PRETTY IN PINK: 1930’S – 1940’S – 1950’S NIGHTWEAR FOR THE VINTAGE BOUDOIR

PRETTY IN PINK:  1930'S - 1940'S - 1950'S NIGHTWEAR FOR THE VINTAGE BOUDOIR

Now we’re talkin’!  Setting the mood here for Cupid’s Day.  Some are relatively demure, but all are beautiful nylon and silk sleepwear from a time when those things were really special.

Whether a young girl heading off to college, or a young woman on her honeymoon, one (or two) of these would surely be stowed in her luggage.

Madge likes that cute robe with the double button closure at the waist.  It would work well over the little short-sleeved gown – perfect for dorm room dreams. As for the silk number in the center, well, it is Valentine’s Day so forget the robe . . . . . . . … . . ..

MORGANA MARTIN, THE MAGICVINTAGESPY

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GORGEOUS AND LUXURIOUS 1930’S – 1940’S SLEEPWEAR FOR ST. VALENTINE’S NIGHT

GORGEOUS AND LUXURIOUS 1930'S - 1940'S SLEEPWEAR FOR ST. VALENTINE'S NIGHT

There’s nothing like a silk or fine nylon gown against the skin. These also have beautiful lace on the bodices.

If you dream of being in the movies, here’s your wardrobe. These are real special prizes of mine.

Forget all the lace and frills on anything modern; one of these gowns will give you complete amnesia.

Have a lovely day, and night . .. . . . . . . . . . . ..

MORGANA MARTIN, THE MAGICVINTAGESPY

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YOU’RE SO VAIN: The Oft-Forgotten but Fabulous Accessory – HATS

The Oft-Forgotten but Fabulous Accessory - HATS

Although I always love hats, the beginning of Fall always gets me thinking about them more.  And,  there couldn’t be an easier style to wear than this one.

The average woman before 1970 understood the allure and the impact of hats.  They used to be a central part of any outfit and occupied a center-stage position in the wardrobe of any woman or man.

This one is a simple but very effective style from the late ’60s or ’70s,  it has a chain and ribbon band and is made of wool felt.   Carley Simon wears a similar one on the jacket of her famous debut album in 1972.

A wide brim is flattering to most faces and the key, as always, is to try it on before you buy and to learn what flatters your particular face and body.  A great hat can be the most important thing you wear.

They’re also very effective if you’re wanting to be a bit mysterious or difficult to recognize . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG:  MAGICVINTAGESPY.COM

TRUE VINTAGE FUR ACCESSORIES FROM THE ’30’S, ’40’S, ’50’S & ’60’S

TRUE VINTAGE FUR ACCESSORIES FROM THE '30'S, '40'S, '50'S & '60'S

It’s still not too late to glam it up with fabulous fur accessories, especially during the variable March weather . . . . . . . our mothers and grandmothers had to be prepared to look chic no matter what!

Marlene and Celia have been waiting for another chance to get into the picture.  Here you see them modeling a variety of mink accessories, with the exception of the black muff far left, which I believe is of rabbit fur and has a small zipper compartment and the black hat, which is curly lamb.

Whole skinned animals, with heads, feet and tails (and little glass eyes) were popular as stoles in the 1930’s & 1940’s, maybe the ’20’s, too.  Big “Eeew!” factor for a lot of people now.  I’ve already covered the fur issue so, if you love real furs (and animals) stick to 1960’s and before.

There’s a dark brown mink scarf that closes with a big mink-covered button (very elegant) and a blonde mink “dickie” to wear at the neckline under your coat.

The hats are probably the most visible accessory when you’re first seen – these are super-flattering but also will be warm. So, when you’re forced to take to the sidewalks, just remember —- to be well-dressed at all times is a gift to yourself and everyone who sees you.

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

MY MOST QUIRKY, OLDEST EVENING COATS – FROM THE 1930’S & 1940’S

MY MOST QUIRKY, OLDEST EVENING COATS - FROM THE 1930'S & 1940'S

These black crepe coats are so fun and individual – I really love wearing them!  While not being fully antique, they are earlier examples from the ’30’s & ’40’s.  One may be from the early ’50’s . . . . . . . . . .. . . . . . .

On the far left, the characteristic feature of this one are the shoulder tails, which are folded across the front in this picture.  It also has a deep slit in the back hem – almost a long jacket, rather than a coat.

In the center is a rather plain, tailored black crepe coat, but you can see the scalloped hems on the sleeves.  Perfectly elegant and discreet.

On the right, a plain, one – button front crepe coat with ivory lining, deep side slits and mink cuffs at the elbows.  Hardly inconspicuous . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG:  MAGICVINTAGESPY.COM

SO EXCITING. A RARE, ANTIQUE, HANDMADE DRESS FROM THE 1920’S – EARLY 1930’S

Sheer cotton “lawn”(?) – I don’t know.  A beige color with delicate flower and leaf embroidery on the collar and skirt.  Closes with snaps, hooks & eyes on the left and has partially-gathered sleeves and a two-tier skirt.  Such interesting design details, so different from any styles we usually see, vintage or not.

So delicate.  This will be worn with great care.  The waist isn’t right for most dresses made in the 1920’s so it could, possibly, have been an earlier style made for a teen or someone who was very petite.  But – early 1930’s could be the most accurate.  Must do some more in-depth research.

Anyway, what a treasure!

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG:  MAGICVINTAGESPY.COM

WARTIME MYSTERY CUSTOM-TAILORED NIGHTGOWN – WHAT A FIND!

Fabulous late 1930’s – early 1940’s styling details, hand-tailoring and original(?) fabrics???  I know the design (a relative had one similar).  The embroidered mesh on the bodice is similar to the wartime dressing gown shown a couple of days ago.  The synthetic(?) fabric is like nothing I’ve felt before.  The gusset at the hemline is a period feature.

IS THIS AN ORIGINAL WWI – WWII GOWN OR AN EXPERTLY-MADE REPRODUCTION?  I can’t be sure.  It’s in almost-perfect condition, but has been around for a while.  No label, of course.  Would love to know it’s story.  Any ideas, you well-trained experts out there? . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG:  MAGICVINTAGESPY.COM

MY BEAUTIFUL WARTIME FRENCH-MADE DRESSING GOWN FROM MONTEVIDEO

Couldn’t wait to get this gorgeous gown onto Stella.  She’s just the right size (and maybe I am, too, if I can bear to risk wearing it!).  The embroidered netting and roses on rayon are so, so 1930’s – 1940’s.

I love the special tailoring touches from that time such as the longer hem in back that makes a little train.  This dress was probably meant to fit someone a little shorter than Stel.

It would seem that Montevideans from early in the wartime era loved their fashions and accessories from France.   More to come . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG:  MAGICVINTAGESPY.COM

 

JUST FOUND! GORGEOUS 1930’S – 1940’S WARTIME TO POST-WAR RAYON BED JACKET

 

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What a neat discovery!  I have 2 or 3 lingerie bed jackets from this era already, but haven’t found another for a long time.  Rare, rare, rare.  This one may have been part of some woman’s trousseau, which she stored away lovingly for decades.  Some were made of silk.  This one is glossy rayon.

Pretty bed jackets from the post-war 1950’s are also fabulous, but much different from the older wartime ones.  Notice in the detail close-up the embroidered mesh decoration.  Remember that from the nightgown I showed just a few days ago?

Oh, I’m over the moon again and will also store this garment away lovingly, probably for decades . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG:  MAGICVINTAGESPY.COM

 

A VERY SPECIAL HANDMADE LINGERIE NIGHTGOWN WITH MYSTERY HERITAGE

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This is such a WONDERFUL find (aren’t they all?)!  It’s a bit of a mystery, which I love. . . .

The style is late 1930’s – early 1940’s and it’s been custom – made.  There’s no label or sign that there ever was one.  The bodice has embroidered netting (similar to the 1930’s house-dress I found a few months ago in Montevideo – remember?).  It’s finished almost entirely with french seams.  Little bow detail on the bodice – lots of hand-work.

The fabric is some kind of synthetic which isn’t like vintage fabrics I’m familiar with NOR modern ones!?#  There is virtually no sign of wear and just a little bit of age or storage-related damage, which was easy to fix.  The conundrum is – – – – – – – – — – – – – – – – – – :

it’s either true vintage from the WWII era OR a reproduction (not retro-style fashion) which has been expertly made to be identical to the originals.  Whoopsie doo!  Either way, it’s a fabulous gown and a rare and unique discovery which will look stunning on Stella.  More to come . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG:  MAGICVINTAGESPY.COM