A SWEET SET – A FORMAL OR DRESSY EVENING IN TRUE VINTAGE RHINESTONES AND “PEARLS”

IMG_0956      This is one of my favorite little necklaces, from the 1950’s or early Sixties.  Very sweet – love the rhinestone bow and the faux pearl drop.  The chain, also, is studded with rhinestones all the way.

The earrings are a bit later – late Sixties or Seventies, but they coordinate nicely.  A parure like this would have been perfect with a formal pouf dress – depending on the age of the wearer and the occasion.

Definitely costume jewelry, but so pretty . . . .. . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

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TRUE VINTAGE HAND-KNIT FALL STYLES FROM THE FIFTIES – SO SPORTY AND ELEGANT

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It’s the details and the fit that make these things so wonderful!  That’s what I love about true vintage and hand-constructed clothing.  Check out these photos from a 1950’s needlework magazine, given to me by a woman who did this every year.

For a woman who had the skills to make these, it must have been so much fun to look through the new knitting magazines.  These weren’t runway styles that were out of her reach!

MORGANA MARTIN, THE MAGICVINTAGESPY

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STYLISH FORTIES DRESS & FIFTIES SHOES IN NAVY – AND PEARLS!

IMG_0920 IMG_0974 IMG_0955This cute little shirtwaist dress was a surprise find.  Love it so much!   With a fabric-covered belt, Peter Pan collar and bows on the sleeves, in wonderful classic navy blue.

I have several pairs of shoes that would go well, but I’m showing these stilettos with little curlicues on the vamps – a favorite pair.

As Coco Chanel would say, no outfit is complete without pearls.   I collect nice ones whenever I run across them.   Most are costume, but some are real.   It’s fun to find different styles & hues, and they go with everything . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG:  MAGICVINTAGESPY.COM

 

TRUE VINTAGE 1960s COAT & DRESS ENSEMBLE BY A CHICAGO DESIGNER

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Since looking at the last post, I know that you’ve been asking yourself “What could I wear to go with that black leather purse with the red lining?”  Well, here’s the answer – a belted knit dress with matching coat, with its own red lining.

Classic sleeveless, belted sheath dress and matching coat, originally sold in Chicago, Illinois.  The style is mid to late 60’s.  The black and white check fabric first gives the impression of being a wool knit, but it is a blend, likely of cotton and synthetic which provides some warmth for cool days but is easier to store than wool.  Really a gorgeous set and so flattering. It would be a perfect outfit to go with that lovely Italian handbag!

It does need to be dry cleaned in order to keep its shape but, these days if there is not a difficult stain or other problem that can be done at home.

I hardly ever see coat and dress ensembles and this is a beauty.  Love it! Keep your eyes open for something like this. You just never know when it might turn up. . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

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ANOTHER ‘POWER SUIT’ FROM THE 1940’S WITH DYNAMIC STYLING

ANOTHER 'POWER SUIT' FROM THE 1940'S WITH DYNAMIC STYLING

I just love the hugely distinctive tailoring on this jacket!!  The ensemble, of course, is woven of wool.  Big shoulder pads and a belted jacket which leaves the back hanging free.   The belt passes through slits in the waistline of the jacket that allow the back to fall straight. There is decorative button detail at each shoulder-blade area in the back, too.

The jacket, alas, was found without a matching skirt. But, by searching high and low I discovered one almost a perfect match. The original was probably longer than this one is, however.

Although this suit doesn’t have a fur collar, the collar is very high for warmth and a sweater could easily be worn underneath, rather than a blouse.  it could be worn alone, without a coat, on a cool or cold day.  Very practical, standard dressy day-wear for wartime and post-war women.

MORGANA MARTIN, THE MAGICVINTAGESPY

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BRIGHTLY COLORED MID-CENTURY (’40’S & ’50’S) SUITS WITH LOTS OF DETAIL

BRIGHTLY COLORED MID-CENTURY ('40'S & '50'S) SUITS WITH LOTS OF DETAIL

Showing some reds here together – always a favorite color! The most amazing things about these are the pocket details and, of course, the overall quality cut and styling.

I can always depend on a true vintage suit of my correct size to fit beautifully. Even off-the-rack garments were made to such a higher standard that the things made today can’t compare.

I have hemmed the red skirt on the right (folded up, NOT cut off!) but otherwise haven’t had to do a thing. These babies were well-looked-after by their first owners and I continue by storing them properly, since they are wool.

That’s another topic – SO much vintage clothing was made of wool back in the day. Even lightweight weaves and knits that we could mistake for synthetics are actually wool. The important thing about this is to learn what the fabric is when you buy a vintage garment so that you don’t make mistakes when caring for it.

It’s no fun to throw something in the wash and have it come out as doll clothing or horribly misshapen. Nor do we want to find little moth holes in our favorite blouse, sweater or pants. LOVE delightful surprises, but not those!

Just another little tip from . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

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A SOPHISTICATED AND ELEGANT SKIRT SUIT FROM THE 1950’S, A LA’ PRINCESS GRACE

A SOPHISTICATED AND ELEGANT SKIRT SUIT FROM THE 1950'S, A LA' PRINCESS GRACE

This lovely suit was from a smaller women’s dress shop – it has the store’s label inside, rather than the label of the clothing company that made it.  Of course, big companies like Gap and Banana Republic outsource the manufacture of their clothing, but here I’m talking about small, privately owned shops that might have been owned by your neighbor down the street.

Back in the day, a store’s buyer (this was often the owner of the store) would sometimes pick items at the wholesale market to carry in their own shop with their own label, even though they didn’t make it themselves.  A second label giving the name of the company that manufactured the item might be present, too, but not always.  Since I wasn’t a shopper during that era and never have owned a dress shop, it was surprising and fun to learn this!  Maybe it’s still done this way by some big department stores or small, elegant boutiques with high prices but, back in the Fifties, a local small-town  dress shop might have sold frocks carrying an embroidered label with their own store’s name inside. Amazing!

Conservative but very elegant – Grace Kelly wore garments like this often in her public and private life. Looking like a tart is not elegant (and not really sexy, either).  I wish some of the popular designers and their market would get that.  It’s difficult to find well-designed and well-made clothing, if you shop at retail.

Anyway, this is another of those keep-it-for-decades ensembles that could go almost anywhere when you need a traditional style.  You can dress it up or down, or split the separates and accessorize and, if it fits well, it’s very flattering.  The skirt hem length could be anywhere from below to slightly above the knee without ruining the line.  Make it micro-mini and you’ll look like you haven’t got a clue . . . . . . . . . . ..

MORGANA MARTIN, THE MAGICVINTAGESPY

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A BEAUTIFUL AND ELEGANT TRUE VINTAGE SPECIAL-OCCASION SKIRT SUIT FROM THE LATE 1950’S / EARLY 1960’S

A BEAUTIFUL AND ELEGANT TRUE VINTAGE SPECIAL-OCCASION SKIRT SUIT FROM THE LATE 1950'S / EARLY 1960'S

Perfect for a special cold weather dinner or other holiday event or for a dressy winter wedding (as guest or bride), a semi-formal skirt suit is always astonishingly elegant.

This little lovely is of wool in a cream beige textured weave, with large ornamental buttons and a boxy cut, beautifully made, of course.  Knee or just-below length skirt and a hip-skimming jacket with bracelet-length sleeves.

The most arresting feature is the mink collar, which amps the visibility of this ensemble to a high level.   Or, you could remove the fur and replace it with a silk scarf or a pearl collar. It will make a noticeable entrance, but it’s powerful presence will only build after that.

You can decide if you’re Jackie Kennedy or Princess Grace or, or, or . . . . . . . . .. That’s the fun – you just never run out of options . . . . . . . . . ……. . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

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A VERY SWEET TRUE VINTAGE NIGHTGOWN & ROBE SET FROM THE 1960’S

IT’S WONDERFUL TO ENJOY BEAUTIFUL SLEEPWEAR AS THE NIGHTS COOL DOWN . . . . . . . .

Morgana Martin, the magicvintagespy's avatarMagicvintagespy

A VERY SWEET TRUE VINTAGE NIGHTGOWN & ROBE SET FROM THE 1960'S

This is a really nice little nightwear combo. The early ’60’s is just about the last time we’ll find the truly beautiful things. With the exception of some exclusive designer or handmade item, the trims are not nearly as lovely as during the ’50’s and before and the quality of the nylon or silk is noticeably inferior when you get into the mid ’60s and ’70’s.

As I’ve said before, in my opinion you can’t improve much on 1930’s, 1940’s and 1950’s lingerie/sleepwear when it comes to overall quality and luxurious beauty. The fabrics from that time and the craftsmanship of the trimming detail is the best!

This is not a va-va-va-voom ensemble, but it is lovely and, if you wish it to be, very sexy in its own way. The embroidery trim is done well and the buttons are the nice sturdy and well-formed little pearlized ones that I always love on true vintage nightwear…

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A VERY SWEET TRUE VINTAGE NIGHTGOWN & ROBE SET FROM THE 1960’S

Source: A VERY SWEET TRUE VINTAGE NIGHTGOWN & ROBE SET FROM THE 1960’S