Festive 1960’s Sweet Sixteen Formal Dress for the Holidays

Another “love that red” frock. I believe that his formal dress was made for a teenager in the 1960’s, when “Sweet Sixteen” celebrations were still a popular family event. Just my fantasy story – who knows. It’s a youthful but sophisticated style in a tiny size that would have been appropriate when age 16 was considered to be the boundary between childhood and young adulthood. Something Barbie dolls would have worn back in the day.

Velveteen bodice with beading trim, a wasp waistline and a fitted jacquard weave straight skirt. It goes from formal parties for the Christmas season through to Valentines Day. Modest scooped neckline front and back. So very early Sixties and more to come. Stay tuned . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

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A Couple of Very Conservative Party or Event Dresses from the 1960’s

My examples of the true vintage “Party” genre wouldn’t be complete without including some frocks like these two. Not the typical type of party dress we usually think of, and certainly not the most popular styles, but conservative styles in muted colors have always been available no matter the decade or era. Even for those of us who are more flamboyant in our taste, it’s always a good idea to have at least one of these in the back of the closet because they may be the only type of dress that is appropriate for certain occasions. It could be a Celebration of Life event, a corporate gathering or meeting the prospective in-laws . . . . . . . . . your call, but sometimes we just know.

The frock on the left, by a high-quality vintage maker, is very elegant and could hardly be criticized by even the most picky person – at least not publicly – and then, who cares (unless it’s your boss). The dress on the right was much more “common” and affordable, but is still attractive and “correct”. Some picky person might balk at the sheer sleeves or say that the neckline is too low but that would be extreme (and you could also wear a neckline scarf and/or a lightweight pretty shawl if you want to be ultra demure).

So, that covers the ground, for the time being, of holiday party options and how to avoid the fashion police. Speaking of which, I will be relocating to another safehouse within the week so there will be a pause in transmissions for at least 2 or three days by the weekend but this will be temporary so stay tuned . . . . . . . . . . . . . . . . . . . . . ..

MORGANA MARTIN, THE MAGICVINTAGESPY

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Unique 1950’s True Vintage LBD Cocktail Dress – Party On!

Any time there’s a special event or holiday, a true vintage little black dress will never let you down. This one is so unusual, I had to slip it into the line of bright and colorful frocks that I’ve been showing. Not an easy fit for everyone, but if you’ve got the shoulders to support the neckline and a tiny waist like Stella, it’s absolutely stunning. The drape of the bodice is genius and the fabric flower at the waist adds even more interest without any need to be flashy.

Jewelry should be sophisticated but simple. Diamond stud earrings or gold, or pearls. Absolutely NO statement necklaces to detract from that beautiful neckline and maybe no necklace at all. If more bling is desired, a delicate but luxurious bracelet or watch would be nice. Back in the day beautiful tiny watches in gold or platinum with diamonds were not unusual for those who could afford to splurge on them. Of course, a cocktail ring is always acceptable with a dress like this but, again, the jewelry should not overpower the dress, which is the star of this show. And, the show must go on. Stay tuned . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

Holiday Party Season is Definitely Here. True Vintage Frocks are a MUST!

1960’s or 1970’s style, these red dresses would take you from the Christmas party through Valentine’s Day cocktails and dinner. Both are pretty and sophisticated with similar styles. Like most sisters, however, they’re also quite different. In the 1950’s and 1960’s a sheer over-layer and skirts with lots of gathers were big style features. Very feminine and emphasized a wasp waist. I love the boat neckline and 3/4 sleeves. In the mid-late 1970’s slim and sleek was a silhouette made easy with Quiana nylon fabric, which skimmed the figure while having lots of movement and supreme comfort while disco dancing. Very unfussy and a perfect backdrop for the chain belt. I’ll look for more party clothes and formal dresses. Stay tuned . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

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SNUGGLEY TRUE VINTAGE SLEEPWEAR AND LOUNGEWEAR 1950’S – 1970’S

Everybody seems to love red, especially this time of year. It’s certainly a color which can make us feel warmer, which is what we’re beginning to need in a big way now. On the left is a favorite 1950’s pajama set of mine, woven 100% cotton with little fans printed all over. The print would make you think that these must be women’s PJ’s but actually these are a large size boys’! Take a look at the direction of the button closure.

Although I have lots of women’s PJ’s and gowns, my men’s pajamas from the 1940’s and 1950’s are really special. Classic unisex PJ style (though, often, men’s have a fly), but the best feature is that the men’s garments are very sometimes printed with wonderful medallion prints or novelty prints like the one above. A large (16 – 18) vintage boys’ size will fit me well – I wear a ladies 4. A men’s small will usually do OK or can be easily altered. Women’s PJ’s are most often of a solid color nylon or silk or a fine cotton printed with small flowers, decorated with lace or other trim. Really beautiful and comfy, but sometimes a little boring.

However, true warmth comes from robes, and this is where the women’s garments shine. They are more often found in warm fabrics such as plush, chenille and quilting. Women traditionally spent more time at home than men did so ladies’ true vintage robes and dressing gowns are built to be worn for several hours, rather than just after getting out of the bath or shower. Although men’s vintage robes sometimes have nice prints, women’s are more often embellished with embroidery, trim and buttons. Each decade had it’s typical style and popular fabric but the general rules seem to apply to sleepwear and robes from all the decades from the late 1800’s to the present day.

My 1970’s robe above is certainly worthy of Mrs. Claus as she makes breakfast for the elves. (Sorry, but traditional folklore and myths tend to be very sexist.) It’s by Vanity Fair, a company which has made women’s at-home styles and lingerie for decades. I love the pretty style, but the long bell sleeves are very impractical in the kitchen and I don’t think the mid-priced market for this item targeted women who had hired “help” at home. That can be an inherent problem with true vintage fashions – occasionally they are poorly suited to an average lifestyle and can even be uncomfortable at times but that’s a minor consideration and not worth a mention as long as you are in the know. Wouldn’t stop me gathering the evidence for a second. When did practicality ever have anything to do with fashion and style, especially when a holiday or other special occasions are on the horizon? Stay tuned . . . . . . . . . . . . . . . . . . . . . ..

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

FIRST SNOW OF THE SEASON! TIME FOR MY TRUE VINTAGE WOOL DRESSES

Another chance to love that red. Okay, I give in. I don’t pull out the wool clothing unless it’s necessary and can usually avoid the deep cold because of frequent relocations. But, a little unpacking reminds me how much I love these wiggle dresses from the late 1950’s – early 1960’s. For the jumper on the left (yes, this is what a sleeveless dress worn over a blouse or sweater is called in the United States) I was fortunate to find a turtleneck in the perfect color to coordinate with the tweedy fabric. I love the HUGE pearl buttons down the front – so much a sign of those times, as compared to the thin, easily broken pearl buttons which were popular in the ’90’s.

The wiggle fit is also characteristic of this era; maybe a little warmer, too. Of course, unless there’s a smooth lining, you’d also need a slip underneath which adds another layer of warmth. Attractive tailoring details are always a plus. Although vintage wool garments sometimes feel a little heavy and confining compared to what we’re used to today, the closest similarity I’ve ever come across are the better quality heavy polyester knit dresses and pantsuits of the early 1970’s. Both added warmth, good tailoring and wrinkle-resistance and are welcome when facing true winter weather. Easy storage that doesn’t require protection from moths is great, too, but in the final analysis nothing beats the quality, durability and elegance of well-made true vintage woolens. I thank our furry friends (and the shellfish which create pearl), and am grateful that we now are developing excellent humane and ethical alternatives.

More Xmas red and seasonal true vintage on the way. Stay tuned . . . . . . . . . . . . . . . . . .. . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

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ICONIC TRUE VINTAGE COAT, FROM THE LATE 1950’S TO 1960’S. LET’S LIGHTEN UP A LITTLE!

For the milder climes, a car coat. This time it’s suede instead of wool, but still with the dressy mink collar and showy buttons. As I’ll show later, leather jackets for women, from Western-wear to dressy styles, were a big thing in the early to mid-Sixties, worn by more and more middle-income women. Usually of a tailored, but casual style and gradually dropping the fur excepting for the hoods of parkas and up-market leather coats and ski jackets.

I’ll continue to focus on seasonal items during this shift from Autumn to Winter and with a nod to the Holidays and vacations. Excepting in the news, nothing controversial happening here but intrigues have a way of appearing spontaneously. Stay tuned . . . . . . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

ANOTHER TRUE VINTAGE WINTER COAT MOVIE STAR. MORE EARLY 1960’S LUXURY

Love that red! I was REALLY thrilled to discover this one. Open-front styling in a Kennedy era coat made it a fashionable wardrobe essential for any city gal in the early 1960’s. I can hardly imagine braving Chicago winds or San Francisco drizzle with this one-button closure, but being a’ la mode has always won over practicality with women, especially in decades past. Thank goodness we are now free of that social pressure and can dress as we please without widespread criticism. No fur trim is a plus, though now I wouldn’t buy wool, either.

Anyway, what’s not to love about this beautiful vintage garment? The easy fit of this style is comfortable and less binding over layers worn beneath. The original label confirms that Forstmann was a high-end brand and worth the investment. This one has held up beautifully for over 60 years with only a very few tiny moth nibbles in inconspicuous places. ( OK, they’ve got to feed their babies, too. ) It has the necessary beautiful lining and slash pockets on the side seams.

I’m now in a secure location, if briefly, so will be able to continue transmissions before the next relocation. Stay tuned . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

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A MINK COLLAR ON A FINE TRUE VINTAGE CASHMERE COAT RAISES THE STATUS TO LUXURY LEVEL

Again, warmth is the keynote here but glamor is the melody. Beautiful fashioning and two of the most desired materials made this 1950’s – early 1960’s coat a high-end item. We’ve already discussed the humane and ethical problems with fur but cashmere is another atrocity which must be avoided in any modern retail items. There are alternatives now which look and feel like authentic cashmere but are man-made. More iconic coats coming, so stay tuned. I will be changing locations soon, so there may be a brief break in transmissions . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

TRUE VINTAGE OUTERWEAR? FUR REAL OR FAUX? WE HAVE TO THINK ABOUT IT . . . . . . . . .

Last night I was out and about to a theater production and couldn’t reasonably drive a two block distance. Walking was the only choice, which I love, but IT WAS SO COLD!!! My warmest outerwear option, which kept me toasty and comfy, was my post-war beaver jacket from Canada. 75 years old and it’s still snuggly and beautiful. I grieve for the precious animals who (yes, WHO) were sacrificed for vanity and retail profit back in the day and will NEVER buy modern fur products. I advocate for animal rights but also celebrate those lives and gifts by preserving and enjoying elegant fashions from the past for as long as they will last.

I own many gorgeous fur and faux fur pieces made decades ago, before protective legislation and individual conscience stopped some of the fur trade and promoted humane practices. Above is one example, on the left, of an older fur jacket dyed to mimic mink. I cannot identify the fur – could be muskrat. Before the end of WWII, furs considered to be less fine were often processed this way. Other examples, such as the one on the right, are fakes – popular in the 1950’s and beyond. Some have been very convincing even since the 1950’s. Many of those made today look and even feel very authentic. The look is fun and elegant, in a vintage way, plus, as I proved last night, very practical.

Faux fur and secondhand true vintage furs are the best, the ONLY humane and progressive choice. I prefer those from the 1960’s and before. The remaining fur trade is still a blot on humanity, so we must be vigilant in our boycotting of this active market but I don’t see the enjoyment of historical fashions as being hypocritical. I will continue to show you how much I love them. Stay tuned . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM