Category Archives: art print

TRUE VINTAGE PATIO LEISURE LONG DRESSES FROM THE 1970’S – 1990’S

Through the decades the changes in style are often subtle, but they’re noticeable if your sleuthing trade skills are sharp. One thing that all these dresses have in common is excellent quality. I showed several dresses of this genre which were made in the Victorian/Prairie style when covering 1970’s Prom dresses a couple of months ago. Early in that decade, girls sometimes wore them to the Prom but they were usually fussier with lace and more details. Jessica McClintock of Gunne Sax styled them for at least 20 – 30 years. Labels always help, of course, but aren’t always present. The condition of all these examples is near-perfect, which can make the job a easier, though tell-tale signs of wear can sometimes be very helpful clues. Let’s start from left to right:

A Prairie-style gown, pretty and modest in cotton. Looks like it was made for retail because of the precise tailoring detail, but there is no label. I would put it in the 1970’s but it could possibly have been made later by an individual expert or a company that catered to a niche market which preferred very modest styles of dress.

A red and white plaid gown that picks up on the Prairie style, but in a much more casual, carefree design reminiscent of the 1960’s. It’s probably made from cotton but I can’t be sure without the file in front of me and it could be cotton/poly blend. It was made in the 1980’s in West Germany. This is an example of trends jumping the oceans, usually years after they originally appeared in the Western nations. Although they’ve done their own take on the style, it’s exceptionally well-made, as goods from West Germany have always tended to be, in my experience.

A black and white floral print gown made in Hawaii. This one is from the 1980’s, give or take a decade and is the most elegant. Same deal about the fabric as in the previous dress. The style is pure average conservative, which makes it harder to date exactly. A pretty dress, but nothing distinctive about it excepting for excellent tailoring. It might have been a wardrobe item of someone who lived in Hawaii, purchased at a specialty shop stateside which carried Hawaiian garments or by someone who bought it while on vacation. Hawaiian-made gowns have been popular with women worldwide since the 1950’s, but earlier ones were usually made in more traditional Hawaiian style and, often, of Hawaiian fabric with traditional island prints. The more mainstream universal designs like this one came later.

The final dress is from the 1990’s. Always harder for me to think of as true vintage, but it is worthy because of the good tailoring, 100% cotton fabric and the retail designer label sold by a high-end department store in New York City. It’s got pedigree. Again, nothing notable about the style but it is very well-cut, which can make a world of difference in terms of how a dress fits. That’s one feature of even plain, rather boring vintage clothing items that can make them worth collecting and wearing. The style can always be elevated by adding accessories but one thing that always elevates any garment is how well it is made and how well it fits.

Tomorrow I’ll be showing a collection of dressy day-wear accessories from the 1960’s that fit the category of well-made, classic and designer items that can “make” an outfit. Stay tuned . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

TRUE VINTAGE MID – LATE 1960’S LONG LEISURE DRESSES – MOD, WITCHY, ETHNIC

British influence Medieval/Victorian/Edwardian vibes, Op-Art, Flower Power and Indigenous influences allowed mainstream women to enjoy some “revolutionary” style during this transformative decade while not getting too far away from classic traditions. Plus the fact that they couldn’t have been more comfortable, convenient and flattering.

Fabulous sleeves, hand-done embroidery, geometric floral graphics. Love, love, love! Of course I had to collect these clues. Tomorrow we’ll step into the progression of this genre in examples from the Seventies, Eighties and Nineties. Stay tuned . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

TRUE VINTAGE 1960’S LEISURE DRESSES – ALTERNATIVE STYLE FINDS THE MAINSTREAM

In the early 1960’s home-based seamstresses began making at-home leisure dresses. Velveteen was a popular fabric for hostess dresses that could work for cocktails with friends. An early flower-power dress in a traditional style was a more timid effort (looks like a vintage tablecloth) and a Mod print gown stepped firmly into the mid-decade. Washable cotton and blends made these easy-care garments and fashionable alternative styles for women who hadn’t been ready for 1950’s Boho or early ’60’s minis.

Tomorrow we’ll look at dresses from this genre that appeared later in the Sixties. Stay tuned . . . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

TRUE VINTAGE LATE 1950’S – MID-1960’S DRESSES

Late Fifties saw slinky knit sheath dresses that carried over the new, easy-care synthetics from the 1940’s. The prints morphed slowly from geometric, atomic shapes back to cute animals, fruits and veggies. This fabric is amazingly comfortable and drapes beautifully but was economical. Common, moderately-priced frocks were made from it.

Just a few years later, lace overlay became the big thing. Dressy day-dresses were often made from it, as well as semi-formal and formal gowns. These were also generally made from synthetic or blended fabrics but probably required dry-cleaning. Better frocks often came from British Hong Kong, where the design and hand-made tailoring made them exceptionally elegant and of higher quality. These dresses were still within the reach of middle-income ladies but were more expensive. See the black dressy sheath with a beaded over-blouse above. The straight black high-neck sheath came from Saks Fifth Avenue.

Then, again from the Brits, came Mary Quant’s Tent Dress in 1964. Although the Mod style had started in the 1950’s, it’s appearance in clothing was totally revolutionary. It brought with it radically shorter hemlines and easy-to-wear, casual shapes. See the light blue, home-sewn version above.

Some styles retained their classic, conservative lines and stuck to neutral or basic tones while bright colors became ever more popular, even in formal garments. While political and social movements became radicalized and changed society, the Hippie, Boho and Prairie styles started to take over in the late 1960’s and carried over into the early 1970’s. Tomorrow we’ll look at some of the ways that popular fashion incorporated these trends into mainstream dressing. Stay tuned . . . . . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

MORE WONDERFUL TRUE VINTAGE 1940’S SPRING DAY DRESSES AND ACCESSORIES

Some of my very favorite frocks. Wonderful rayon and blended synthetics. Pretty cotton. One sheer, the others opaque and drapey. Don’t you love these prints? Atomic, abstract and floral – big wartime and post-war favorites. Here, also, are some of the handbags, scarves and pumps that might have been worn with them.

Iconic styles, rationing-compliant and “modern” plastic alternatives to leather and wool. Silk and silky synthetic scarves were constant purse accessories. A few items carry over from the 1930’s – a few point toward popular styles as we go into the 1950’s. Since we’ve had such a long, cold winter, tomorrow I will show a few of the coats and outdoor accessories which might have accompanied 1940’s dresses outside the home. Stay tuned . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

1970’S – 1990’S DOES 1940’S. TRUE VINTAGE RETRO DRESSES AND JUMPSUITS.

The Seventies, Eighties and Nineties produced a lot of popular retail styles that imitated 1940’s designs. Some were very well done and others not so much, to be charitable. As I’ve said, it’s hard for me to call these decades true vintage but, technically, they are. The two purses echoing shapes and tapestry design popular in the Forties might have shown up in the 1960’s.

All of these could be fun and the reproduction details became best during the mid-1980’s but, unfortunately, modern polyester fabrics and production techniques lowered the quality a lot. No valid comparison, in my opinion, to true vintage from the 1940’s – even the home-sewn versions that were made from older clothing during rationing.

Of this group, the best-made is the black velveteen custom-tailored frock from the 1980’s or 1990’s. It was made by an expert seamstress and is worthy of being called a reproduction in the Post-war New Look style. The retail day-dresses are versatile and the prints are great – pretty faithful to authentic ones that I’ve come across. I always love the padded shoulders and cinched waistlines that are very flattering but were also a nod to the style of military uniforms. Jumpsuits were just for fun in the Seventies, but always are inconvenient. I suspect that the jumpsuits worn by women working in the war effort during the Forties had drop seats, which makes it a little bit better. I do have a pair of high-waisted slacks from the ’40’s that have an ingeniously-designed drop seat that looks quite good.

So, these clues were fun to find and seemed worthy of collection though I always prefer the real deal. Speaking of which, I just came across another archived file of true vintage 1940’s dresses which I will show tomorrow. Stay tuned . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

TRUE VINTAGE 1960’s DRESSES IN THE MAD, MOD WORLD

Flower-power mini-dresses, traffic light neon colors, military-styling, psychedelic prints! These trends all appeared during the middle years of the 1960’s. Cotton is out – all these dresses are made from some form of synthetic fabric. So different from the previous decades, even though some of the classic details still crop up and garments are still well-made. See the Peter Pan collar on dress #1? The contrasting edging on the yellow sheath? Nehru collar (both military and Asian) and metal hardware on the stop sign red dress? Swirly hallucinogenic op-art on a classic shirtdress style? Perfect reflections of social culture, which was morphing yearly between Peace & Love, End the Vietnam War, Sex, Drugs & Heavy Metal rock n’ roll. In spite of all that, look at the tailoring!!

Pretty lingerie slips were still called for with these fitted frocks but the longer lengths were no longer suitable. Knee-length, at the longest, and mini-length became available. Wonderful nylon that tolerates hot water and can be dyed even allowed some creative girl to do a tie-dye.

Tomorrow we’ll take a stroll in some late 1960’s dresses and visit Carnaby Street. Stay tuned . . . . . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

TRUE VINTAGE 1960’S TRENDS IN DRESSES, HOUSEDRESSES & ACCESSORIES – TO THE START OF MOD

Casual cotton and cotton blend housedresses and model’s coats became really popular as styles started to become less traditional. Some of these dresses would even be seen at the grocery store or for other casual errands in warm weather. The shirtwaist dress was still around, of course, but was starting to take a back seat for everyday. The culotte mini/play-dress was also a new take on the 1940’s/’50’s romper. Casual designs like those shown above were still very well-made, generally, and had cute and pretty prints and tailoring elements.

Dresses with little matching jackets became very popular for everyday wear when a step up the dressy scale was called for – an important appointment, special event or church. The shoes, purses and hats are examples of those which might have been worn with dresses like this. The blue & green example above was home-sewn in the color combo that defined popular design in 1963. The prints on the two blue dresses in center are a harbinger of the MOD trend that was just about to erupt.

Stay tuned for a trip to the mid-1960’s tomorrow . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

TRUE VINTAGE 1950’S DRESSES FOR EVERYDAY

Wasp waists, circle skirts and cap sleeves – 3 style features which are predominant on 1950’s frocks, though many other elements of design appear. The tiny waistline is probably the most frequently seen feature of a Fifties dress. As popular as the synthetic fabrics had become, 100% cotton material was queen of everyday dresses and especially for plaids and stripes which could be woven right into the cloth. Prints were still very evident, such as the blue and aqua shirtdress above, with a cute Paris, France motif (special to me because it belonged to a family member). A variation of the open-toe, low-heel sandal shown yesterday would have gone very well with these dresses, too. Colorful dresses called for fun and affordable costume jewelry, which abounded in the ’50’s. Made from pot metal, glass and plastic, every gal could afford a little bling with every outfit. Natural materials were sometimes used, too. Our mid-century gal who returned from Hawaii a few days ago, might have brought home a pair of souvenir earrings made from seeds and shells.

Decorative detailing was still a big deal, whether the dress was a day dress or something more special. Ric rac and embroidery were everywhere. The intricate cut-out design and lacing on the neckline above, though probably done by machine, is a very pretty touch on a flirty frock. Fabric-covered belts were the most common way of cinching a waistline.

Sticking with casual dresses, we’ll head into the early 1960’s tomorrow. Stay tuned . . . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

6 PRETTY TRUE VINTAGE 1940’S DRESSES WITH ’80’S DOES ’40’S WEDGE-HEEL SANDALS

A knee-length synthetic (probably acetate blend) coral red frock from the early 1940’s has augmented shoulders, a straight cut and a fabric-covered belt with some glass beads to dress it up. In the post-war Forties, hemlines were able to come down again and skirts became fuller. The knee-length wartime styles were able to resume their previous midi-length luxury. Rayons and polyester synthetics continued their popularity because of their availability, lovely drape and acceptance of color dyes. During the early recovery from the war, some natural fabrics and detail items were still not fully stocked in dressmaking supplies.

The ever-popular shirtwaist style has never left the fashion scene but became more modern, with atomic prints, and more sophisticated design in the later ’40’s after women had stepped into more visible roles in society with their wartime efforts. When the majority of the trauma and restrictions were finally past, this tea-length floral frock is an example of a more relaxed, aristocratic style as the culture looked forward to the more prosperous 1950’s.

With day-dresses to slacks, I love wedgie sandals and these Eighties does Forties versions did not disappoint me. Their sleek leather sling-back style goes well with almost everything and the 2″ heel gives lift along with walkability. This design carried on into the 1950’s and would look great with the dresses I’ll post tomorrow. Stay tuned . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM