TRUE VINTAGE LATE 1950’S – MID-1960’S DRESSES

Late Fifties saw slinky knit sheath dresses that carried over the new, easy-care synthetics from the 1940’s. The prints morphed slowly from geometric, atomic shapes back to cute animals, fruits and veggies. This fabric is amazingly comfortable and drapes beautifully but was economical. Common, moderately-priced frocks were made from it.

Just a few years later, lace overlay became the big thing. Dressy day-dresses were often made from it, as well as semi-formal and formal gowns. These were also generally made from synthetic or blended fabrics but probably required dry-cleaning. Better frocks often came from British Hong Kong, where the design and hand-made tailoring made them exceptionally elegant and of higher quality. These dresses were still within the reach of middle-income ladies but were more expensive. See the black dressy sheath with a beaded over-blouse above. The straight black high-neck sheath came from Saks Fifth Avenue.

Then, again from the Brits, came Mary Quant’s Tent Dress in 1964. Although the Mod style had started in the 1950’s, it’s appearance in clothing was totally revolutionary. It brought with it radically shorter hemlines and easy-to-wear, casual shapes. See the light blue, home-sewn version above.

Some styles retained their classic, conservative lines and stuck to neutral or basic tones while bright colors became ever more popular, even in formal garments. While political and social movements became radicalized and changed society, the Hippie, Boho and Prairie styles started to take over in the late 1960’s and carried over into the early 1970’s. Tomorrow we’ll look at some of the ways that popular fashion incorporated these trends into mainstream dressing. Stay tuned . . . . . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

TRUE VINTAGE ASSORTMENT OF 1940’S TO 1950’S SEPARATES, LEISURE GARMENTS AND JEWELRY

Starting off with ladies’ uniforms for popular leisure and volunteer activities – women’s bowling and the Girl Scouts. Here are a team member’s uniform and a Scout leader’s. Many mid-century women took part in these activities during their spare time to enjoy and contribute to their communities.

Travel became a big part of 1950’s family life. What could be easier in order to take an “exotic” vacation than to go to Mexico or the new State of Hawaii? These were popular destinations and many women returned with a hand-painted skirt or traditional printed shirts like the ones above.

With the restoration of access to fine fabrics and sewing notions beautiful blouses were manufactured for retail again. Costume jewelry was abundant again. I love this accordion-style stretch bracelet design. So ingenious and convenient. One size fits all and no links or fasteners to break. This one’s perfect for celebrating U.S. 250th anniversary of independence from oppressive British rule. It was a time of hope and vision.

Despite surface appearances, today is the same. Let’s look forward that way. Tomorrow we’ll step into the 1960’s, also a decade of revolution and change. Stay tuned . . . . . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

TRUE VINTAGE EARLY 1950’S DRESSY DAY-WEAR

Let’s start with this novel style by a famous French (undoubtedly Paris) designer. The knock-off pictured above was by Nelly Don, a well-known mid-century ladieswear label in the U.S. The belted sheath dress woven of substantial cotton or a blend has a wide detachable peplum which creates this avant garde silhouette. The French designer brought this luxury style out in 1952 and the mid-priced American version followed quickly.

A very pretty semi-sheer dress with a scarf neckline is unusual in an olive green and purple print which I love. Again, it’s belted and fitted as were most of the dresses of this time and follows a shirtdress style.

This green pencil skirt is made in a relatively briefly-used but popular fabric which consists of thin, rayon(?) ribbon that is coiled in a continuous design, appliqued onto another fabric base. Imagine it worn with a pretty, fitted blouse. I have a black skirt suit made in this fabric and a family member owned a short-sleeved dress in a gold color, back in the day.

The shirtwaist dress never lost it’s place and continued into the Fifties and beyond in fabrics which ranged from cotton and cotton blends to rayon and silk. The simplest daywear styles continued to be the housewife’s daily uniform. This one is a slightly upscaled version in a more complex print with embroidered trim and tucks.

This black and white dressed-up sundress would have been appropriate to go on a date, to the Ladies’ Club, Country Club or shopping in the city. It may have been custom-made, as women and professional tailors continued to use their skills this way though not as much out of necessity as during wartime. The Fifties were about being thrifty but also stylish and having more!

Shoe styles carried over from the 1940’s but with sleeker lines. Pumps were a bit more cutaway and more often had sling-backs. Soles and heels were slimmer. Peep toes continued, which I absolutely love. Hairstyles became smaller and neater again as did hats, which continued to be de rigueur for any well-dressed woman. Also, a pair of well-made gloves in a style which complemented your outfit and a short string of pearls with almost anything from casual to dressy outfits were considered to be necessities for elegant style. Handbags adopted many styles but here are a couple of semi-dressy designs that carry over the classic “tapestry” floral design and introduce the decorative metal frames and vinyl covering which began to be more popular.

Tomorrow we’ll stay in the same Forties to Fifties time-frame but focus on casual separates and trends. Stay tuned . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

TRUE VINTAGE LADIES’ DRESSY AND FORMAL – WEAR FROM THE EARLY 1950’S

From cocktail party to Prom to a wedding, these dresses and separates went to many swanky events. A sparkly bling necklace and earrings were a necessity, too. Stiletto pumps became the hugely big footwear trend for women.

Jacquard “brocade”, satin, lace, metallic thread, organza and netting, cashmere, beads and sequins and even fur trimming – all popular materials in garments for nights out and special events. The prosperity of the Fifties brought on a real break-out in middle-class spending and ostentation. Showy was good but, fortunately, so was elegance so we had some of the most beautiful gowns produced during this time. Female movie stars of this decade were some of the best-dressed women ever seen. The first dress pictured, with the fur-trimmed sleeves, is a gorgeous example of the New Look style. Fun and novelty were also present in many examples of the more casual clothing but the cheap-looking garishness of the 1990’s was not the thing.

I love these clothes and it’s fun to show them. All would have fascinating stories. The elegance of design showed up in dressy daywear, too, and I’ll be showing some of that tomorrow. Stay tuned . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY.COM

BLOG: MAGICVINTAGESPY.COM

TRUE VINTAGE 1940’S DRESSY DRESSES FROM AFTER THE WAR YEARS

Here’s another group of finds that were fabulous. Let’s look at the details on these frocks, which were over-the-top when wartime rationing was no more and fashion was ready for a break-out right before the New Look. Lots of glitz – rhinestone buttons, metallic thread, sequins, beads, lots of little buttons and velvet. Hemlines went down again. Rayon reigned – it had become the darling of fabrics.

There was certainly an element of weirdness to some of these designs. The last two black dresses were discovered in Montevideo, Uruguay and had been made by specialty dressmakers. Many of their wardrobe items in that city came from France, and I suspect that there is a lot of European influence in these styles.

The top two designs are squarely U.S. American and the tag on the dress with the big velvet bow indicates that it was made by a company that was producing affordable garments, probably during the early recovery from wartime. The navy blue dress was higher-end and looks so much like the costumes seen in late 1940’s film noir.

Tomorrow we’ll look at some examples of how 1940’s dress styles have persisted during the following decades. Stay tuned . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

TRUE VINTAGE 1940’S CASUAL DRESSES

We’ll begin with a pretty, white cotton eyelet dress that was home-sewn in 1940. It’s a lovely dress for town or a picnic, but it was made to be a wedding dress. Coming off the Depression years and with war in Europe, it was a very modest but hopeful costume for entering a dream future.

After 1941 and the United States joined World War 2, fashion became much simpler and plainer, but very practical. Shirtwaist housedresses and day dresses were the general uniform for women who didn’t wear specific uniforms related to their work. Dancing, as well as movie-going, were common inexpensive activities that helped people escape the worries and fears of their daily lives. Separates became more popular. Knitwear and wider gored skirts allowed movement while jitterbug was the favorite dance of those young enough to do it.

Plastic “gems” appeared in costume jewelry pieces, as well as preserved natural leaves. Even during the Depression and Wartime, a little bling always lifted spirits and enhanced any outfit. Tomorrow I’ll cover a 1940’s casual fad that made fashion more interesting during that time. Stay tuned . . . . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

TRUE VINTAGE 1940’S BETTER DAY-DRESSES AND ACCESSORIES

I had planned to show more dresses this morning, but my computer suddenly won’t upload more pictures. So, we’ll stick with these beautiful frocks today. The one above is from the Post-war period, I would guess, though some longer hems were also present before WWII started.

A lovely nylon slip like the one above might have been worn with it.

The mid-blue dress is made from a stiffer fabric and is from earlier in the decade. Cute and more girlish, but both are special – dressier daywear.

Mid-century costume jewelry pins and brooches like the ones in this picture, especially those on the left side, might have been worn with dresses like this and a dark navy handbag like the one above is a nicer 1940’s style with a fabric body and strap.

This final black frock is probably meant for cocktails, dinner or evening, though very tailored. It comes from the early Forties or perhaps the Thirties, with it’s Deco-style decoration with metal studs.

So, this is a little wardrobe trip from the pre-war and, possibly, the post-war 1940’s. Some of the costume pins also span the decades from late Thirties to early Fifties. Tomorrow I’m sticking with the same era, but focusing on more casual styles. Stay tuned . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

TRUE VINTAGE 1940’s FORMAL DRESSES, PLUS A DRESSY 1930’s CLUTCH PURSE

Beautiful, glossy fabrics – most of them synthetics – and lovely designs. I adore them all, but especially the first one. Let’s look at them one by one.

The first gown has a dark green velvet bodice, trimmed with the same pale green satin fabric that the skirt is made from. So flattering and luxurious. The bright red dress is a more conservative style, but still gorgeous. It’s made of an interesting fabric type which I’ve seen in other 1940’s dresses – it has a satin finish but with tiny black diamonds machine-embroidered all over. I suspect that this fabric, though lovely, was a more economical one.

The blue dress was tailor-made by hand. It is sewn from a bias-cut rayon which gives it that wonderful, drapey fit. The atomic/stellar cut-outs surrounded by seed beads were all done by handwork. I love the cut of the sleeves and the way the bustline and waistline are finished. That back tie belt gives it a really wasp-waist fit.

Finally, the black velvet two-piece dress is an entirely different design. Very proper and buttoned-up in velvet and crocheted lace, with rhinestone-center buttons.

Each of these gowns was a surprising and fabulous find. It’s rare to find 1940’s formal garments in the first place, and to find them in near-perfect condition is almost unheard of. The best bet is if they can be acquired from the original owner, or their estate. This is always a more informative clue when starting any investigation.

I’ve re-opened the 1940’s archives and am finding myself doing a deep dive there. Stay tuned . . . . . . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

TRUE VINTAGE 1980’S DOES 1940’S DRESSES

As you probably noticed in my last post looking at the 1970’s, I am not very focused on the “modern” styles from that decade because they were not interesting, in my opinion, and generally not of high quality. The same goes for lots of the 1980’s clothing, but I do enjoy some of the New Wave styles and the revival (again!) of 1940’s designs. I don’t have a large archive of New Wave examples because it was a short movement and so trendy that lots of the garments were cheaply-made and didn’t last. However, the Forties revival was a bit more mainstream and produced some dresses, etc., of better quality. The examples above cover this whole spectrum.

The first two frocks are a revival of designs giving a nod to nautical or “sailor” styles. Sailor collars, especially, have shown up on women’s dresses and children’s clothing since the 1800’s and maybe before. Blue and white have been classic color combinations in Spring fashions, too. The first example above with the outsized collar also has 1940’s-style cut, waistline, 3/4 sleeves and midi hemline. It’s a less expensive dress, very trendy and not true navy blue in color. By contrast, the second dress is true to military style with it’s embossed metal buttons, true navy blue and white colors and prominent stripes. The rest of it’s style is more New Wave, with a midriff top and geometric cut. It’s much more elegant and well-made. We saw a LOT of mid-priced floral print midi skirts and shirtwaist dresses, which were very good flashbacks to 1940’s everyday styles. Finally, I do love this brown print rayon dress by a trendy mid-priced designer (forgot her name). It’s a late ’30’s – early ’40’s design with great fabric drape. I also love this halter style floral midi – Very mid – ’40’s!

I rarely cover anything from the high fashion or couture world since my investigations don’t typically take place where those clues are likely to be found, though exceptions to the rule always exist. Tomorrow I’m going back to my primary focus on dresses and accessories actually made before 1970. Stay tuned . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

TRUE VINTAGE LATE 1960’S FASHION TRENDS – MOD HEADS INTO THE 1970’S

Britain continued to lead the fashion trends in the late ’60’s and it seems to me that their influence strengthened during these years as the Carnaby Street styles showed up. Mod and ultra mini began to slow down with a strong Edwardian/Victorian/Hippie wave predominating. Psychedelic and paisley prints were super popular, even on higher-end classic styles. Long bell sleeves showed up a lot. Ruffled, high-collar blouses and men’s neckties for women were fun fads. Platform soles went out (for a while) in favor of mid-heel pumps with high vamps and rounded toes. LifeStride, a popular mid-priced U.S. brand got into the trend with the example shown above.

Knee-length, midi and full-length hemlines came on the scene again, especially on more conservative and higher-end dresses. Though some minis were still worn, the hippie-styles usually had ankle-length skirts. While Carnaby Street fashions passed by, the long hippie/Victorian looks drifted into the early 1970’s. If you have followed me, you might remember a few of my posts earlier this year covering vintage Prom dresses that showed early 1970’s Victorian/Prairie designs in that mix.

There was a lot more, however, to the early 1970’s fashion designs. We’ll start looking at the Seventies tomorrow. Stay tuned . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM