Although very similar, I might place this dress as having been made a little earlier than the one shown yesterday – looks late 1940’s to me. It might or might not have been worn with a crinoline underneath. Like the other, it’s completely hand-made and this one has the tailor’s label sewn into the neckline.
One of the best things about this gown is the fabric – a plush, heavy velvet that feels like old rayon. Love the sweetheart neckline and off-the-shoulder sleeves that, to my taste, are done a bit more artfully than those on yesterday’s dress. I think it’s mostly a style change that took place over a couple of years around the turn of the ’40’s to ’50’s decade.
Anyway, who wouldn’t love it! I so wonder what events these dresses were made for and where they went. That part of the mystery is as yet unsolved . . . . . . . . . . . . . . . . . . . . . .
MORGANA MARTIN, THE MAGICVINTAGESPY
BLOG: MAGICVINTAGESPY.COM




Unusual and cute – worth collecting. It’s great to find bags this old that have survived in such wonderful condition! The hardware is really shiny and bright but, of course, reflects shadows. The purse on left was handmade with a needlepoint cover, mounted on purchased hardware. Up through the 1960’s, many women made purses this way because the kits were easy to buy and a perfect way to make a bag that exactly matches an outfit – especially when so many women were home-sewing their wardrobes. I’ve seen them in all styles, including late mid-century macrame’.

