Tag Archives: lifestyle

OUR GRANDMOTHERS’ MID-CENTURY HOLIDAY AND HOSTESS KITCHEN APRONS

These are just 3 out of my collection of lovely kitchen aprons, but perhaps a bit more interesting and seasonal than others I have, which are more generic, like a cotton gingham check without any specific theme. Many aprons, like the first one here, were specifically themed for a particular holiday or fashion era. It’s a great example, with bright color and a novelty print for Thanksgiving. Although it’s definitely trendy and targeted, it is also at least somewhat practical because of the machine-washable fabric, wraparound style, secure ties and big pocket. It could actually do the job of keeping the cook’s skirt clean. The most useful styles also covered the bodice.

The usefulness is really important, but I love the novelty print. It’s always good to play the hostess in something that also makes people smile. The two aprons following are entirely different in their purpose. These are made from a much more delicate fabric and would be best washed by hand, both because of their delicacy and because they are hand-painted. They were made for and gifted to my grandmother by a relative who at least did the painting herself, if not the sewing job. Gifts like this were common in her day, and cherished. These aprons were made not so much to protect clothing as to be pretty. Grandma might have worn them when she had her friends in for tea or a card game, maybe even for hosting an at-home cocktail party. The messy part of the hostess job would have already been done when she made the cake or other refreshments beforehand.

Aprons were much more commonly worn in decades past and were a significant part of a woman’s household wardrobe, like housedresses worn on cleaning day. Most women’s (especially married women’s) lives were organized around a routine of household duties throughout the week and each one usually required a different kind of outfit – one for cooking, one cleaning, one for tending plants, one for doing the weekly shopping. Special accessories to these outfits were needed for certain jobs, such as gloves of various kinds, hats of various kinds, nursing bras and pads to protect clothing from breast milk and burping babies. Housewives were trained to be very practical and were rewarded by Society for a job well-done. The home was their workplace and the role defined them, so their household wardrobe had a central place in their lives. For better or for worse, that was the way it was. Do we want that again? Think about it and keep your eyes on the clues . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

SNUGGLEY TRUE VINTAGE SLEEPWEAR AND LOUNGEWEAR 1950’S – 1970’S

Everybody seems to love red, especially this time of year. It’s certainly a color which can make us feel warmer, which is what we’re beginning to need in a big way now. On the left is a favorite 1950’s pajama set of mine, woven 100% cotton with little fans printed all over. The print would make you think that these must be women’s PJ’s but actually these are a large size boys’! Take a look at the direction of the button closure.

Although I have lots of women’s PJ’s and gowns, my men’s pajamas from the 1940’s and 1950’s are really special. Classic unisex PJ style (though, often, men’s have a fly), but the best feature is that the men’s garments are very sometimes printed with wonderful medallion prints or novelty prints like the one above. A large (16 – 18) vintage boys’ size will fit me well – I wear a ladies 4. A men’s small will usually do OK or can be easily altered. Women’s PJ’s are most often of a solid color nylon or silk or a fine cotton printed with small flowers, decorated with lace or other trim. Really beautiful and comfy, but sometimes a little boring.

However, true warmth comes from robes, and this is where the women’s garments shine. They are more often found in warm fabrics such as plush, chenille and quilting. Women traditionally spent more time at home than men did so ladies’ true vintage robes and dressing gowns are built to be worn for several hours, rather than just after getting out of the bath or shower. Although men’s vintage robes sometimes have nice prints, women’s are more often embellished with embroidery, trim and buttons. Each decade had it’s typical style and popular fabric but the general rules seem to apply to sleepwear and robes from all the decades from the late 1800’s to the present day.

My 1970’s robe above is certainly worthy of Mrs. Claus as she makes breakfast for the elves. (Sorry, but traditional folklore and myths tend to be very sexist.) It’s by Vanity Fair, a company which has made women’s at-home styles and lingerie for decades. I love the pretty style, but the long bell sleeves are very impractical in the kitchen and I don’t think the mid-priced market for this item targeted women who had hired “help” at home. That can be an inherent problem with true vintage fashions – occasionally they are poorly suited to an average lifestyle and can even be uncomfortable at times but that’s a minor consideration and not worth a mention as long as you are in the know. Wouldn’t stop me gathering the evidence for a second. When did practicality ever have anything to do with fashion and style, especially when a holiday or other special occasions are on the horizon? Stay tuned . . . . . . . . . . . . . . . . . . . . . ..

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

TRUE VINTAGE OUTERWEAR? FUR REAL OR FAUX? WE HAVE TO THINK ABOUT IT . . . . . . . . .

Last night I was out and about to a theater production and couldn’t reasonably drive a two block distance. Walking was the only choice, which I love, but IT WAS SO COLD!!! My warmest outerwear option, which kept me toasty and comfy, was my post-war beaver jacket from Canada. 75 years old and it’s still snuggly and beautiful. I grieve for the precious animals who (yes, WHO) were sacrificed for vanity and retail profit back in the day and will NEVER buy modern fur products. I advocate for animal rights but also celebrate those lives and gifts by preserving and enjoying elegant fashions from the past for as long as they will last.

I own many gorgeous fur and faux fur pieces made decades ago, before protective legislation and individual conscience stopped some of the fur trade and promoted humane practices. Above is one example, on the left, of an older fur jacket dyed to mimic mink. I cannot identify the fur – could be muskrat. Before the end of WWII, furs considered to be less fine were often processed this way. Other examples, such as the one on the right, are fakes – popular in the 1950’s and beyond. Some have been very convincing even since the 1950’s. Many of those made today look and even feel very authentic. The look is fun and elegant, in a vintage way, plus, as I proved last night, very practical.

Faux fur and secondhand true vintage furs are the best, the ONLY humane and progressive choice. I prefer those from the 1960’s and before. The remaining fur trade is still a blot on humanity, so we must be vigilant in our boycotting of this active market but I don’t see the enjoyment of historical fashions as being hypocritical. I will continue to show you how much I love them. Stay tuned . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

Undercover Magic, Essential True Vintage Lingerie

No matter what you’re wearing, lingerie pieces are key to making the outfit look right. Preventing lumps, bumps and see-through are only the simplest issues. The proper undergarment also ensures that the fabric lays correctly on your body and allows it to drape without clinging. Above are a very few examples of beautiful slips and only a tiny fraction of my complete collection.

You can see here how lovely the details are. Typically, even the plainest design will have nice little details and excellent tailoring. More elaborate styles are full of lace, embroidery, ribbons, sheer panels, satin straps and, often, some work done by hand. Though most slips are done in neutral, pastel colors, some (especially from the 1950’s to early 1960’s) were made in fabulous vibrant colors. True vintage nylon has a feel like no modern fabric and is absolutely luxurious. So gorgeous they could often be worn as a lightweight dress or skirt on their own.

Look for vintage lingerie that suits your wardrobe. Notice the details. Slips, of course, are the basis if you wear dresses and skirts. Search for cotton slips as well as the more-common nylon ones. In the summer, you will appreciate the difference! It’s also important to match your undergarments to the clothing worn with it – if anything might show or peek out, whether by accident or on purpose, will the color be OK? How will your outer garment move over the fabric of the slip? How will the fabric of the slip react with your skin in hot weather? Lots of things to consider in order to get the best result.

Also, look for other undergarments – in the 1960’s some split slips were made to be worn under culottes and split skirts. “Slips” to be worn under slacks can even be found from the 1960’s and 1970’s. A 1950’s/1960’s girdle was ALWAYS a base foundation for most women at that time (thank goodness, not now!). If you’re wearing a wiggle dress, you may not have a choice in order to make it look right. Silk tap pants from the Twenties are so comfy and perfect under a lightweight dress in the summer. A camisole under a blouse or top can improve the fit, add some warmth on a cold day and sometimes provide a little neckline interest depending on the style. A “bullet bra” is perfect if you want to be a “sweater girl”. Garter belts and girdles are necessary for wearing stockings. A crinoline is important for most mid-century dress styles with circle skirts, especially from the late 1940’s through the early 1960’s. Some dresses have their own, but others require you to add one.

I’ve probably forgotten to mention something but you get the drift. Lingerie is SO important that I probably should always start any series of posts with it. . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

Another “New” Find – Mid-century Fringed Western-wear Jacket

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This one’s been well-loved and worn, but excepting the fringe it’s in good vintage condition. So iconic that I couldn’t resist picking it up. Lots of clues here, and I was also able to speak to a witness who provided additional information.

First clue: Always look for the origin. I researched this Western-wear label and it seems that the store no longer exists. No surprise after 60 or 70 years but this may not always be the case. The way that the label is made also gives me information about it’s age. However, be alert to copycats on more modern items. Second clue: scope out anything that may not have been original (added decoration, changed buttons, zip replacement, mending, etc.). Each one of these features can fill out the story to a remarkable degree. Third clue: Look at signs of wear or damage – they also can tell a story.

What I have learned about this garment by investigating as above: 1. It was purchased in the 1950’s or 1960’s. 2. The store may have been part of a chain rather than a single entity. Part of this conclusion comes from investigation of the label itself and also from the quality of the garment – very good, but not the best I’ve seen. 3. The beads are not original. This conclusion was affirmed by the witness who offered a statement. 4. The original owner, now deceased, took good care of her coat but wasn’t always careful. The inside is virtually pristine but there are a few light spots on the outside which had not been cleaned and significant damage to the fringe. Part of this damage is inevitable due to the age of the leather but also looks accidental. I wonder if repeated seatbelt use without care may have caused this.

This person was also the one who got married in the eyelet dress which I showed a couple of days ago. It looks like there was a change in her size during the time between acquiring these two garments, so that’s another clue as to the ages of the garment and owner and the eras during which it was worn.

How fun! I hope that you enjoyed this little journey through an investigation. There will be more, so stay tuned . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM