Category Archives: special occasion

TRUE VINTAGE 1940’S DRESSY DRESSES FROM AFTER THE WAR YEARS

Here’s another group of finds that were fabulous. Let’s look at the details on these frocks, which were over-the-top when wartime rationing was no more and fashion was ready for a break-out right before the New Look. Lots of glitz – rhinestone buttons, metallic thread, sequins, beads, lots of little buttons and velvet. Hemlines went down again. Rayon reigned – it had become the darling of fabrics.

There was certainly an element of weirdness to some of these designs. The last two black dresses were discovered in Montevideo, Uruguay and had been made by specialty dressmakers. Many of their wardrobe items in that city came from France, and I suspect that there is a lot of European influence in these styles.

The top two designs are squarely U.S. American and the tag on the dress with the big velvet bow indicates that it was made by a company that was producing affordable garments, probably during the early recovery from wartime. The navy blue dress was higher-end and looks so much like the costumes seen in late 1940’s film noir.

Tomorrow we’ll look at some examples of how 1940’s dress styles have persisted during the following decades. Stay tuned . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

RARE NEW FIND! 1940’S DRESSY VELVETEEN JACKET

Nothing wonky about this jacket. It just needs a good clean and steam. Plus, I wish my team of models were with me as it would look so much better on Stella, maybe over a dressy 1940’s frock as it was intended for. Use your imagination. Anyway, I love, love it! Anything from this fashion decade thrills me, but a piece like this is so difficult to find and such a wardrobe necessity. Gals in the 1940’s often wore a fur stole or jacket with their evening outfits but, since we don’t do that anymore unless it’s a true vintage piece, a formal alternative is so important.

Probably handmade, from cotton velveteen. No lining, but none needed – the reverse side of the velveteen is a very smooth weave. Great peplum waist, a little longer in the back, and a big button to close. 3/4 sleeves with scalloped vents. Love this detail, too.

I’m over the moon and, as I always say -“You just never know” what might turn up. I’ll post my second find, exciting in a different way, tomorrow. Stay tuned . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

LATE 1930’S DAY AND DRESSIER FROCK and ACCESSORIES

Too many photos to do both decades together! I’ll spread them out over 2 or 3 days instead. Here are a couple of pretty 1930’s frocks and their accompaniments. First, one that our Depression Era gal might have worn to town. Perfect for shopping and a movie. It’s a lovely crocheted lace over-dress with a matching acetate satin slip underneath. Look at the celluloid belt buckle, also died to match.

The second dress is a rayon sheath with an over-blouse look and Art Deco beaded decoration. She might have worn it to cocktails, dinner and dancing later. Probably, the hemline would have been midi-length on her figure. An acetate slip underneath would have enhanced the fit and it has such unusual decoration on the bodice.

No matter where she was going, she might have carried a chatelaine rouge and powder compact and an antique needlepoint handbag. The clutch above also has a celluloid closure on the metal frame. The pot metal charm bracelet for daytime has European coins and Depression Era male figures dangling – a soldier, a laborer and a tycoon.

Pretty but practical shoes made for walking and dancing – and, of course, she can’t go anywhere without her 1930’s Zippo lighter. She’ll want to visit the smoking lounge during the movie matinee’.

Late Thirties – Forties tomorrow. Stay tuned . . . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

SPECIAL WARTIME AND POST-WAR STYLES FROM THE 1940’S

Classic designs made subtle changes over the decade which reflect the evolution of style and the social and historical events taking place at that time. Party dresses for special occasions have always been a “thing”. Skirt suits from Utility-style in the mid-’40’s to embellished designs were more like couture garments in the Post-war years. A matching hat was always essential.

High-school Prom tradition is about 100 years old now. The popularity of skirt suits for women began about the same time. Since about 2000, traditional styles in both these categories have shifted in major ways, so the focus on these types of garments in my investigations has gone from around 1920 through the 1990’s, with the spotlight on 1930’s – 1980’s. The Forties through the Sixties have been my favorite decades for classic structured suits, as they were more like two-piece dresses before and after and very trendy in design. Good luck finding a true vintage suit or Prom dress from the 1920’s or even the ’30’s but after 1940 the clues are still out there.

Although there were some very nice styles from the 1920’s and 1930’s, the prettiest suits and formal dresses, in my opinion, came from the late 1940’s and early 1950’s. Lots of attention to detail, flattering fit and high quality. In decades after that, frocks were not as interesting and suits were generally more boring, too. Tomorrow I’m going back to late 1930’s – 1940’s for dresses with one or two ’80’s WWII retro styles thrown in. Stay tuned . . . . . . . . . .. . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

TRUE VINTAGE 1940’s FORMAL DRESSES, PLUS A DRESSY 1930’s CLUTCH PURSE

Beautiful, glossy fabrics – most of them synthetics – and lovely designs. I adore them all, but especially the first one. Let’s look at them one by one.

The first gown has a dark green velvet bodice, trimmed with the same pale green satin fabric that the skirt is made from. So flattering and luxurious. The bright red dress is a more conservative style, but still gorgeous. It’s made of an interesting fabric type which I’ve seen in other 1940’s dresses – it has a satin finish but with tiny black diamonds machine-embroidered all over. I suspect that this fabric, though lovely, was a more economical one.

The blue dress was tailor-made by hand. It is sewn from a bias-cut rayon which gives it that wonderful, drapey fit. The atomic/stellar cut-outs surrounded by seed beads were all done by handwork. I love the cut of the sleeves and the way the bustline and waistline are finished. That back tie belt gives it a really wasp-waist fit.

Finally, the black velvet two-piece dress is an entirely different design. Very proper and buttoned-up in velvet and crocheted lace, with rhinestone-center buttons.

Each of these gowns was a surprising and fabulous find. It’s rare to find 1940’s formal garments in the first place, and to find them in near-perfect condition is almost unheard of. The best bet is if they can be acquired from the original owner, or their estate. This is always a more informative clue when starting any investigation.

I’ve re-opened the 1940’s archives and am finding myself doing a deep dive there. Stay tuned . . . . . . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

DETOUR! 1950’S DRESSIER FROCKS BEFORE WE MOVE TO THE SIXTIES

I just couldn’t head into the 1960’s without a display of some of the prettiest dressy frocks from the 1950’s and the fabulous nylon lingerie slips that might have been worn underneath. The first two pictured also have interesting remodeling stories.

First is a beautiful, heavy polished cotton dress from the early 1950’s or, perhaps, the late 1940’s. It is absolutely gorgeous and falls to tea length. Polished cotton was a favorite fabric during the mid-century, before 1965 or so. As often happens, this frock had lost it’s belt somewhere along the way so I took some fabric from the generous hem and covered a skinny one by hand.

The mocha dress with the interesting shoulder line was a more ambitious remodel but still done entirely by hand. This wonderful wiggle dress is made of rayon fabric which looks like silk shantung. It originally had an upper bodice made of sheer fabric with cap sleeves. Piping finished the sleeves and round neckline. This design feature was such a popular one in the late ’40’s and early ’50’s but, alas, the sheer fabric had several holes that didn’t have a mending or patching option that I thought would do justice to the style. So, I chose to remove the upper bodice and secure the cut edges underneath. The back zipper didn’t have to be changed because it ended where a keyhole opening used to be at the back. I am very happy with the result, though I hate to change original designs.

The RED party frock is a style that endured at least from the mid-1940’s until the early 1960’s. It’s a rayon fabric with midi hemline, 3/4 sleeves and a boat neckline – all of which I love. You can see how deep the hem is and, of course, the bodice and skirt are fully lined.

Finally, the red jacquard cheongsam-style sheath is a fashion that became quite popular in the Fifties and Sixties, probably a carry-over from WWII when Asian culture became better known in the West and the female spy, Mata Hari, became legend. It carries on the wiggle cut and cap sleeves which were common then. Overall, this was a decade of very flattering and well-made ladies’ garments.

We finish off with a photo of luxurious nylon slips from the 1950’s, with their fabulous fabric and pretty decoration in some of the luscious colors that were available. We WILL do 1960’s dresses tomorrow. Stay tuned . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

BEAUTIFUL KENNEDY ERA SKIRT SUIT IN BOUCLE’ WOOL

It’s not designer, but still worthy of any gal who loved Jacqueline Kennedy’s elegant fashion style. A straight below-the-kneecap skirt and boxy short jacket say early 1960’s and Coco Chanel-style in a big way. You can’t see the loopy boucle’ weave in this photo. It was very popular in the early Sixties – I’ve found several, all in pastel colors.

The tailoring is remarkably good, too. In this case, you can see the fabric-covered buttons down the front and at each cuff. The little slash pockets that are finished off with binding are meant to be ornamental and add a lot to the design, even if they aren’t practical. Bracelet-length sleeves let you show off a charm bracelet, pretty watch or any other statement piece. Even a slim gold bracelet of fine quality is a statement piece, and perfect with an outfit of this kind.

One of the unique features of these suits is how the necklines are treated. I have a pink example with a rounded Peter Pan style collar. A yellow one I’ve found has a crew-style neckline with a slim mink collar. This example has an attached piece that buttons in place and forms the matching blue neckline filler. The wool fabric is perfect for late Winter and early Spring. More pastel wool tomorrow, and hats! Stay tuned . . . . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

True Vintage Late 1970’s – 1980’s Prom Dress and Heels

Again, a bow at the waistline and sheer fabric over opaque. But, the flavor has changed – big, bold Eighties does Forties floral print and in-your-face colors. Also, the sequins and beads sprinkled on the bodice looks like Eighties and Nineties, rather than the mid-century style. The pumps are a Sixties throwback. This gown is much more showy than the tailored, sophisticated styles of the Fifties and early Sixties and we’re still about 10 years away from the glitzy power frocks of the Dynasty decade.

Still pretty and girly, though not quite as “sweet”, in spite of all the pink underneath. It’s so interesting to see how clues and evidence overlap from year to year. Stay tuned for the file containing mid-century day-wear suits, dresses and accessories as Winter moves toward Spring . . . . . . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

Mod Floral Prom Formal from the Mid- Late 1960’s

Flower Power! A little Victorian flavor here, too, which began to show up in the late Sixties. This carried over into the Prairie styles of the late Sixties and early Seventies, several of which I showed a few days ago. At that time, many were worn to the Prom. Lots of changes were happening in history and culture during this time and fashions morphed at lightening speed.

Of course, Mod flowers, empire waistline, gathered sleeves and retro ruffles plus a novel style element that showed up then and disappeared pretty quickly – big tall cuffs with lots of buttons. Many blouses and dresses were made with these, as well as long pointy collars, which had their own version on 1970’s shirts a few years later.

Although it’s a mangled mash of styles, it’s really cute and this was a time for CUTE clothing. It was a fad for a fairly short time. Sophisticated fashion took a back seat for a while. I haven’t seen too many of these during my investigations, so this one was a very fun find. Stay tuned for going ahead to the 1980’s . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

True Vintage Mod-style Special Event Long Dress from the Early 1960’s

From just a year or two later, compared to the frock shown yesterday, look how different the style is! This dress would have been made in 1962 or 1963, when the blue plus green craze was all over the marketplace – in clothing and home fashions. It was a thrilling find because I know it’s history since I got it from the seamstress who made it. She regularly tailored dresses to wear to faculty events at a university.

Medium-weight synthetic fabric, with a brocade-look weave. It just says Spring, and the beginnings of Mod. Sleek and slim, rather than fussy or poufy. A new kind of feminine style. We’ll be in totally different territory again tomorrow. Stay tuned . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM