Some of my very favorite frocks. Wonderful rayon and blended synthetics. Pretty cotton. One sheer, the others opaque and drapey. Don’t you love these prints? Atomic, abstract and floral – big wartime and post-war favorites. Here, also, are some of the handbags, scarves and pumps that might have been worn with them.
Iconic styles, rationing-compliant and “modern” plastic alternatives to leather and wool. Silk and silky synthetic scarves were constant purse accessories. A few items carry over from the 1930’s – a few point toward popular styles as we go into the 1950’s. Since we’ve had such a long, cold winter, tomorrow I will show a few of the coats and outdoor accessories which might have accompanied 1940’s dresses outside the home. Stay tuned . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
The Seventies, Eighties and Nineties produced a lot of popular retail styles that imitated 1940’s designs. Some were very well done and others not so much, to be charitable. As I’ve said, it’s hard for me to call these decades true vintage but, technically, they are. The two purses echoing shapes and tapestry design popular in the Forties might have shown up in the 1960’s.
All of these could be fun and the reproduction details became best during the mid-1980’s but, unfortunately, modern polyester fabrics and production techniques lowered the quality a lot. No valid comparison, in my opinion, to true vintage from the 1940’s – even the home-sewn versions that were made from older clothing during rationing.
Of this group, the best-made is the black velveteen custom-tailored frock from the 1980’s or 1990’s. It was made by an expert seamstress and is worthy of being called a reproduction in the Post-war New Look style. The retail day-dresses are versatile and the prints are great – pretty faithful to authentic ones that I’ve come across. I always love the padded shoulders and cinched waistlines that are very flattering but were also a nod to the style of military uniforms. Jumpsuits were just for fun in the Seventies, but always are inconvenient. I suspect that the jumpsuits worn by women working in the war effort during the Forties had drop seats, which makes it a little bit better. I do have a pair of high-waisted slacks from the ’40’s that have an ingeniously-designed drop seat that looks quite good.
So, these clues were fun to find and seemed worthy of collection though I always prefer the real deal. Speaking of which, I just came across another archived file of true vintage 1940’s dresses which I will show tomorrow. Stay tuned . . . . . . . . . . . . . . . . . . . . .
Flower-power mini-dresses, traffic light neon colors, military-styling, psychedelic prints! These trends all appeared during the middle years of the 1960’s. Cotton is out – all these dresses are made from some form of synthetic fabric. So different from the previous decades, even though some of the classic details still crop up and garments are still well-made. See the Peter Pan collar on dress #1? The contrasting edging on the yellow sheath? Nehru collar (both military and Asian) and metal hardware on the stop sign red dress? Swirly hallucinogenic op-art on a classic shirtdress style? Perfect reflections of social culture, which was morphing yearly between Peace & Love, End the Vietnam War, Sex, Drugs & Heavy Metal rock n’ roll. In spite of all that, look at the tailoring!!
Pretty lingerie slips were still called for with these fitted frocks but the longer lengths were no longer suitable. Knee-length, at the longest, and mini-length became available. Wonderful nylon that tolerates hot water and can be dyed even allowed some creative girl to do a tie-dye.
Tomorrow we’ll take a stroll in some late 1960’s dresses and visit Carnaby Street. Stay tuned . . . . . . . . . . . . . . . . . . . . . . . . . .
Casual cotton and cotton blend housedresses and model’s coats became really popular as styles started to become less traditional. Some of these dresses would even be seen at the grocery store or for other casual errands in warm weather. The shirtwaist dress was still around, of course, but was starting to take a back seat for everyday. The culotte mini/play-dress was also a new take on the 1940’s/’50’s romper. Casual designs like those shown above were still very well-made, generally, and had cute and pretty prints and tailoring elements.
Dresses with little matching jackets became very popular for everyday wear when a step up the dressy scale was called for – an important appointment, special event or church. The shoes, purses and hats are examples of those which might have been worn with dresses like this. The blue & green example above was home-sewn in the color combo that defined popular design in 1963. The prints on the two blue dresses in center are a harbinger of the MOD trend that was just about to erupt.
Wasp waists, circle skirts and cap sleeves – 3 style features which are predominant on 1950’s frocks, though many other elements of design appear. The tiny waistline is probably the most frequently seen feature of a Fifties dress. As popular as the synthetic fabrics had become, 100% cotton material was queen of everyday dresses and especially for plaids and stripes which could be woven right into the cloth. Prints were still very evident, such as the blue and aqua shirtdress above, with a cute Paris, France motif (special to me because it belonged to a family member). A variation of the open-toe, low-heel sandal shown yesterday would have gone very well with these dresses, too. Colorful dresses called for fun and affordable costume jewelry, which abounded in the ’50’s. Made from pot metal, glass and plastic, every gal could afford a little bling with every outfit. Natural materials were sometimes used, too. Our mid-century gal who returned from Hawaii a few days ago, might have brought home a pair of souvenir earrings made from seeds and shells.
Decorative detailing was still a big deal, whether the dress was a day dress or something more special. Ric rac and embroidery were everywhere. The intricate cut-out design and lacing on the neckline above, though probably done by machine, is a very pretty touch on a flirty frock. Fabric-covered belts were the most common way of cinching a waistline.
Sticking with casual dresses, we’ll head into the early 1960’s tomorrow. Stay tuned . . . . . . . . . . . . . . . . . . . . . . . .
A knee-length synthetic (probably acetate blend) coral red frock from the early 1940’s has augmented shoulders, a straight cut and a fabric-covered belt with some glass beads to dress it up. In the post-war Forties, hemlines were able to come down again and skirts became fuller. The knee-length wartime styles were able to resume their previous midi-length luxury. Rayons and polyester synthetics continued their popularity because of their availability, lovely drape and acceptance of color dyes. During the early recovery from the war, some natural fabrics and detail items were still not fully stocked in dressmaking supplies.
The ever-popular shirtwaist style has never left the fashion scene but became more modern, with atomic prints, and more sophisticated design in the later ’40’s after women had stepped into more visible roles in society with their wartime efforts. When the majority of the trauma and restrictions were finally past, this tea-length floral frock is an example of a more relaxed, aristocratic style as the culture looked forward to the more prosperous 1950’s.
With day-dresses to slacks, I love wedgie sandals and these Eighties does Forties versions did not disappoint me. Their sleek leather sling-back style goes well with almost everything and the 2″ heel gives lift along with walkability. This design carried on into the 1950’s and would look great with the dresses I’ll post tomorrow. Stay tuned . . . . . . . . . . . . . . . . . . .
Wow! Our gal’s back home and guess where she went – Honolulu, Hawaii. Looks like she even stayed at the Royal Hawaiian Hotel!! No bargain budget for her, and we can see that in her choice of souvenirs. Two wonderful made-in-Hawaii frocks from the early 1960’s. Remember that blue and green trend from the early ’60’s that I’ve mentioned before? Also, look at the mad, Mod print on the long gown. Fab!
You can’t beat the tailoring on these beautiful dresses. Casual styles, but very elegant. Look at the lining and facings. Fabric piping around the neckline and sleeves of the long gown. Embroidered cloth labels. I’m sure they also have generous hem allowances, finished off professionally. Also, no straw beach hat for this girl – she opted for a cloth hat with unique style and obviously had a wonderful time.
Tomorrow we’ll start reviewing Spring day dresses from the 1930’s through the mid-century, along with some of the accessories that would have been added to their outfits. Stay tuned . . . . . . . . . . . . . . . . . . . . . . . . . . . .
While our mid-century gal is off on her snowbird vacation (see posts from the last few days), Baby, it’s COLD outside here at home! Although Spring is just around the corner (yes, it really is), we still need to be snuggling into robes and pajamas at night. I love doing posts about my archives of true vintage lingerie because it’s always so interesting and pretty. So, let’s take a closer look at these files –
For the men, a swanky rayon bathrobe makes any guy an instant sophisticate. Abstract medallion print with satin trim. How aristocratic! As for the PJs, cotton print men’s pajamas from the 1940’s and 1950’s are so wonderful. Of course, they wear to cozy softness but the real star of the scene is the art prints that many of them displayed. This pair have stylized hand fans all over – an unusual motif for men’s PJs, but that’s what they are. Both pieces show the standard tailoring for men’s garments, though it’s fun for women to wear them, too.
For the ladies, true vintage sleepwear and robes are always so lovely. Even very plain ones seem to have pretty tailoring details. The rosy red robe pictured above is made from a plush fabric. Details include pretty buttons, satin piping on the collar and 3/4 length bell sleeves. The deadstock cotton PJs are plain but still have pretty lace trim and pearl buttons. I think the plaid fabric is quite nice, too. The thing I like most about these old-style pajamas is how the waistline is made. It does have some elastic around the back, but the front is plain and closes with a side button. It also has at least one hip pocket, which is surprisingly convenient.
Okay. A couple days ago she packed her swimsuit for the pool and the beach, short shorts and cute top and a skort for casual day play and sightseeing. Good start. Today she’ll concentrate on more sporty day outfits that will take advantage of the tennis court and boardwalk as well as lots of other fun activities.
Can’t forget her 1950’s play-suit! Love the funky drums motif and the cropped top. Very original. This one isn’t a romper – it will even let her go downtown after the badminton game. Can’t forget the matching Keds. When it’s time to go to the dining room, a simple wrap skirt from the ’60’s/’70’s is very appropriate and her cute handbag goes well with all outfits so far!! The white sleeveless top that she packed already is perfect with it. That’s the secret of great packing – mix and match. Oh, yeah – GOT to take her roller skates !!!!! Yes, they’re heavy but gotta have them.
All right. That’s enough for today. Packing always makes her tired with so many decisions and it’s easy to forget something important if she doesn’t take her time. Good choices so far, but there’s still more to do over the next few days. Stay tuned . . . . . . .
These are just 3 out of my collection of lovely kitchen aprons, but perhaps a bit more interesting and seasonal than others I have, which are more generic, like a cotton gingham check without any specific theme. Many aprons, like the first one here, were specifically themed for a particular holiday or fashion era. It’s a great example, with bright color and a novelty print for Thanksgiving. Although it’s definitely trendy and targeted, it is also at least somewhat practical because of the machine-washable fabric, wraparound style, secure ties and big pocket. It could actually do the job of keeping the cook’s skirt clean. The most useful styles also covered the bodice.
The usefulness is really important, but I love the novelty print. It’s always good to play the hostess in something that also makes people smile. The two aprons following are entirely different in their purpose. These are made from a much more delicate fabric and would be best washed by hand, both because of their delicacy and because they are hand-painted. They were made for and gifted to my grandmother by a relative who at least did the painting herself, if not the sewing job. Gifts like this were common in her day, and cherished. These aprons were made not so much to protect clothing as to be pretty. Grandma might have worn them when she had her friends in for tea or a card game, maybe even for hosting an at-home cocktail party. The messy part of the hostess job would have already been done when she made the cake or other refreshments beforehand.
Aprons were much more commonly worn in decades past and were a significant part of a woman’s household wardrobe, like housedresses worn on cleaning day. Most women’s (especially married women’s) lives were organized around a routine of household duties throughout the week and each one usually required a different kind of outfit – one for cooking, one cleaning, one for tending plants, one for doing the weekly shopping. Special accessories to these outfits were needed for certain jobs, such as gloves of various kinds, hats of various kinds, nursing bras and pads to protect clothing from breast milk and burping babies. Housewives were trained to be very practical and were rewarded by Society for a job well-done. The home was their workplace and the role defined them, so their household wardrobe had a central place in their lives. For better or for worse, that was the way it was. Do we want that again? Think about it and keep your eyes on the clues . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
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