Tag Archives: semi-formal

True Vintage Mid-Century Party Wedding Prom Dress

A bit of a confusing style – not sure where this frock landed back in the day. The little paper tag peeking out from the neckline in back tells us that it was an off-the-rack garment. Looks like a hybrid cocktail wedding dress. White, with glitzy beaded “cummerbund” effect around the front waist and a short formal length. The shoulder tails are a clue which points specifically to the late 1950’s – early 1960’s when these were having a come-back. Pretty on a wedding or party style but a bit awkward for dancing.

Whatever it was intended to be or ended up being, it’s gorgeous and sophisticated. I’m sure the lucky gal enjoyed it. More to come. Stay tuned . . . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

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True Vintage Early 1950’s Party Dress in Pure White

This could also have been a bridal costume. I’ll be showing more of these in the near future. Here’s the sheer overdress again. The sheer bodice around neckline and shoulders was a common feature of dressier frocks in the 1940’s and early ’50’s, in my sleuthing experience. White dressy dresses were often seen, too, during the months after the Holidays when minds are in the midst of icy winter but thinking about Spring.

The sheer fabric overdress with embroidered design shows up again and again across decades. This frock has an attached crinoline to give the iconic pouf skirt profile. What more can I say – perfection. Stay tuned . . . . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

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Heading Toward Spring – Another Pretty Party Frock from the Mid-Century

Still from the same genre and general Post-war Mid-century era as the dresses I’ve been showing since before Christmas, but this frock is so much more Spring-like because of the color. Feels like we’re already looking toward Easter or Prom. I suspect that this one might be just a little bit newer than the one shown yesterday, but it has some conflicting clues with regard to the tailoring and fabric. Unlike yesterday’s, it does have attached stiffening in the skirt and a slightly shorter hemline, though still below the knee. Dating it right between 1955 and 1962 would be accurate.

The butter yellow is different but the most distinctive feature is the neckline. Love the drape in front and the LONG tails in back. The wasp-waist fitting is always stunning on those who wear it well. As we begin to get away from the darker colors and heavier fabrics, the undergarments become critical. Stay tuned . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

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True Vintage 1950’s to early 1960’s Semi-formal Special Occasion Dress

Powder pink frock for a special occasion. Love the long sleeves with our current weather and I’m happy with the color that doesn’t feel like Winter. It’s not a Prom dress, but could have been worn to any dressy dance party, a recital or . . . . . . . . . . . . . Very demure, but gives a nod to formal wear with a sheer bodice and scooped back. Of course, it has the 3-layer pouf skirt with stiff attached crinoline, acetate/rayon opaque layer and a gauzy synthetic overskirt that was iconic in the Fifties, up to the very early Sixties. Naturally, the stiletto pumps are mandatory.

Despite it’s tiny size, I believe that this frock was sold in the Misses Department (probably size 10) rather than as a Junior size. Just goes to show how our Misses sizes have changed over the decades. A modern size 10 now would hang like a tent on Stella – a 1950’s size 10 is equal to a current size 2. Perplexing, but the clues all fit together. Go figure (no pun intended) and stay tuned . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

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Home-Sewn 1940’s Wartime Party Dress

A simple frock, probably made while times were lean and rationing had been imposed on the markets. The fabric is heavy – almost like taffeta but not that real deal. Probably some kind of rayon or acetate. The little splurge is the velveteen neckline, but during WWII any dress like this for an average gal was probably a splurge.

Even on a garment this modest, I love to discover the tailoring features that make it unique. In addition to the neckline trim, notice the little fold-overs that accent the shoulders. Shaping makes the bodice and waist trim and produces the full circle skirt. A deep hem allowance is also a luxury on a dress like this since it adds the option of adding length, adds a little weight to help the skirt sway and just makes the dress look like a more expensive garment.

I think it was made for a teen or a very tiny woman, but who knows the real story. Might even have been a Prom dress – good style for Swing dancing ad Jitterbug. What a fun find! Stay tuned for more knee length and midi cocktail frocks as well as full length gowns . . .. . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

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1940’S – ’50’S SEMI-FORMAL FROCK WHICH COULD ALSO HAVE BEEN FOR A BRIDE

Such an interesting frock. Midi length on Stella, but she’s tall so it could have been tea or floor length on a woman of short stature. I couldn’t decide whether this dress was tailor-made or purchased at retail, but I could find no labels. I suspect that it was custom-made for a cool-weather wedding and the style really makes me think of some Wartime or Post-war bridal dresses I’ve discovered. Could also have been designed for some other special event . . . . .

Pretty mid-weight textured but glossy fabric which may be synthetic or a blend. Unusual long sleeves; but the best thing about this style is the collar. Each layer is carefully supported around the edge with wire so that it can be shaped by hand. I’ve very rarely seen this and it helped me to date the garment. It came from Australia so I may notice a British influence(?).

More semi-formal and long dresses coming. Stay tuned . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

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FABULOUS NEW FIND: EARLY 1960’S SEMI-FORMAL POUF DRESS

Perfect example of a Kennedy Era party dress, bought off the rack back in the day. It’s full of clues in the fabrics and construction. Lace overlay fabric which was very popular at that time, 3-layer skirt with a netting crinoline in the middle, AFLCIO Union Workers label, vintage metal zipper with a hook and eye at the neckline and at the waist, and hanging loops sewn in at the shoulder. These dresses are exceptionally well-made although they were reasonably priced. Although it’s a little short on Stella, it fits her pretty well.

I’m always thrilled to find one and each example has some unique features. In this case, the scarf attached at the right shoulder which drapes across the front neckline is a novel addition. It’s even got a detachable rhinestone brooch on the opposite shoulder, suggesting that there might be other ways to style the scarf. As worn above, it makes a tail over the left shoulder, which was a popular design element at that time and also in decades before. In any case, I’ve never seen one exactly like this. Just goes to prove that you just never know . . . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

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TRUE VINTAGE FUR CAPE FROM THE 1930’S – 1940′ S – EARLY 1950’s

TRUE VINTAGE FUR CAPE FROM THE 1930'S - 1940'S - early 1950's

I just love this cape and it’s little details.  I’m an animal rights activist and don’t approve of the fur trade in any way, but I have collected old ones from back in the day.

Not sure what the origin of this fur is.  The stripes are clearly dyed, probably to resemble mink.  It’s got these funny little tabs to “close” the bottoms of the arm slits, for a better appearance and added warmth.

Of course, it had patches sewn inside with the owner’s initials embroidered on, along with the maker’s label, both of which are gone now.  Surprisingly, it’s in great condition for its age – still soft and radiant.

These garments are so full of history that they intrigue me as much as any other vintage fashion.  I wear them, too.  Some people would say this is hypocritical but  I would disagree – buying or wearing antique fur or leather does not support the current market for these things unless someone makes an irresponsible decision.  I suggest that we should all be responsible for our choices in the marketplace – so, if you like my vintage fur, don’t use that as an excuse to go out and buy a modern one.  Search for another vintage fur at least 50 or more years old or buy an imitation fur replica and do something kind for wildlife or your pet.

MORGANA MARTIN, THE MAGICVINTAGESPY

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INCREDIBLE TRUE VINTAGE DRESSY COCKTAIL SWEATER FROM THE 1950’S – MAYBE EARLY 1960’S

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Completely different from yesterday’s cardigan but so much fun!  It’s another must-have vintage sweater to wear with cigarette pants.  A pretty open-weave  Orlon sweater knit with metallic thread design to be worn with a black skirt or slacks at some mid-century party event.  It is absolutely amazing that it’s survived for 60 years in almost unworn condition!

Just like the women of the 1940’s onward, I’m grateful for these lovely acrylic yarns that can be washed in a machine (with care) and don’t have to be stored in a moth-proof container.  Orlon was a revelation and major time-saving blessing to wartime and post-war ladies who still did most of their housework by hand.

Although we’re so used to acrylic fibers now, these early ones were really special in terms of their quality or, perhaps, it is the garment itself that is made so well that the fabric looks great after more than half a century.  I’m sure that I also, again, have to thank the first owner of this elegant top for taking such good care of it.

I’m over the full moon again, and wondering what will turn up next . .. . . . . . . . . . . . . ..

MORGANA MARTIN, THE MAGICVINTAGESPY

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ICONIC TRUE VINTAGE 1950’S MINK-TRIMMED BLOUSE – ANOTHER TREASURE FOUND NEW ZEALAND

OLYMPUS DIGITAL CAMERAAnother rare find!  This one was not a high-end item when it was made, but it is an iconic piece with mink-trimmed sleeves.  I have a few of these garments with sleeves like this but don’t find them often.

Metallic thread on sheer black fabric, with “Autumn Haze” mink cuffs.  Buttons up the back.  Back in the day, companies that produced medium-priced clothing still made some “luxury” items that the average woman could afford, and they made them well.

What a pleasure to discover this one!

MORGANA MARTIN, THE MAGICVINTAGESPY

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