GORGEOUS CUSTOM-MADE POST-WAR FORMAL GOWN IN SUMPTUOUS BLACK RAYON VELVET

Although very similar, I might place this dress as having been made a little earlier than the one shown yesterday – looks late 1940’s to me.  It might or might not have been worn with a crinoline underneath.  Like the other, it’s completely hand-made and this one has the tailor’s label sewn into the neckline.

One of the best things about this gown is the fabric – a plush, heavy velvet that feels like old rayon.  Love the sweetheart neckline and off-the-shoulder sleeves that, to my taste, are done a bit more artfully than those on yesterday’s dress.  I think it’s mostly a style change that took place over a couple of years around the turn of the ’40’s to ’50’s decade.

Anyway, who wouldn’t love it!  I so wonder what events these dresses were made for and where they went.  That part of the mystery is as yet unsolved . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG:  MAGICVINTAGESPY.COM

 

 

 

 

A VERY DIFFERENT TYPE OF AT-HOME JACKET – EMBROIDERED, FROM THE FAR EAST

This is such a beautiful thing – I wish it weren’t  too big for me.  But oh, well, I love it all the same.  Not way old, because it’s poly satin, but the embroidery is to die for and it’s not completely colorfast so may not be too modern.  I’m not always sure about the construction and fabric qualities of garments made overseas.

Anyway, what a gorgeous item to wear around the house and, also, out.  I have a fantastic  embroidered red silk jacket from China that I often wear with black pants when dressing up is the thing.  Looks ab fab.

Tomorrow I’ll show a very recent discovery of the same genre, but older and more the style of Mata Hari.  Something I’d been searching for for a long time . .. . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG:  MAGICVINTAGESPY.COM

MID – CENTURY TRUE VINTAGE ELEGANCE: WHAT REALLY MAKES THE DIFFERENCE

IMG_1400IMG_1403In these few photos IMG_1404from an early – 1960’s needlework magazine, the styles are very plain and, in some cases, they are so generic that they’re very boring!  BUT, every woman pictured looks smart, elegant, fashionable and attractive.

Obviously, it’s not mostly about their clothing.  Sure, they’re all slim and attractive people but that’s not the main thing, either.  Take away the good fit and quality of what they are wearing (super-important as a base for everything else) and what is left that REALLY does it?

It’s their grooming, posture and ACCESSORIES.  None of those ensembles would look half as good without the accessorizing touches – imagine each of them without the necklace, bracelet, gloves or handsome handbag.  Makes a big difference, doesn’t it?

So, as much as I love fabulous true vintage style and details I also know that I can easily stand out in a room dressed in a plain ’50’s skirt and sweater, or even a pair of jeans with a great true vintage shirt.  Our grandmothers understood that perfectly.  And today, it’s VERY easy NOT to stand out . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG:  MAGICVINTAGESPY.COM

 

NOW FOR THE TRUE VINTAGE LATE SUMMER PARTY DRESSES AND FALL FROCKS TO HAND-KNIT

IMG_1028 IMG_1043From the early 1960’s, frocks just perfect for weddings, parties or just being pretty.  Like my others, these patterns come from a McCalls Needlework Magazine of that era.

IMG_1025This was the type of project our grandmothers might have busied themselves with over the  early winter months.  I know that my friend who gave me these did!

Women who loved to knit, crochet and sew looked forward to the new patterns just like  women look forward to fashion magazines and runway shows now.

Simple pleasures, but stunningly pretty and very true vintage . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG:  MAGICVINTAGESPY.COM

 

TRUE VINTAGE CUSTOM-TAILORED FOR THE MAN IN HER LIFE

IMG_0961 IMG_0962 IMG_0972Yes, you can also make your husband’s, son’s, father’s, boss’s (lets not get carried away) next necktie, etc., etc, etc, . . . . . .

This red shirt was custom-made, but by a western-wear retailer out West, sometime in the ’40’s, ’50’s or maybe the early ’60’s.  Bespoke attire was a common luxury, even here in the U.S.  Of course, it’s been a tradition and beautifully done in Europe for decades (centuries?)

I’ve recently seen some ads for what looks like business and formal clothing that can be ordered custom-made, with one fitting or at-a-distance alterations near the end of the process.  An improvement on ready-to-wear, but not like having it constructed from the first detail by a tailor having that in-person relationship with you and your body, giving you a perfect fit, exact style preference and real-time preview.

And what a nice luxury it was to have that done for you, or to have the leisure time to do it yourself . . . . . . . . . ..

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG:  MAGICVINTAGESPY.COM

TRUE VINTAGE 1960’S HAND-DYED SILK BELTED TENT DRESS

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Custom-tailored in a popular style of the mid-late Sixties, batik dyed silk tent dress that I like to wear belted. It also has a shawl made of the same material that completely transforms the look.

Wearing it un-belted is also a completely different look, but not my style. This cut can work for almost any figure, but really looks great on curvy Madge. That’s her edge over slender Stella, so they’re getting along fine .. . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG:  MAGICVINTAGESPY.COM

ANOTHER CACHE OF WONDERFUL MID-CENTURY HANDBAGS – UNUSUAL FINDS

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Although the purse in the top left corner is similar to others that I’ve come up with recently, I’m glad to have it in a less-often-found silver fabric.  The others are worth telling you about one at a time.  Let’s start with the white beaded bag on top:

a very lovely little convertible clutch bag that can go from dressy day to summer evening and also would stand out as part of a bridal ensemble.

Just to the right of it is a fabric coin or lipstick purse made in Italy.  Though it is just a purse accessory, the black satin and art print on front, as well as the filigree hardware make it a special keeper.  Italian-made purses and shoes from the Fifties and Sixties were of the highest quality and design and are to die for.

At the bottom is a pretty little brocade purse that could be an accessory but is meant to stand on its own, when only the barest essentials are necessary.  It’s very tiny, but unsnaps again to allow room for just a little more than the coin purse alone.  Although you probably can’t read it, in the corner to the left of the top snap is embossed in gold script “B. Dainty”.  Sweet!

Finally, the duchess of the lot is a fully-beaded clutch with a zipper top and silk lining.  Of the finest materials and displaying the most hand-done workmanship, it’s probably the oldest.

Although I’ve been happy to discover so many evening bags recently, especially with thoughts of this year’s holiday season beginning to creep into mind, I most love the special pieces like these – makes the day’s adventure really fun . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG:  MAGICVINTAGESPY.COM

MORE DRESSES! 2: CUSTOM-TAILORED MID-CENTURY SLINKY SHEATH

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This one’s a sexy day dress with ruching at the waistline to give it a bit of curvy shape, while still staying very proper.  Love the abstract atomic print in subtle shades that could go to work, or dinner, or . . . . . . . . . . . . . . . . . . . .

Hand-tailored frocks are so much fun to discover because they always tell a story about the designer.  This style is so versatile – I’ll enjoy it, too.  More on the way . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG:  MAGICVINTAGESPY.COM

HEADING FURTHER BACK IN TIME – A HAND-TAILORED FLORAL FROCK WITH A FULL CIRCLE SKIRT

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In a ’50’s to early ’60’s style, but with mid-1960’s-type fabric this dress illustrates the creative power that home-sewers in the mid-century had over their wardrobes.  The size, style and fabric were completely at their discretion and genre’s could be combined in any way.

This example was made for a teen or a petite woman (the photo is somewhat foreshortened, too, so it’s not quite as short-waisted as it looks), probably as a dressy day or party dress.  It’s a simple style in cotton blend with a zip back and elasticized sleeves but shows evidence of extra care and skill in the insertion of piping detail at the waist and flounce on the skirt.  There are also strap-keepers sewn in at the shoulders and some seams that were done by hand.

What a fun little mystery-history to unravel!  More back to the future on the way . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG:  MAGICVINTAGESPY.COM

 

TRUE VINTAGE MOD FLOWER-POWER LATE 1960’S MINI-DRESS

TRUE VINTAGE MOD FLOWER-POWER LATE 1960'S MINI-DRESS

This little dress is so cool – straight out of the late sixties.  It was tailor-made in a fabric that was really popular then – kind of loose-woven like hop sacking used to be.  That’s what it was called, though it wasn’t really sacking material (from back when they used to make food sacks out of cloth).

It has a Peter Pan collar and zips up the back.  The sleeves are made from a sheer material that is printed to match the heavier fabric of the dress.  Cute!

When I find something like this that is SO characteristic of its particular time and even tells a story about who made it it’s almost like being transported!  Beam me up . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG:  MAGICVINTAGESPY.COM