A not-quite-as-little LBD from the 1970’s with casual vibes. I wasn’t going to show this frock until I got into the Snowbird vacation designs, but it’s such a great comparison to the dressier version from yesterday that it was time. Just as sleek, simple and elegant, but of Hawaiian origin with their wonderful cotton fabric. It’s up to the job in the afternoon as well as the evening.
This dress is a perfect example of functional true vintage wardrobe selection for traveling. One dress can do double or triple duty – from casual to sophisticated, even without accessories.
Semi-formal and Formal season are just starting, so back to those archives again next – stay tuned . . . . . .
Any time there’s a special event or holiday, a true vintage little black dress will never let you down. This one is so unusual, I had to slip it into the line of bright and colorful frocks that I’ve been showing. Not an easy fit for everyone, but if you’ve got the shoulders to support the neckline and a tiny waist like Stella, it’s absolutely stunning. The drape of the bodice is genius and the fabric flower at the waist adds even more interest without any need to be flashy.
Jewelry should be sophisticated but simple. Diamond stud earrings or gold, or pearls. Absolutely NO statement necklaces to detract from that beautiful neckline and maybe no necklace at all. If more bling is desired, a delicate but luxurious bracelet or watch would be nice. Back in the day beautiful tiny watches in gold or platinum with diamonds were not unusual for those who could afford to splurge on them. Of course, a cocktail ring is always acceptable with a dress like this but, again, the jewelry should not overpower the dress, which is the star of this show. And, the show must go on. Stay tuned . . . . . . . . . . . .
1960’s or 1970’s style, these red dresses would take you from the Christmas party through Valentine’s Day cocktails and dinner. Both are pretty and sophisticated with similar styles. Like most sisters, however, they’re also quite different. In the 1950’s and 1960’s a sheer over-layer and skirts with lots of gathers were big style features. Very feminine and emphasized a wasp waist. I love the boat neckline and 3/4 sleeves. In the mid-late 1970’s slim and sleek was a silhouette made easy with Quiana nylon fabric, which skimmed the figure while having lots of movement and supreme comfort while disco dancing. Very unfussy and a perfect backdrop for the chain belt. I’ll look for more party clothes and formal dresses. Stay tuned . . . . .
These are just 3 out of my collection of lovely kitchen aprons, but perhaps a bit more interesting and seasonal than others I have, which are more generic, like a cotton gingham check without any specific theme. Many aprons, like the first one here, were specifically themed for a particular holiday or fashion era. It’s a great example, with bright color and a novelty print for Thanksgiving. Although it’s definitely trendy and targeted, it is also at least somewhat practical because of the machine-washable fabric, wraparound style, secure ties and big pocket. It could actually do the job of keeping the cook’s skirt clean. The most useful styles also covered the bodice.
The usefulness is really important, but I love the novelty print. It’s always good to play the hostess in something that also makes people smile. The two aprons following are entirely different in their purpose. These are made from a much more delicate fabric and would be best washed by hand, both because of their delicacy and because they are hand-painted. They were made for and gifted to my grandmother by a relative who at least did the painting herself, if not the sewing job. Gifts like this were common in her day, and cherished. These aprons were made not so much to protect clothing as to be pretty. Grandma might have worn them when she had her friends in for tea or a card game, maybe even for hosting an at-home cocktail party. The messy part of the hostess job would have already been done when she made the cake or other refreshments beforehand.
Aprons were much more commonly worn in decades past and were a significant part of a woman’s household wardrobe, like housedresses worn on cleaning day. Most women’s (especially married women’s) lives were organized around a routine of household duties throughout the week and each one usually required a different kind of outfit – one for cooking, one cleaning, one for tending plants, one for doing the weekly shopping. Special accessories to these outfits were needed for certain jobs, such as gloves of various kinds, hats of various kinds, nursing bras and pads to protect clothing from breast milk and burping babies. Housewives were trained to be very practical and were rewarded by Society for a job well-done. The home was their workplace and the role defined them, so their household wardrobe had a central place in their lives. For better or for worse, that was the way it was. Do we want that again? Think about it and keep your eyes on the clues . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
With ruched sleeves and velvet ribbon decoration on black taffeta, the label tells me that it was sold from a ladies-wear shop in Texas, where it was discovered. A pretty dress with lots of room to move, from a time when dressing up for cocktails and dancing to live music was probably more popular than it is today. Everyone was exuberant over the end of the WWII rationing that, for one thing, had made extravagant clothing unavailable. We apparently owe the title of “Cocktail Dress” for early-evening semi-formal frocks to Christian Dior, beginning in the post-war 1940’s when hemlines went down again and showy tailoring details came back.
I’ll need to check on how it fits me to decide it’s fate. Stay tuned . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Completely different from yesterday’s cardigan but so much fun! It’s another must-have vintage sweater to wear with cigarette pants. A pretty open-weave Orlon sweater knit with metallic thread design to be worn with a black skirt or slacks at some mid-century party event. It is absolutely amazing that it’s survived for 60 years in almost unworn condition!
Just like the women of the 1940’s onward, I’m grateful for these lovely acrylic yarns that can be washed in a machine (with care) and don’t have to be stored in a moth-proof container. Orlon was a revelation and major time-saving blessing to wartime and post-war ladies who still did most of their housework by hand.
Although we’re so used to acrylic fibers now, these early ones were really special in terms of their quality or, perhaps, it is the garment itself that is made so well that the fabric looks great after more than half a century. I’m sure that I also, again, have to thank the first owner of this elegant top for taking such good care of it.
I’m over the full moon again, and wondering what will turn up next . .. . . . . . . . . . . . . ..
Here’s a beautiful decorated sweater meant, mostly, for evening wear. It is fully lined in silk with black beads and spangles decorating front and back. Many mid-century women had one of these – it was a classic standard.
Made in Hong Kong, the quality is a cut above many garments made elsewhere. This seems to have been the case for many decades. It’s another one of those iconic garments that is a must-have for any vintage wardrobe and, maybe, more than one since the colors and decorative patterns were varied and unique.
Though high-quality tailoring was particularly true for vintage garments made several decades ago, I still take special note when I find modern clothing that has been made in Hong Kong. The materials and tailoring are still almost always excellent in garments made there..
There is no wrap more elegant, excepting perhaps a wonderful vintage fur, than a beautifully-made hand-decorated fine wool cardigan thrown over your shoulders. It can be worn in many ways and will never let you down.
What a wiggle dress this is! Marilyn Monroe – move over!! What a rare find – couldn’t believe it when it appeared (no, I fib. Of course I could). It’s hand-knitted, as was the one given to me several years ago by my friend Rosalie, who had made it herself in 1952. Likely, many women who were competent needle-workers did so when this style was popular.
This example is made of the same glossy yarn I wrote about several days ago. My other garments made from it are casual sweaters, so I was floored to find this lovely dress of the same material! Just perfect for a sophisticated occasion. I’m keeping it for wearing at just the right vintage venues (local museum events come to mind) or theme cocktail parties, Halloween . . . . . . . . ..
Anyway, I’ll be having LOTS of fun with it. That’s what it’s all about!!! Too much enthusiasm? Never . . . . . . . . . . . . . . . . .
Another rare find! This one was not a high-end item when it was made, but it is an iconic piece with mink-trimmed sleeves. I have a few of these garments with sleeves like this but don’t find them often.
Metallic thread on sheer black fabric, with “Autumn Haze” mink cuffs. Buttons up the back. Back in the day, companies that produced medium-priced clothing still made some “luxury” items that the average woman could afford, and they made them well.
Look at these beauties! The convertible clutch style which lets you use the handle or not has always been so versatile and convenient. Although some of these are very mid-quality, they all have some distinctive features that make them stand out as great true vintage finds. Let’s start out from left to right . . . . . . . . . . . . . . . . . . ..
The white purse at far left is a high-quality construction from the Sixties and has that shiny box hardware enclosing it on 3 sides. It is made of leather and has a shoulder strap that can be tucked inside. Very sleek and streamlined – a great look for summer.
The 1950’s beaded evening bag in front is in perfect condition, with a silk satin lining and a beautiful clasp and box chain handle, which can be hidden inside. This type of handbag was always hand-made, usually in Hong Kong. Even for an expert, can you imagine the care and time it took to attach all those beads so perfectly and securely?
The other three bags have a metallic finish and are made of synthetic materials or cloth – not in quite as good shape as the first two. But, they are nicely made and all have pretty hardware clasps – always interesting to find. The two in the center also have box or braided chain handles, rather than the simple chain that is most often seen. These more complex types of chain are prettier and also seemed to break less easily.
As always, they all show that care was taken to preserve and protect them, so I can enjoy them 50 or 60 years later! The throw-away quality that we seem to be satisfied with today can’t begin to compare, but is still way over-priced!! Such a shame – but not for this Magicvintagespy . . . . . . . . . . . . . . . . . . . . . ..
