Home-Sewn 1940’s Wartime Party Dress

A simple frock, probably made while times were lean and rationing had been imposed on the markets. The fabric is heavy – almost like taffeta but not that real deal. Probably some kind of rayon or acetate. The little splurge is the velveteen neckline, but during WWII any dress like this for an average gal was probably a splurge.

Even on a garment this modest, I love to discover the tailoring features that make it unique. In addition to the neckline trim, notice the little fold-overs that accent the shoulders. Shaping makes the bodice and waist trim and produces the full circle skirt. A deep hem allowance is also a luxury on a dress like this since it adds the option of adding length, adds a little weight to help the skirt sway and just makes the dress look like a more expensive garment.

I think it was made for a teen or a very tiny woman, but who knows the real story. Might even have been a Prom dress – good style for Swing dancing ad Jitterbug. What a fun find! Stay tuned for more knee length and midi cocktail frocks as well as full length gowns . . .. . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

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1940’S – ’50’S SEMI-FORMAL FROCK WHICH COULD ALSO HAVE BEEN FOR A BRIDE

Such an interesting frock. Midi length on Stella, but she’s tall so it could have been tea or floor length on a woman of short stature. I couldn’t decide whether this dress was tailor-made or purchased at retail, but I could find no labels. I suspect that it was custom-made for a cool-weather wedding and the style really makes me think of some Wartime or Post-war bridal dresses I’ve discovered. Could also have been designed for some other special event . . . . .

Pretty mid-weight textured but glossy fabric which may be synthetic or a blend. Unusual long sleeves; but the best thing about this style is the collar. Each layer is carefully supported around the edge with wire so that it can be shaped by hand. I’ve very rarely seen this and it helped me to date the garment. It came from Australia so I may notice a British influence(?).

More semi-formal and long dresses coming. Stay tuned . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

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FABULOUS NEW FIND: EARLY 1960’S SEMI-FORMAL POUF DRESS

Perfect example of a Kennedy Era party dress, bought off the rack back in the day. It’s full of clues in the fabrics and construction. Lace overlay fabric which was very popular at that time, 3-layer skirt with a netting crinoline in the middle, AFLCIO Union Workers label, vintage metal zipper with a hook and eye at the neckline and at the waist, and hanging loops sewn in at the shoulder. These dresses are exceptionally well-made although they were reasonably priced. Although it’s a little short on Stella, it fits her pretty well.

I’m always thrilled to find one and each example has some unique features. In this case, the scarf attached at the right shoulder which drapes across the front neckline is a novel addition. It’s even got a detachable rhinestone brooch on the opposite shoulder, suggesting that there might be other ways to style the scarf. As worn above, it makes a tail over the left shoulder, which was a popular design element at that time and also in decades before. In any case, I’ve never seen one exactly like this. Just goes to prove that you just never know . . . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

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TRUE VINTAGE FUR CAPE FROM THE 1930’S – 1940′ S – EARLY 1950’s

TRUE VINTAGE FUR CAPE FROM THE 1930'S - 1940'S - early 1950's

I just love this cape and it’s little details.  I’m an animal rights activist and don’t approve of the fur trade in any way, but I have collected old ones from back in the day.

Not sure what the origin of this fur is.  The stripes are clearly dyed, probably to resemble mink.  It’s got these funny little tabs to “close” the bottoms of the arm slits, for a better appearance and added warmth.

Of course, it had patches sewn inside with the owner’s initials embroidered on, along with the maker’s label, both of which are gone now.  Surprisingly, it’s in great condition for its age – still soft and radiant.

These garments are so full of history that they intrigue me as much as any other vintage fashion.  I wear them, too.  Some people would say this is hypocritical but  I would disagree – buying or wearing antique fur or leather does not support the current market for these things unless someone makes an irresponsible decision.  I suggest that we should all be responsible for our choices in the marketplace – so, if you like my vintage fur, don’t use that as an excuse to go out and buy a modern one.  Search for another vintage fur at least 50 or more years old or buy an imitation fur replica and do something kind for wildlife or your pet.

MORGANA MARTIN, THE MAGICVINTAGESPY

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INCREDIBLE TRUE VINTAGE DRESSY COCKTAIL SWEATER FROM THE 1950’S – MAYBE EARLY 1960’S

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Completely different from yesterday’s cardigan but so much fun!  It’s another must-have vintage sweater to wear with cigarette pants.  A pretty open-weave  Orlon sweater knit with metallic thread design to be worn with a black skirt or slacks at some mid-century party event.  It is absolutely amazing that it’s survived for 60 years in almost unworn condition!

Just like the women of the 1940’s onward, I’m grateful for these lovely acrylic yarns that can be washed in a machine (with care) and don’t have to be stored in a moth-proof container.  Orlon was a revelation and major time-saving blessing to wartime and post-war ladies who still did most of their housework by hand.

Although we’re so used to acrylic fibers now, these early ones were really special in terms of their quality or, perhaps, it is the garment itself that is made so well that the fabric looks great after more than half a century.  I’m sure that I also, again, have to thank the first owner of this elegant top for taking such good care of it.

I’m over the full moon again, and wondering what will turn up next . .. . . . . . . . . . . . . ..

MORGANA MARTIN, THE MAGICVINTAGESPY

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ICONIC TRUE VINTAGE 1950’S MINK-TRIMMED BLOUSE – ANOTHER TREASURE FOUND NEW ZEALAND

OLYMPUS DIGITAL CAMERAAnother rare find!  This one was not a high-end item when it was made, but it is an iconic piece with mink-trimmed sleeves.  I have a few of these garments with sleeves like this but don’t find them often.

Metallic thread on sheer black fabric, with “Autumn Haze” mink cuffs.  Buttons up the back.  Back in the day, companies that produced medium-priced clothing still made some “luxury” items that the average woman could afford, and they made them well.

What a pleasure to discover this one!

MORGANA MARTIN, THE MAGICVINTAGESPY

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TRUE VINTAGE 1950’S SEMI-FORMAL SLEEK AND STRAPLESS DINNER GOWN

IMG_1656In midnight navy blue, this dress is elegant in rayon with a side zipper.  Let me tell you how she would have dressed it up . . . . . . . .

A diamond or rhinestone necklace or pearls, depending on the venue, would be first – with some elegant earrings to complement. And, a small dress handbag.

A stole, fur or dressy coat, of course, unless it’s the height of summer (but, even then . . . . . .)  Finished off, courtesy of her escort, with a corsage.

The bodice has no boning, so those little mesh straps hold it in place.  When I wear it, I prefer a pair of ’50’s evening sandals of dark navy fabric with  pearlized ornaments on the vamp rather than the Forties styles that Stella is wearing.   Beautiful as she is, this frock is really better suited for Marilyn . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

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TRUE VINTAGE MID-1950s POUF-STYLE PARTY FROCK BY FRANK STARR

TRUE VINTAGE MID-1950s POUF-STYLE PARTY FROCK BY FRANK STARR

Another of my absolutely fabulous finds – fit for a princess at a party or Prom. This one is a quintessential 1950s pouf dress by Frank Starr, (of California, I believe) in a floral print.  He was a well-known designer at that time.

I’m always amazed at what I find, and this frock really turned the lights on! Organza over rayon or acetate, with a velvet-covered belt & the makers’ label on an inside seam.. In virtually perfect condition.

I can just see Elizabeth Taylor flouncing around in this in one of her movies, playing a young woman ready to go to a dance party.  Imitations are made, but true vintage can’t be replaced and it’s priceless, in my opinion.

This example can hardly compete with the one shown yesterday, or the day before. They are all wonderful and uniquely original. We’ll step backwards in time just a little bit tomorrow. What’s coming up until then? You just never know . . . . . . . .

Morgana Martin, the magicvintagespy
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TRUE VINTAGE 1960s – ’70s FULL LENGTH FLORAL PARTY GOWN

TRUE VINTAGE 1960s - '70s FULL LENGTH FLORAL EASTER PARTY GOWN

,Zooming into Summer now, you may be looking around for outfits to wear this weekend, to a garden or patio party . .

A beautiful gown in a pastel floral print, perfect for a dance, dinner, theater event, etc. – anything a bit more formal that this week’s celebrations or events might throw at you.

This one has an empire waistline seam, a sheer layer of fabric over an opaque lining and a center back zipper. No slip necessary, though I do have a true vintage long crinoline underneath in this picture. I’ll show that to you later as it is very interesting, itself.

I’m not sure whether this dress was made in the ’60s or ’70s. I lean toward the ’60s, but it is a classic style with only one tag left inside that is not a definite answer to the question. But, the fabric just has a ’60s feel to it . . . . . . .

Anyway, it is lovely and radiates the feeling of cheerful, bright sunny days. This is the kind of thing that we all like to start wearing this time of year. If it were shortened (or maybe even if not) and without the crinoline it could be worn as a day dress, because of the simple style.

Look for things like this now. Lots of older women made a habit of cleaning out their closets in the Spring, and you just never know . . . . . . . . . .

Morgana Martin, the magicvintagespy
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BEAUTIFUL TRUE VINTAGE SILK FORMAL DRESS OR WEDDING GOWN FOUND IN AUSSIE-LAND

OLYMPUS DIGITAL CAMERAThis frock is another of my stupendous finds in Australia!   Made somewhere between the 1940’s and 1950’s, it’s a gorgeous dress and I suspect that it really is from the Forties.

Looks like it’s hand-tailored, but by someone who was REALLY good.  The collar is reinforced with hidden wire that is soft to wear, but holds the shape and lets you reshape the neckline as needed –  an unusual tailoring feature that emphasizes the irreplaceable value and uniqueness of true vintage clothing and accessories.

It’s a demure style, despite the neckline plunge, and could be full-length on a petite figure.  I wonder if it was made as a wedding gown?   Although some were very fancy, many of that time did not have a lot of frill and fuss and were actually very tailored styles.

No matter what, I’m sure that this gown has at least one fabulous story to tell!  I wonder . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

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