For a Far Dressier Occasion, a Sapphire Blue Fur-trimmed Frock from the Mid-century

I’ll write up my opinion below, but first a focus on the dress. Because of the sizing, I am guessing that this garment was made for a teen – or possibly for a very small woman with very little bosom. Stella’s figure fills it up too much in front, which is why the waist seam and hemline are higher than in the back. The fabric is a medium-weight brocade-look that would be appropriate for Winter or very early Spring weather. The fur is probably rabbit, but I can’t swear to that. I’d date it in the 1950’s but it could possibly have been from the very early 1960’s when that was still a sign of luxury. Pretty color, pretty dress BUT . . . . . . . . .

As an animal rights activist, I am not at all in favor of this dress but as a fashion historian, it deserves a place in the line-up. Fur trimmings on dresses, suits and coats were very popular up into early 1960’s and continued to be seen frequently on coats almost to the present. Fortunately, the fur trade has diminished in the last 10 years or so, especially in Western countries, but it’s still a big problem. Wool, cashmere, snake, lizard, eel skins and silk remain popular and they are also animal products which sometimes or always cause the death of the animals. In every case, they cause suffering and don’t belong in human clothing, in my opinion. We now have excellent replacements for them, both in appearance and performance, so no excuses. These alternatives are often still expensive, but let’s support them and they will become less and less so.

That’s the end of fur-trimmed dresses for now so stay tuned for more pretty party frocks . . .. . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

A Beautiful True Vintage early 1950’s Wedding Dress

Here’s another wedding costume ensemble with known history. In fact, this gown was worn by a family member in 1954. Frothy, but elegant, and so flattering. A 3-layer skirt with rows of decoration and embroidery on the fabric of the little bolero jacket. Although shorter skirts on wedding gowns were popular then, this one sticks with the floor-length style. Long sleeves make it more demure but the sheerness adds a youthful touch. I also love the pretty tiara instead of a veil. Despite some sophisticated tailoring, the bride was 18. The strappy design of the bodice and wasp waist make it a dress I could see being worn to the Prom.

Too lovely for words. More special occasion and wedding dresses coming – stay tuned . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

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Another Frothy 1950’s – Early 1960’s Formal Dress

I’ll keep jumping around here a bit between formal and special occasion dresses and wedding costumes. In some cases there’s such an overlap that the archives are mixed. This very pale green frock is notable for the unusual bodice treatment which makes it look like an earlier version from this time frame. Look how the sheer fabric is ruched around the neckline and makes cap sleeves. The huge front bow is very Fifties.

However, some of the more conservative styles or those targeting younger buyers tend to look older than their more modern counterparts even when they were made at the same time. Otherwise, the tailoring and general style puts it right in the Post-war/Kennedy era time frame. It all adds to the mystery.

This dress is just too sweet for words and, I’d guess, was designed for teenagers. Might have been a Prom dress or an early ’50’s party dress. It could even have been worn by a bridesmaid. Although it might have been worn in the winter, looks to me like it’s definitely for Spring. Back to the mid-century weddings tomorrow, if that’s your fave. Stay tuned . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

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Another Mid-Century Bridal Fashion

Was that really a bride’s dress yesterday? Well, here’s what her matron of honor or one of her bridesmaids might have worn. Again we’re in the middle to late 1950’s to the early 1960’s for the date of this costume. The New Look Post-war design and below-knee hemlines are still popular. It’s made from a common, mid-weight synthetic fabric that has a nice gloss, with classic fitted styling and it’s own unique tailoring details. There is an attached netting crinoline layer under the skirt for gentle pouf.

Not designed to steal the bride’s thunder, but still very attractive. The virginal veil headdress, dipping neckline, wasp waist fitting and flouncy skirt in back do make the rear view a bit flirtatious. Some of the best fashion designs have combined both demure and come-hither vibes with genius artistry.

Here’s one other possibility which adds to the mystery – this might actually have been the bride’s dress, if it wasn’t her first wedding . . . . . . . . . . . . . . . . . . . . . . . . . . . . Stay tuned –

MORGANA MARTIN, THE MAGICVINTAGESPY

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Another Mid-Century Party Frock, This One in Spring Green

Stylistically, almost identical to the one shown a couple of days ago excepting that this one has a different tailoring on the bodice. When sleuthing, it’s been so much fun to find dresses of this type and to notice that they are very individual, even though they come from the same time and the same category. Again, we’ve got the sheer elbow-length sleeves, so I would say that this dress comes from the identical 1950’s – early 1960’s decade.

What a perfect color for this time of year – the pastels always are ready to come out in force after New Year’s Day. Again, an early Prom dress?; possibly. Possibly was worn as part of a bridal party. Bridesmaid, Maid of Honor or maybe even the bride. More to come – stay tuned . . . . . . . . . . . . . . . . . . . . . . . . ..

MORGANA MARTIN, THE MAGICVINTAGESPY

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True Vintage Early 1950’s Party Dress in Pure White

This could also have been a bridal costume. I’ll be showing more of these in the near future. Here’s the sheer overdress again. The sheer bodice around neckline and shoulders was a common feature of dressier frocks in the 1940’s and early ’50’s, in my sleuthing experience. White dressy dresses were often seen, too, during the months after the Holidays when minds are in the midst of icy winter but thinking about Spring.

The sheer fabric overdress with embroidered design shows up again and again across decades. This frock has an attached crinoline to give the iconic pouf skirt profile. What more can I say – perfection. Stay tuned . . . . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

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It’s Still Party Season in Beautiful Mid-century Dresses

Since I tend to sleuth in out of the way places, all my discoveries are happy surprises but I remember this one as being especially so. A gorgeous 1950’s – early 1960’s frock worthy of Grace Kelly. Looks wonderful on Stella, too. Unusual color combo looks great whatever the season.

Like many of the dressier dresses of this time, it has a sheer layer over an opaque liner. This skirt could accommodate a crinoline but doesn’t have one attached. From the time of WWII, with slacks for women becoming popular, women began having more freedom in their choice of clothing and how to wear it.

What a beautiful example from that Post-war decade! We’re on a roll – stay tuned . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

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True Vintage 1950’s to early 1960’s Semi-formal Special Occasion Dress

Powder pink frock for a special occasion. Love the long sleeves with our current weather and I’m happy with the color that doesn’t feel like Winter. It’s not a Prom dress, but could have been worn to any dressy dance party, a recital or . . . . . . . . . . . . . Very demure, but gives a nod to formal wear with a sheer bodice and scooped back. Of course, it has the 3-layer pouf skirt with stiff attached crinoline, acetate/rayon opaque layer and a gauzy synthetic overskirt that was iconic in the Fifties, up to the very early Sixties. Naturally, the stiletto pumps are mandatory.

Despite it’s tiny size, I believe that this frock was sold in the Misses Department (probably size 10) rather than as a Junior size. Just goes to show how our Misses sizes have changed over the decades. A modern size 10 now would hang like a tent on Stella – a 1950’s size 10 is equal to a current size 2. Perplexing, but the clues all fit together. Go figure (no pun intended) and stay tuned . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

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Unique 1950’s True Vintage LBD Cocktail Dress – Party On!

Any time there’s a special event or holiday, a true vintage little black dress will never let you down. This one is so unusual, I had to slip it into the line of bright and colorful frocks that I’ve been showing. Not an easy fit for everyone, but if you’ve got the shoulders to support the neckline and a tiny waist like Stella, it’s absolutely stunning. The drape of the bodice is genius and the fabric flower at the waist adds even more interest without any need to be flashy.

Jewelry should be sophisticated but simple. Diamond stud earrings or gold, or pearls. Absolutely NO statement necklaces to detract from that beautiful neckline and maybe no necklace at all. If more bling is desired, a delicate but luxurious bracelet or watch would be nice. Back in the day beautiful tiny watches in gold or platinum with diamonds were not unusual for those who could afford to splurge on them. Of course, a cocktail ring is always acceptable with a dress like this but, again, the jewelry should not overpower the dress, which is the star of this show. And, the show must go on. Stay tuned . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

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OUR GRANDMOTHERS’ MID-CENTURY HOLIDAY AND HOSTESS KITCHEN APRONS

These are just 3 out of my collection of lovely kitchen aprons, but perhaps a bit more interesting and seasonal than others I have, which are more generic, like a cotton gingham check without any specific theme. Many aprons, like the first one here, were specifically themed for a particular holiday or fashion era. It’s a great example, with bright color and a novelty print for Thanksgiving. Although it’s definitely trendy and targeted, it is also at least somewhat practical because of the machine-washable fabric, wraparound style, secure ties and big pocket. It could actually do the job of keeping the cook’s skirt clean. The most useful styles also covered the bodice.

The usefulness is really important, but I love the novelty print. It’s always good to play the hostess in something that also makes people smile. The two aprons following are entirely different in their purpose. These are made from a much more delicate fabric and would be best washed by hand, both because of their delicacy and because they are hand-painted. They were made for and gifted to my grandmother by a relative who at least did the painting herself, if not the sewing job. Gifts like this were common in her day, and cherished. These aprons were made not so much to protect clothing as to be pretty. Grandma might have worn them when she had her friends in for tea or a card game, maybe even for hosting an at-home cocktail party. The messy part of the hostess job would have already been done when she made the cake or other refreshments beforehand.

Aprons were much more commonly worn in decades past and were a significant part of a woman’s household wardrobe, like housedresses worn on cleaning day. Most women’s (especially married women’s) lives were organized around a routine of household duties throughout the week and each one usually required a different kind of outfit – one for cooking, one cleaning, one for tending plants, one for doing the weekly shopping. Special accessories to these outfits were needed for certain jobs, such as gloves of various kinds, hats of various kinds, nursing bras and pads to protect clothing from breast milk and burping babies. Housewives were trained to be very practical and were rewarded by Society for a job well-done. The home was their workplace and the role defined them, so their household wardrobe had a central place in their lives. For better or for worse, that was the way it was. Do we want that again? Think about it and keep your eyes on the clues . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

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