TRUE VINTAGE 1950’S DRESSES FOR EVERYDAY

Wasp waists, circle skirts and cap sleeves – 3 style features which are predominant on 1950’s frocks, though many other elements of design appear. The tiny waistline is probably the most frequently seen feature of a Fifties dress. As popular as the synthetic fabrics had become, 100% cotton material was queen of everyday dresses and especially for plaids and stripes which could be woven right into the cloth. Prints were still very evident, such as the blue and aqua shirtdress above, with a cute Paris, France motif (special to me because it belonged to a family member). A variation of the open-toe, low-heel sandal shown yesterday would have gone very well with these dresses, too. Colorful dresses called for fun and affordable costume jewelry, which abounded in the ’50’s. Made from pot metal, glass and plastic, every gal could afford a little bling with every outfit. Natural materials were sometimes used, too. Our mid-century gal who returned from Hawaii a few days ago, might have brought home a pair of souvenir earrings made from seeds and shells.

Decorative detailing was still a big deal, whether the dress was a day dress or something more special. Ric rac and embroidery were everywhere. The intricate cut-out design and lacing on the neckline above, though probably done by machine, is a very pretty touch on a flirty frock. Fabric-covered belts were the most common way of cinching a waistline.

Sticking with casual dresses, we’ll head into the early 1960’s tomorrow. Stay tuned . . . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

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WE’RE GOING TO A MID-CENTURY RESORT! LET’S CONTINUE PACKING TRUE VINTAGE SPORTY STUFF

Okay. A couple days ago she packed her swimsuit for the pool and the beach, short shorts and cute top and a skort for casual day play and sightseeing. Good start. Today she’ll concentrate on more sporty day outfits that will take advantage of the tennis court and boardwalk as well as lots of other fun activities.

Can’t forget her 1950’s play-suit! Love the funky drums motif and the cropped top. Very original. This one isn’t a romper – it will even let her go downtown after the badminton game. Can’t forget the matching Keds. When it’s time to go to the dining room, a simple wrap skirt from the ’60’s/’70’s is very appropriate and her cute handbag goes well with all outfits so far!! The white sleeveless top that she packed already is perfect with it. That’s the secret of great packing – mix and match. Oh, yeah – GOT to take her roller skates !!!!! Yes, they’re heavy but gotta have them.

All right. That’s enough for today. Packing always makes her tired with so many decisions and it’s easy to forget something important if she doesn’t take her time. Good choices so far, but there’s still more to do over the next few days. Stay tuned . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

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True Vintage Ladies’ Sweaters 1940’s – 1970’s

Just a few examples of the many styles and varieties in my archives, but this assortment is a good beginning. The most classic, and probably the most numerous of my discoveries, have been cardigans. Finely made cashmere sweaters, like my mother’s yellow one with appliqued flowers, were a staple for the college coed in the late 1930’s to 1940’s. Plain styles were often worn in reverse, with the buttons in back. Up through the 1950’s to the early 1960’s beaded and embroidered cardigans were hugely popular and the designs were endless. Most were commercially-made, many of the best ones in British Hong Kong, but some women decorated theirs at home. My mother bought this yellow sweater jacket by Banff in the early 1960’s.

Of course, there were v-neck, crew neck, and collared sweaters in all sorts of variety. Most were nice, but casual styles made to wear with skirts and, later, with slacks. Wool sweaters provided the most warmth for colder months and, until Orlon became available, almost all sweaters were made of wool. Synthetics were really given a boost during WWII because of the government’s requisitioning of wool for military uniforms.

The turtleneck that we love now didn’t seem to show up too much in everyone’s closets until the early 1960’s. Until then, it was a little more avant guarde or unconventional for the average gal though they were on the scene from the 1920’s. Always a sportswear item, especially from the time women began to dress more casually in the 1940’s, women’s sweaters became less dressy. We’d begin to see themed sweaters like this Las Vegas souvenir from the 1970’s or with prominent monograms, mostly in the ’50’s. Of course, many mid-century women knitted and crocheted tons of styles at home, from super-casual to evening styles.

True vintage sweaters from before the 1970’s when acrylic yarn took over are a rare and fabulous find. Moth damage, pills and snags usually took most of them out of circulation. Though I have many, it’s only possible to show sample at one time. A few ladies’ casual Spring jackets tomorrow – stay tuned . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

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At Home for the True Vintage 1950’s Holidays – Part 1

Here’s a beautiful 1950’s dress by Lantz that would be perfect for Christmas Eve with family or good friends. It’s made of cozy wool felt with black embroidered decoration. Pure Fifties wasp waist and midi hemline. I love the little stitched decoration trimming the neckline and sleeves. What could be more festive and Christmas-y than a frock like this?

It’s appropriate for the family dinner, no matter who’s there, and could easily go to any type of celebration or event away from home. Cocktails around the fire would be perfect but, at some point, the dresses and sweaters will come off for more comfy duds. Stay tuned . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

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True Vintage early 1950’s Wasp – Waist Party Dress for Holiday Celebration

This RED beauty is pure 1950’s. The skirt is a full circle, or nearly, and could be worn with a crinoline. Love the boat neckline and 3/4 length sleeves. Simple elegance with no decoration – just fabulous fit and style. The fabric is substantial, but not a taffeta. It’s unlined and still allows for lots of movement in the skirt, especially if it is worn as in this photo without stiff undergarments. No label, so it might have been custom-tailored.

Just like Scarlett O’Hara’s entrance to Melanie’s party in Gone With the Wind, show up in this frock and you’d create a scandal. I wonder . . . . . . . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

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True Vintage 1940’s – early 1960’s Red Velveteen Party Dress for Christmas Holiday Celebrations

A fun little frock while the parties are still free-wheeling with cocktails, hors d’oeuvres, music and dancing. You could also bring it out again at St. Valentine’s Day. This dress is a pure home-sewn creation made or commissioned by some gal who was definitely in the party spirit and looking forward to a great time. Some clues date the dress as early as the 1940’s, but I suspect it’s not quite that old. That skirt is definitely styled for dancing, though.

The festive holiday clue is the sequin decoration on the bodice, which makes me think more of the 1950’s. No other clues to the details of the stories that it has to tell, but I’m sure we can invent quite a few . . . .. . .

MORGANA MARTIN, THE MAGICVINTAGESPY

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OUR GRANDMOTHERS’ MID-CENTURY HOLIDAY AND HOSTESS KITCHEN APRONS

These are just 3 out of my collection of lovely kitchen aprons, but perhaps a bit more interesting and seasonal than others I have, which are more generic, like a cotton gingham check without any specific theme. Many aprons, like the first one here, were specifically themed for a particular holiday or fashion era. It’s a great example, with bright color and a novelty print for Thanksgiving. Although it’s definitely trendy and targeted, it is also at least somewhat practical because of the machine-washable fabric, wraparound style, secure ties and big pocket. It could actually do the job of keeping the cook’s skirt clean. The most useful styles also covered the bodice.

The usefulness is really important, but I love the novelty print. It’s always good to play the hostess in something that also makes people smile. The two aprons following are entirely different in their purpose. These are made from a much more delicate fabric and would be best washed by hand, both because of their delicacy and because they are hand-painted. They were made for and gifted to my grandmother by a relative who at least did the painting herself, if not the sewing job. Gifts like this were common in her day, and cherished. These aprons were made not so much to protect clothing as to be pretty. Grandma might have worn them when she had her friends in for tea or a card game, maybe even for hosting an at-home cocktail party. The messy part of the hostess job would have already been done when she made the cake or other refreshments beforehand.

Aprons were much more commonly worn in decades past and were a significant part of a woman’s household wardrobe, like housedresses worn on cleaning day. Most women’s (especially married women’s) lives were organized around a routine of household duties throughout the week and each one usually required a different kind of outfit – one for cooking, one cleaning, one for tending plants, one for doing the weekly shopping. Special accessories to these outfits were needed for certain jobs, such as gloves of various kinds, hats of various kinds, nursing bras and pads to protect clothing from breast milk and burping babies. Housewives were trained to be very practical and were rewarded by Society for a job well-done. The home was their workplace and the role defined them, so their household wardrobe had a central place in their lives. For better or for worse, that was the way it was. Do we want that again? Think about it and keep your eyes on the clues . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

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FIRST SNOW OF THE SEASON! TIME FOR MY TRUE VINTAGE WOOL DRESSES

Another chance to love that red. Okay, I give in. I don’t pull out the wool clothing unless it’s necessary and can usually avoid the deep cold because of frequent relocations. But, a little unpacking reminds me how much I love these wiggle dresses from the late 1950’s – early 1960’s. For the jumper on the left (yes, this is what a sleeveless dress worn over a blouse or sweater is called in the United States) I was fortunate to find a turtleneck in the perfect color to coordinate with the tweedy fabric. I love the HUGE pearl buttons down the front – so much a sign of those times, as compared to the thin, easily broken pearl buttons which were popular in the ’90’s.

The wiggle fit is also characteristic of this era; maybe a little warmer, too. Of course, unless there’s a smooth lining, you’d also need a slip underneath which adds another layer of warmth. Attractive tailoring details are always a plus. Although vintage wool garments sometimes feel a little heavy and confining compared to what we’re used to today, the closest similarity I’ve ever come across are the better quality heavy polyester knit dresses and pantsuits of the early 1970’s. Both added warmth, good tailoring and wrinkle-resistance and are welcome when facing true winter weather. Easy storage that doesn’t require protection from moths is great, too, but in the final analysis nothing beats the quality, durability and elegance of well-made true vintage woolens. I thank our furry friends (and the shellfish which create pearl), and am grateful that we now are developing excellent humane and ethical alternatives.

More Xmas red and seasonal true vintage on the way. Stay tuned . . . . . . . . . . . . . . . . . .. . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

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TRUE VINTAGE OUTERWEAR? FUR REAL OR FAUX? WE HAVE TO THINK ABOUT IT . . . . . . . . .

Last night I was out and about to a theater production and couldn’t reasonably drive a two block distance. Walking was the only choice, which I love, but IT WAS SO COLD!!! My warmest outerwear option, which kept me toasty and comfy, was my post-war beaver jacket from Canada. 75 years old and it’s still snuggly and beautiful. I grieve for the precious animals who (yes, WHO) were sacrificed for vanity and retail profit back in the day and will NEVER buy modern fur products. I advocate for animal rights but also celebrate those lives and gifts by preserving and enjoying elegant fashions from the past for as long as they will last.

I own many gorgeous fur and faux fur pieces made decades ago, before protective legislation and individual conscience stopped some of the fur trade and promoted humane practices. Above is one example, on the left, of an older fur jacket dyed to mimic mink. I cannot identify the fur – could be muskrat. Before the end of WWII, furs considered to be less fine were often processed this way. Other examples, such as the one on the right, are fakes – popular in the 1950’s and beyond. Some have been very convincing even since the 1950’s. Many of those made today look and even feel very authentic. The look is fun and elegant, in a vintage way, plus, as I proved last night, very practical.

Faux fur and secondhand true vintage furs are the best, the ONLY humane and progressive choice. I prefer those from the 1960’s and before. The remaining fur trade is still a blot on humanity, so we must be vigilant in our boycotting of this active market but I don’t see the enjoyment of historical fashions as being hypocritical. I will continue to show you how much I love them. Stay tuned . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

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FABULOUS NEW FIND: EARLY 1960’S SEMI-FORMAL POUF DRESS

Perfect example of a Kennedy Era party dress, bought off the rack back in the day. It’s full of clues in the fabrics and construction. Lace overlay fabric which was very popular at that time, 3-layer skirt with a netting crinoline in the middle, AFLCIO Union Workers label, vintage metal zipper with a hook and eye at the neckline and at the waist, and hanging loops sewn in at the shoulder. These dresses are exceptionally well-made although they were reasonably priced. Although it’s a little short on Stella, it fits her pretty well.

I’m always thrilled to find one and each example has some unique features. In this case, the scarf attached at the right shoulder which drapes across the front neckline is a novel addition. It’s even got a detachable rhinestone brooch on the opposite shoulder, suggesting that there might be other ways to style the scarf. As worn above, it makes a tail over the left shoulder, which was a popular design element at that time and also in decades before. In any case, I’ve never seen one exactly like this. Just goes to prove that you just never know . . . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM