TRUE VINTAGE GOWN MODELED AFTER GRACE KELLY’S IN THE HITCHCOCK MOVIE “REAR WINDOW”

A very favorite find, custom-tailored in the early 1950’s after one that Grace Kelly’s character, Lisa, wore in the classic Alfred Hitchcock movie, Rear Window.  Lisa’s dress had a yellow printed skirt, rather than blue.  I even know the woman who made this frock in 1954!

The black fabric in the bodice is stretchy and the neckline very unusual.  It fits perfectly, no matter how your own curves go!  The skirt is of three layers, with sheer fabric on top and netting underneath.  The little black “leaves” are embroidered on the sheer overlay.

What could be more fabulous? – a costume similar to one worn by one of my all-time favorite actresses in a favorite movie by a favorite director! How intriguing . . . . . .. . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

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FOR EASTER, CHURCH OR A ST. PATRICK ‘S DAY DRESSY EVENT, A TRUE VINTAGE GREEN FEATHER HAT IS CHIC!

FOR CHURCH OR A ST. PATRICK'S DAY DRESSY EVENT, A GREEN FEATHER HAT IS CHIC!

No matter when you wear the green hat, it’s going to draw attention. So, why not St. Paddy’s Day? The black and white number with artistic feather trim is also to die for.  Chin straps were so practical.

These two are from the 1950’s and/or 1940’s. Marlene and Celia are feeling pretty “haute mode”.

Just love feather hats, and I’ll be showing some more before the Spring fashion parade is through. Notice that we’ve also got a veil. . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

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NEW DISCOVERY! TRUE VINTAGE MID-CENTURY CUSTOM-TAILORED DRESSY DRESS

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CUSTOM-TAILORED VINTAGE FROCKS ARE OFTEN THE MOST INTERESTING!

I love this find!  All the details of the talented seamstress’s work are evident here.  She was good!

Like many dresses from the  Fifties – early Sixties era, this frock is made with a contrasting liner under sheer illusion fabric.  The black overlay has flocked design with little reflective accents, like tiny, tiny sequins, sprinkled throughout.  The neckline treatment took a lot of skill to create, with many folds and tucks.

The side metal zipper was a standard in many of these early styles.  Because it’s a bit shorter, I suspect that the owner was a buxom lady of petite stature or that she shortened the dress over many seasons of wear as the hemlines went up in popular fashion.  Although the dress is in exceptional condition, some wear to the flocking shows that it was worn more than once – maybe many times.  She loved it!

The original belt is missing and I put one of my own on just for illustration.  The sizing is a vintage plus, or half-size as they were known then, and is made for a full figure.  Can’t wait to photograph it on Madge, whose measurements will do it some justice!

More new finds tomorrow, so stay tuned . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

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MORE FINDS! TRUE VINTAGE 1960’S FROCK

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Another treasure from the 1960’s.  Sorry my camera/laptop is playing tricks on me again – can’t edit the photo.

This pretty Spring dress was custom-tailored with lots of nice features.  Love the Mod bell sleeves – I’ve run across several of these in the past 2 years, all of a sudden.  It’s fully lined, with raglan sleeves and an invisible zipper center back.

The seamstress knew her stuff and did a very good job. Although it’s plain, it’s very well-made.  The first thing she did right was selecting the fabric – a good quality polyester and/or acetate.  The print and colors are gorgeous – SO SIXTIES!!!

Sorry that this isn’t my color palette (makes me look jaundiced) but I’m sleuthing for true vintage fashion – not only things I can wear.  So, that didn’t stop me.  Never does . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

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PURE CLASSIC! VINTAGE DAY DRESS IN FLORAL COTTON

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Right on the heels of that daring red frock shown yesterday came this traditional, custom-tailored every-day dress in a beautiful cotton print.  Again, I can’t say exactly how old it is but it was home-sewn in a classic, mid-century style.  The fabric is gorgeous.

Although it’s another perfect fit for me, the style is very plain so I think I’d cinch the waist with a belt to enhance the fit and add a pert little scarf or pearls at the neckline, depending on my mood.  Yes, that would be VERY cliche’ ’50’s but – so what? – also a VERY pretty look. Unless I wanted to go completely kitchy for the fun of it, I’d leave off the hat/gloves -handbag/shoes sets.

Anyway, this dress really makes me hanker for Spring!  Can’t wait to see what turns up next . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

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EXTREMELY RARE FIND – TRUE VINTAGE MID-CENTURY CUSTOM-TAILORED CHILD’S DRESS

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Old cotton and buttons; hand-stitching – this little frock is probably from the 1950’s or 1960’s.  Can you imagine a little girl’s everyday dress surviving till today??????  Read on . . . . . . . . . . . .

Once in a while, in an unusual venue, I’ll see something out of the ordinary – like a piece that is very antique or something made for a child. Although children’s clothing is not my usual focus, I’ll take a second look.

Well, this was another Wowee, look at THAT! moment so, of course, I had to bring it home.  What a relic so well-preserved, with the added bonus of having been hand-made.  Several things about the construction are unusual.

In these situations, it’s common to see something that was made for a special occasion – that is, dressy clothing or christening gowns, etc. that are often preserved after one or two wearings; maybe baby shoes that are tough enough to stand up over time (no pun intended).

BUT, not everyday items!!  These usually have gone by the wayside decades ago because of the normal wear-and-tear a child puts on their clothing, not to mention outgrowing it and passing it on or Mom turning it into a dishrag.

So, I feel like a museum curator with a new discovery laid before me.  The mystery goes on . .. . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

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TRUE VINTAGE FUR HAT BONANZA – A TOQUE IN CURLY LAMB

This was another one worth nabbing, because though I have similar curly lamb hats in black and marled grey, I didn’t have a luscious chocolate brown like this one.

It’s got a beautiful, architectural design that makes me think of the 1940’s.  It’s true vintage but is so classic that I can’t date it exactly.  Again, in near-perfect condition.

Curly lamb seems to be one of the furs that is easiest to replicate in imitation form, so go for it if you can’t find a real one made in the 1960’s or before.  Leave anything modern on the racks or, preferably, on the animals’ backs.

MORGANA MARTIN, THE MAGICVINTAGESPY

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TRUE VINTAGE RED VELVETEEN FOR THE HOLIDAYS

Both of these garments were custom-tailored in the late 1950’s to early 1960’s.  Here’s the holiday dress from last year properly modeled on Stella, finally – just look at those wonderful rhinestone buttons and belt buckle.  Try finding those now!  I’d tend to wear it at Christmas, but it would be beautiful at a dressy Thanksgiving dinner, too.

The skirt is a new find, in a slightly deeper red, which I love.  Dresses are great, but I’m always happy to find separates because of their versatility.  Now I have something true vintage to wear with pretty blouses and sweaters.

Black is always superb, but I love red and these unusual finds just put me in the holiday spirit!

MORGANA MARTIN, THE MAGICVINTAGESPY

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BEAUTIFUL TRUE VINTAGE 1960’S WOVEN WHITE SUMMER HANDBAG

IMG_1725I’ve just found several lovely handbags and will show them to you over the next few days.  Remember, I promised that there will be several warm-weather items coming along with the more seasonal (for the northern hemisphere) kinds of things.

This one is a macrame’ type of weave (the kind of thing that women were really keen about doing at home in the 1970’s), but was done commercially, with not a mistake to be found and on a small scale.  Most home-made macrame’ (not all of it) is much larger so it’s wonderful to find a hand-made item in a small, elegant size and style.

The purse is fully-lined in white fabric, with a small inside pocket and the maker’s label inside, too.  This was the way that they made these bags in the Fifties and Sixties.  The outside is the important part, as the inside is almost always very plain.

Nothing looks nicer with a Spring or Summer frock, casual or dressed-up.  In every true vintage wardrobe, a small selection of white bags is a must!

MORGANA MARTIN, THE MAGICVINTAGESPY

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HOW TO SEW WITH TRUE VINTAGE STYLE

Sometimes I come across patterns or notions from the true vintage eras that I love.  It’s worthwhile to pick them up, and I’ll explain why , , , , ,

Whether you sew or not, if you want to copy or have someone else re-make a true vintage garment,  a pattern is a necessity in order to get it right.  Unless you are a master at pattern-making yourself, the original cut of the garment will be impossible to recreate and the result will look like retro – not true vintage.

Beyond the qualities of the true vintage fabric and decorations that are used, the identifying factor of a true vintage design is the cut and, therefore, the way that it fits the body.  There’s no way to cheat on it and the look of the finished garment is unmistakable.

True vintage notions can make a big difference, too.  Buttons, of course, but zippers are probably the most important closure item with regard to getting the fit to be authentic.  Nothing will be more correct than a zipper that is like the original in looks and function.  And, we know how often one of those might need to be replaced . . . . . . .

So, there’s my little rant on that subject.  Of course, there’s lots more to get into if you are a couturier or just an expert needle-worker.  But, it’s worth knowing about, and very interesting when you want to get it perfect.

However, nothing is true vintage except real true vintage, no matter how well it has been reproduced.  But, if you’re very, very good at faking it, it’ll take a master sleuth to expose you . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

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