepe in perfect condition, from the early to mid-1960’s. However, this design is so elegant and classic, that it’s timeless.

Back metal zipper and generous hem allowance, careful tailoring throughout and a high-quality decorative trim at the neck and hem.  The embroidered label inside is a real plus, too.

Most of my recent finds have been good fits for me and require little, if any, attention.  Thank you, fashionistas of the past, who loved and looked after your clothing so well . . . . . . . . ..

MORGANA MARTIN,THE MAGICVINTAGESPY

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TRUE VINTAGE ’70’S DOES ’40’S SUNDRESS FROM WEST GERMANY

IMG_1759This fabulous 100% cotton dress was made in West Germany, obviously   before 1989 and maybe many years before that.  Yes, it’s another new find that’s out-of-season right now in North America and most of Europe, but I love, love, love this anyway and couldn’t wait to show it!

Forties style is so wonderful.  I love the cut-in shoulders that give a halter neckline feel without the bare upper back.  It’s one of my favorite styles and I’ve been so fortunate lately to find some true vintage Forties, too. Shirtwaist ease is always great – red and white polka dots – a nipped-in waist and midi hemline ………… Fashion heaven!!

Plus, it’s got that true vintage West German quality of workmanship and materials that make it a really good investment, no matter what.  It’s in perfect condition and will continue to last.  What could be better? . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

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TRUE VINTAGE RED VELVETEEN FOR THE HOLIDAYS

Both of these garments were custom-tailored in the late 1950’s to early 1960’s.  Here’s the holiday dress from last year properly modeled on Stella, finally – just look at those wonderful rhinestone buttons and belt buckle.  Try finding those now!  I’d tend to wear it at Christmas, but it would be beautiful at a dressy Thanksgiving dinner, too.

The skirt is a new find, in a slightly deeper red, which I love.  Dresses are great, but I’m always happy to find separates because of their versatility.  Now I have something true vintage to wear with pretty blouses and sweaters.

Black is always superb, but I love red and these unusual finds just put me in the holiday spirit!

MORGANA MARTIN, THE MAGICVINTAGESPY

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BEAUTIFUL TRUE VINTAGE 1960’S WOVEN WHITE SUMMER HANDBAG

IMG_1725I’ve just found several lovely handbags and will show them to you over the next few days.  Remember, I promised that there will be several warm-weather items coming along with the more seasonal (for the northern hemisphere) kinds of things.

This one is a macrame’ type of weave (the kind of thing that women were really keen about doing at home in the 1970’s), but was done commercially, with not a mistake to be found and on a small scale.  Most home-made macrame’ (not all of it) is much larger so it’s wonderful to find a hand-made item in a small, elegant size and style.

The purse is fully-lined in white fabric, with a small inside pocket and the maker’s label inside, too.  This was the way that they made these bags in the Fifties and Sixties.  The outside is the important part, as the inside is almost always very plain.

Nothing looks nicer with a Spring or Summer frock, casual or dressed-up.  In every true vintage wardrobe, a small selection of white bags is a must!

MORGANA MARTIN, THE MAGICVINTAGESPY

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RABBIT FUR TOQUE HAT FROM THE SIXTIES

IMG_1722Here’s a fun find which is different from anything I own (so far). I’d put this on with my black wool sheath and some black leather boots!  It’s a perfect partner to the dress shown earlier today.

Can’t say who made it as the label has gone missing, but I suspect that it was a from women’s dress shoppe or a large department store when they used to have specialty departments for millinery, shoes and furs.  Ladies enjoyed buying a new hat  the same way we focus on shoes today.

As I always say, I never buy modern fur but enjoy the old, old ones while they last.

MORGANA MARTIN, THE MAGICVINTGESPY

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HOW TO SEW WITH TRUE VINTAGE STYLE

Sometimes I come across patterns or notions from the true vintage eras that I love.  It’s worthwhile to pick them up, and I’ll explain why , , , , ,

Whether you sew or not, if you want to copy or have someone else re-make a true vintage garment,  a pattern is a necessity in order to get it right.  Unless you are a master at pattern-making yourself, the original cut of the garment will be impossible to recreate and the result will look like retro – not true vintage.

Beyond the qualities of the true vintage fabric and decorations that are used, the identifying factor of a true vintage design is the cut and, therefore, the way that it fits the body.  There’s no way to cheat on it and the look of the finished garment is unmistakable.

True vintage notions can make a big difference, too.  Buttons, of course, but zippers are probably the most important closure item with regard to getting the fit to be authentic.  Nothing will be more correct than a zipper that is like the original in looks and function.  And, we know how often one of those might need to be replaced . . . . . . .

So, there’s my little rant on that subject.  Of course, there’s lots more to get into if you are a couturier or just an expert needle-worker.  But, it’s worth knowing about, and very interesting when you want to get it perfect.

However, nothing is true vintage except real true vintage, no matter how well it has been reproduced.  But, if you’re very, very good at faking it, it’ll take a master sleuth to expose you . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

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TRUE VINTAGE END-OF-MOD WOOL SHEATH DRESS

IMG_1737The cut and design of this frock, as unremarkable as it looks (especially in this picture), told me immediately from when and what it was!  It’s a soft wool knit from the late 1960’s.

Beautiful fabric!  And, like the wool dress from a couple of days ago, no itch factor here.  Of course, I’ll still enjoy a gorgeous lingerie slip underneath on a cold, wintery day.  The crocheted trim breaks up the plain lines and the fit is lovely.

So glad that I’ve discovered so many  in-season items recently that are appropriate for this cold that most of us are experiencing now.  For those of you who are not, I’ve still got several summery finds coming up, too.

Later today, I’ll post a little rant about design with pictures  of the true vintage tailoring tools I recently found and how they’re a help to sewing and altering, if that’s something you like to do.  If not, it’s still good to know some of the things that make the difference between  real deal vintage and the copy-cat retro fashions.  Stay tuned . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

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