HEADING FURTHER BACK IN TIME – A HAND-TAILORED FLORAL FROCK WITH A FULL CIRCLE SKIRT

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In a ’50’s to early ’60’s style, but with mid-1960’s-type fabric this dress illustrates the creative power that home-sewers in the mid-century had over their wardrobes.  The size, style and fabric were completely at their discretion and genre’s could be combined in any way.

This example was made for a teen or a petite woman (the photo is somewhat foreshortened, too, so it’s not quite as short-waisted as it looks), probably as a dressy day or party dress.  It’s a simple style in cotton blend with a zip back and elasticized sleeves but shows evidence of extra care and skill in the insertion of piping detail at the waist and flounce on the skirt.  There are also strap-keepers sewn in at the shoulders and some seams that were done by hand.

What a fun little mystery-history to unravel!  More back to the future on the way . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG:  MAGICVINTAGESPY.COM

 

SOPHISTICATED 1940’S LADIES’ HAT OF SUEDED WOOL FELT

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This hat is made of the most wonderful fabric that feels almost like fine suede leather! It’s so hard, sometimes, to photograph black items – I hope that you can see the two bows under the brim in the first photo.  The hat is almost a beret, but has stitched decoration on top and a kind of souffle’ construction so that it can puff up or lay flat on the head.

I suspect that it would be worn more like the first photo, in order to expose the bows above the hairline.  Tricky to do with any kind of hairdo and probably would require hatpins.  What women used to go through to get the “right” look!

So, maybe it was designed to be worn with a sleek head and hair coiled up underneath or massed beneath at the nape of the neck.  It’s fun to wonder what the milliner who designed this beauty had in mind . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG:  MAGICVINTAGESPY.COM

 

ANOTHER “NEW” BRIDAL ENSEMBLE – FROM THE 1940’S – 1950’S

When it rains, it pours!  Wedding dresses have been coming my way.  This beautiful frock would also do nicely as a semi-formal dress for Prom or something similar.

Pretty taffeta with a brocade design woven in – the head-dress is very sweet with little pearls and flowers and a short veil.  The dress is really a straight sheath, with a poufy over-skirt lined by a netting crinoline.  I think that elbow-length sleeves are so chic and elegant – it’s nice to see them here, finished with a little bow.

I don’t need a wedding dress or a Prom dress so this set may end up going to another bride or to a high school dance, but either way it will be a fabulous find again for some lucky girl . . . . . . . .. .. . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG:  MAGICVINTAGESPY.COM

THREE OF MY OLDEST TRUE VINTAGE HAWAIIAN GOWNS

THREE OF MY MOST VINTAGE HAWAIIAN GOWNS

From the 1960’s back to, maybe the 1920’s, these three are my oldest vintage examples of Hawaiian gowns.  From the farthest left, to right –

Psychedelic hues and patterns on the far left – not hard to see the late Sixties here.  The center dress is from the 1950’s and is fashioned in the traditional Hawaiian style, with a panel on the back that is almost like a train, without the dragging hem.

On the far right is a mystery dress with a metal side zipper. It has images in the print that are not your standard Hawaiian shirt variety and the fabric is very different –

instead of being the heavy cotton that I’d usually expect, it is a fluid material that I’d guess is rayon. If the label did not indicate that it was made in Hawaii, I’d say it had come from Japan.  The toggle closure at the neck is also something often seen on Chinese and Japanese garments. It’s also got a very 1930’s cut – close to the body.

Hmmm . . . . . . . . . this is REALLY Mata Hari undercover espionage stuff.  I wonder how she wound her way to the place where I discovered her . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG:  MAGICVINTAGESPY.COM

TRUE VINTAGE 1960’S DeLISO DEBS BLACK SUEDE PUMPS

TRUE VINTAGE 1960'S DeLISO DEBS BLACK SUEDE PUMPS

When was the last time you could buy a new pair of desirable brand-name shoes for $8.00, even though on sale?  Check out the original price sticker from a department store.

Deliso Debs were popular, stylish shoes for women from 1919 until the 1970’s.  They had a reputation for being well-made and having a great fit.  I have others and just love them.

This pair is somewhat dressy, but versatile.  Again, how can you go wrong with a good pair of black pumps?

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG:  MAGICVINTAGESPY.COM

TRUE VINTAGE LATE ’60’S – EARLY ’70’S CALIFORNIA NOUVEAUX HIPPIE DRESS

TRUE VINTAGE LATE '60'S - EARLY '70'S CALIFORNIA NOUVEAUX HIPPIE DRESS

Mod, psychedelic, polyester knit dress – was made just a little past the time of the hey-day of the hippie/back-to-the-land movement.  About the time that popular fashions were beginning to turn back toward mainstream, but still liking the counter-culture vibe in a more modest way.

Prairie-style was also becoming a big thing around this time – leaning more toward Jessica (McLintock) designs than Janice Joplin’s Salvation Army finds.  Also,  polyester was beginning to replace cotton in a big way.

Not quite your pure Love-In roll-a-joint party outfit, but you could still get by with it . . . . . try doing it at a patio party  . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG:  MAGICVINTAGESPY.COM

A FAVORITE LITTLE TRUE VINTAGE LATE ’60’S – EARLY ’70’S BLACK DRESS

A FAVORITE LITTLE TRUE VINTAGE LATE '60'S - EARLY '70'S BLACK DRESS

This one is SO sweet on!  Hits right above the knee; empire waist with bead trim hanging down, bateau neckline (one of my favorites).

It’s black crepe with an acetate lining and a back zip.  Simple and elegant, and it fits really well.

Who could ask for anything more?  The perfect combination . . . . . . . . . . . . . . . ..

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG:  MAGICVINTAGESPY.COM

A TRUE VINTAGE LBD FROM THE SIXTIES – THIS ONE DEFINITELY FOR DANCING!

ANOTHER TRUE VINTAGE LBD FROM THE SIXTIES - THIS ONE DEFINITELY FOR DANCING!

If you’ve ever seen a good dancer wearing one of these, you’ll know what I mean. The fringe around the hem just doesn’t know when to quit!

Some dresses have fringe all over, and that’s just WILD. But, a fringe at the bottom lets you remain demure and sophisticated (why is everyone staring at me?) while your dress gets all the attention.

This one is a sexy black crepe sheath, with a fitted waist. Stay VERY cool, and it could be a great costume for hiding in plain sight . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG:  MAGICVINTAGESPY.COM

TRUE VINTAGE 1950’S DANCE PARTY / PROM POUF DRESS

TRUE VINTAGE 1950'S EASTER DANCE PARTY / PROM POUF DRESS

Imagine my shock and awe when I was confronted by this frock – an original by Max Starr, a famous designer of the time, with a pouf crinoline and layers of sheer floral fabric.  I MUST get it onto Stella soon – she’s the only one of the girls who can wear it, but it’s just her size!

The belt is covered in velvet and the colors sing Spring!  It looks like a beautiful flower garden.  This is really a prize.  Happy hunting!

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG:  MAGICVINTAGESPY.COM

DISCOVERY! SUMMER WHITE MID-CENTURY HANDBAGS

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Beaded and beautiful – one even had a pretty hankie tucked inside!  (also found some old pennies)  Vintage 1950’s – 1960’s, made in Hong Kong (of course!), made in U.S.A., too.  All so clean and well-loved.

The beading is hand-done.  The 1930’s – style on the bottom right has the brand name stamped onto the satin lining.  The purse made in Hong Kong (bottom left) has, naturally, a silk lining.  The larger handbag on top has fun plastic beads crocheted into raffia and Lucite trim.  Big enough to hold all your daily needs.

I’m always so impressed by how well mid-century women cared for their clothing and accessories.  Yes, it was sometimes an issue of economy – if you can only afford to have one “good” dress, preserving it becomes very important.  However, way beyond that was a personal value placed on items of quality that were lovely to look at and wear and the wish to treat them with respect.  I try to fill my closets with garments and their complements that inspire the same sentiment.

So, no careless coffee spills, scattered crumbs or dogs in my lap with these . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG:  MAGICVINTAGESPY.COM