Category Archives: 1954

Another Mid-Century Bridal Fashion

Was that really a bride’s dress yesterday? Well, here’s what her matron of honor or one of her bridesmaids might have worn. Again we’re in the middle to late 1950’s to the early 1960’s for the date of this costume. The New Look Post-war design and below-knee hemlines are still popular. It’s made from a common, mid-weight synthetic fabric that has a nice gloss, with classic fitted styling and it’s own unique tailoring details. There is an attached netting crinoline layer under the skirt for gentle pouf.

Not designed to steal the bride’s thunder, but still very attractive. The virginal veil headdress, dipping neckline, wasp waist fitting and flouncy skirt in back do make the rear view a bit flirtatious. Some of the best fashion designs have combined both demure and come-hither vibes with genius artistry.

Here’s one other possibility which adds to the mystery – this might actually have been the bride’s dress, if it wasn’t her first wedding . . . . . . . . . . . . . . . . . . . . . . . . . . . . Stay tuned –

MORGANA MARTIN, THE MAGICVINTAGESPY

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Another Mid-Century Party Frock, This One in Spring Green

Stylistically, almost identical to the one shown a couple of days ago excepting that this one has a different tailoring on the bodice. When sleuthing, it’s been so much fun to find dresses of this type and to notice that they are very individual, even though they come from the same time and the same category. Again, we’ve got the sheer elbow-length sleeves, so I would say that this dress comes from the identical 1950’s – early 1960’s decade.

What a perfect color for this time of year – the pastels always are ready to come out in force after New Year’s Day. Again, an early Prom dress?; possibly. Possibly was worn as part of a bridal party. Bridesmaid, Maid of Honor or maybe even the bride. More to come – stay tuned . . . . . . . . . . . . . . . . . . . . . . . . ..

MORGANA MARTIN, THE MAGICVINTAGESPY

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True Vintage Early 1950’s Party Dress in Pure White

This could also have been a bridal costume. I’ll be showing more of these in the near future. Here’s the sheer overdress again. The sheer bodice around neckline and shoulders was a common feature of dressier frocks in the 1940’s and early ’50’s, in my sleuthing experience. White dressy dresses were often seen, too, during the months after the Holidays when minds are in the midst of icy winter but thinking about Spring.

The sheer fabric overdress with embroidered design shows up again and again across decades. This frock has an attached crinoline to give the iconic pouf skirt profile. What more can I say – perfection. Stay tuned . . . . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

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It’s Still Party Season in Beautiful Mid-century Dresses

Since I tend to sleuth in out of the way places, all my discoveries are happy surprises but I remember this one as being especially so. A gorgeous 1950’s – early 1960’s frock worthy of Grace Kelly. Looks wonderful on Stella, too. Unusual color combo looks great whatever the season.

Like many of the dressier dresses of this time, it has a sheer layer over an opaque liner. This skirt could accommodate a crinoline but doesn’t have one attached. From the time of WWII, with slacks for women becoming popular, women began having more freedom in their choice of clothing and how to wear it.

What a beautiful example from that Post-war decade! We’re on a roll – stay tuned . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

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True Vintage 1950’s to early 1960’s Semi-formal Special Occasion Dress

Powder pink frock for a special occasion. Love the long sleeves with our current weather and I’m happy with the color that doesn’t feel like Winter. It’s not a Prom dress, but could have been worn to any dressy dance party, a recital or . . . . . . . . . . . . . Very demure, but gives a nod to formal wear with a sheer bodice and scooped back. Of course, it has the 3-layer pouf skirt with stiff attached crinoline, acetate/rayon opaque layer and a gauzy synthetic overskirt that was iconic in the Fifties, up to the very early Sixties. Naturally, the stiletto pumps are mandatory.

Despite it’s tiny size, I believe that this frock was sold in the Misses Department (probably size 10) rather than as a Junior size. Just goes to show how our Misses sizes have changed over the decades. A modern size 10 now would hang like a tent on Stella – a 1950’s size 10 is equal to a current size 2. Perplexing, but the clues all fit together. Go figure (no pun intended) and stay tuned . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

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Unique 1950’s True Vintage LBD Cocktail Dress – Party On!

Any time there’s a special event or holiday, a true vintage little black dress will never let you down. This one is so unusual, I had to slip it into the line of bright and colorful frocks that I’ve been showing. Not an easy fit for everyone, but if you’ve got the shoulders to support the neckline and a tiny waist like Stella, it’s absolutely stunning. The drape of the bodice is genius and the fabric flower at the waist adds even more interest without any need to be flashy.

Jewelry should be sophisticated but simple. Diamond stud earrings or gold, or pearls. Absolutely NO statement necklaces to detract from that beautiful neckline and maybe no necklace at all. If more bling is desired, a delicate but luxurious bracelet or watch would be nice. Back in the day beautiful tiny watches in gold or platinum with diamonds were not unusual for those who could afford to splurge on them. Of course, a cocktail ring is always acceptable with a dress like this but, again, the jewelry should not overpower the dress, which is the star of this show. And, the show must go on. Stay tuned . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

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OUR GRANDMOTHERS’ MID-CENTURY HOLIDAY AND HOSTESS KITCHEN APRONS

These are just 3 out of my collection of lovely kitchen aprons, but perhaps a bit more interesting and seasonal than others I have, which are more generic, like a cotton gingham check without any specific theme. Many aprons, like the first one here, were specifically themed for a particular holiday or fashion era. It’s a great example, with bright color and a novelty print for Thanksgiving. Although it’s definitely trendy and targeted, it is also at least somewhat practical because of the machine-washable fabric, wraparound style, secure ties and big pocket. It could actually do the job of keeping the cook’s skirt clean. The most useful styles also covered the bodice.

The usefulness is really important, but I love the novelty print. It’s always good to play the hostess in something that also makes people smile. The two aprons following are entirely different in their purpose. These are made from a much more delicate fabric and would be best washed by hand, both because of their delicacy and because they are hand-painted. They were made for and gifted to my grandmother by a relative who at least did the painting herself, if not the sewing job. Gifts like this were common in her day, and cherished. These aprons were made not so much to protect clothing as to be pretty. Grandma might have worn them when she had her friends in for tea or a card game, maybe even for hosting an at-home cocktail party. The messy part of the hostess job would have already been done when she made the cake or other refreshments beforehand.

Aprons were much more commonly worn in decades past and were a significant part of a woman’s household wardrobe, like housedresses worn on cleaning day. Most women’s (especially married women’s) lives were organized around a routine of household duties throughout the week and each one usually required a different kind of outfit – one for cooking, one cleaning, one for tending plants, one for doing the weekly shopping. Special accessories to these outfits were needed for certain jobs, such as gloves of various kinds, hats of various kinds, nursing bras and pads to protect clothing from breast milk and burping babies. Housewives were trained to be very practical and were rewarded by Society for a job well-done. The home was their workplace and the role defined them, so their household wardrobe had a central place in their lives. For better or for worse, that was the way it was. Do we want that again? Think about it and keep your eyes on the clues . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

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SNUGGLEY TRUE VINTAGE SLEEPWEAR AND LOUNGEWEAR 1950’S – 1970’S

Everybody seems to love red, especially this time of year. It’s certainly a color which can make us feel warmer, which is what we’re beginning to need in a big way now. On the left is a favorite 1950’s pajama set of mine, woven 100% cotton with little fans printed all over. The print would make you think that these must be women’s PJ’s but actually these are a large size boys’! Take a look at the direction of the button closure.

Although I have lots of women’s PJ’s and gowns, my men’s pajamas from the 1940’s and 1950’s are really special. Classic unisex PJ style (though, often, men’s have a fly), but the best feature is that the men’s garments are very sometimes printed with wonderful medallion prints or novelty prints like the one above. A large (16 – 18) vintage boys’ size will fit me well – I wear a ladies 4. A men’s small will usually do OK or can be easily altered. Women’s PJ’s are most often of a solid color nylon or silk or a fine cotton printed with small flowers, decorated with lace or other trim. Really beautiful and comfy, but sometimes a little boring.

However, true warmth comes from robes, and this is where the women’s garments shine. They are more often found in warm fabrics such as plush, chenille and quilting. Women traditionally spent more time at home than men did so ladies’ true vintage robes and dressing gowns are built to be worn for several hours, rather than just after getting out of the bath or shower. Although men’s vintage robes sometimes have nice prints, women’s are more often embellished with embroidery, trim and buttons. Each decade had it’s typical style and popular fabric but the general rules seem to apply to sleepwear and robes from all the decades from the late 1800’s to the present day.

My 1970’s robe above is certainly worthy of Mrs. Claus as she makes breakfast for the elves. (Sorry, but traditional folklore and myths tend to be very sexist.) It’s by Vanity Fair, a company which has made women’s at-home styles and lingerie for decades. I love the pretty style, but the long bell sleeves are very impractical in the kitchen and I don’t think the mid-priced market for this item targeted women who had hired “help” at home. That can be an inherent problem with true vintage fashions – occasionally they are poorly suited to an average lifestyle and can even be uncomfortable at times but that’s a minor consideration and not worth a mention as long as you are in the know. Wouldn’t stop me gathering the evidence for a second. When did practicality ever have anything to do with fashion and style, especially when a holiday or other special occasions are on the horizon? Stay tuned . . . . . . . . . . . . . . . . . . . . . ..

MORGANA MARTIN, THE MAGICVINTAGESPY

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NEW TRUE VINTAGE FIND – HOME-SEWN MID-CENTURY BOHO ETHNIC SKIRT

I always collect true vintage separates – especially those that are fun and unusual. They usually tell a story. This one is in great shape with evidence of being custom-tailored by a home-based “seamster” (probably a woman, but who knows?). One thing I know by an interior-only clue is that s/he probably had a little dog or other small pet. S/he very frugally used seam tape that had been chewed a bit. No problem – it did the job.

It could be part of an ethnic costume or simply one of the Boho styles which were very trendy in some ways between 1955 and 1975. I love the dirndl style and colorful weave, almost like home-loomed fabric. I don’t have any special knowledge about ethnic dress that would allow me to pinpoint more closely. Anyway, it’s flattering and easy-wear. Good for mix and match with a variety of tops for different looks and different weathers.

What else makes this special and very wearable in cooler weather? The colors and medium weight are good for 3-season wear. It’s possible that the material contains wool. Would look great with tights, boots or even some leggings. Separates are a useful way to add variety to a true vintage wardrobe and to dress “vintage” without having a complete outfit. Added to my go-to daily wardrobe . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

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TRUE VINTAGE MARILYN MONROE WANNABE RECREATED THIS ICONIC DRESS

 

IMG_1801     Just found this mid-century custom-tailored frock that is modeled after Marilyn’s famous costume in the 1954 movie The Seven Year Itch.  Although it’s a bit too sweet, made of cotton poplin flocked with cotton candy pink and green, the style is close to the original.

Some gal got carried away by that sidewalk scene above the subway grate.  It’s always fun to find something that tells a story, like this.

MORGANA MARTIN, THE MAGICVINTAGESPY

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