TRUE VINTAGE PARTY OR SPECIAL OCCASION DRESS 1950s OR EARLY 1960s

TRUE VINTAGE PARTY OR SPECIAL OCCASION DRESS 1950s OR EARLY 1960s

Now we’re getting really serious about special events which may be taking place this month.  This party gown is a little too demure for most Proms or whing-ding parties, but perfect for a social dance, someone in a wedding party, a dinner event, anniversary party, a recital or other celebration that is somewhat formal.

It looks almost white in the photo and is actually a very pale pink, with a sheer over-dress and opaque lining.  The neckline and sleeves are edged with satin binding. Of course, a crinoline attached.  Aside from the subtle embroidery, it is not fussy (no bows, ribbons or decorative buttons).  Doesn’t need them!  Very elegant.

When I find a dress like this, I always wonder where it was originally worn, by whom and where it was purchased or made.

Another surprise discovery, and they usually are.  I know what I’d like to have, but I rarely go hunting with just one thing in mind and, I guess, that’s mostly because I’ve put together such a collection of true vintage that I don’t have to go looking for an outfit when some event comes up.  With patience, skill and know-how you can do that, too.

I have the most fun looking for what will turn up!  Because, you just never know . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

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TRUE VINTAGE EARLY 1950s EASTER EGG OF A PARTY DRESS

TRUE VINTAGE  EARLY 1950s EASTER EGG OF A PARTY DRESS

Okay, this one is a little longer and it could probably have gone to the Prom – but – have you ever seen anything that looks more like what to wear on a date with the Easter Bunny? These poufy frocks in sherbet pastel colors were all over the place about 50 years ago and.

Lovely coral-pink taffeta with a huge sash that ties in a bow behind.  The skirt under is stiff, but not like netting.  A crinoline could be added.  What could say Spring more than this one? Well, maybe some of the others coming up . . . . .

Every girl and woman in the ’50s loved party dresses like this.  (With apologies to your grandmother who always wore black from Chanel)  I have discovered many dresses of this type, with slight variations in the style.  Watch old movies from the late ’40s and early ’50s and you will see many similar.

When I hunt for true vintage, I sometimes feel like I’m a designer going into the costume warehouse of a huge theater, looking for just the right clothing for my characters and enjoying all the different costumes that I see.  If I want to, I can take hours just being in the fantasy of all the eras and style trends that I can find.  If I want to use my time wisely, I can zero in on the best, most wonderful things in a few minutes.

Sleuthing for true vintage is one of the most fun things I do.  It’s always an adventure, because you just never know . . . . .. . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

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TRUE VINTAGE LATE 1940’s DAY DRESS IN RAYON

TRUE VINTAGE LATE 1940s DAY DRESS IN RAYON

Imagine a woman, after the second World War – during a time of rebuilding and relative prosperity, when hemlines were longer again (no more rationing of cloth).  She is walking down the street in this dress, platform shoes, a hat and matching handbag.

The lovely, heavy rayon material swings in time with her steps and outlines her figure attractively.  She is a woman of upper-middle income, on her way to a business appointment.  Or . . . . . . . .

This lovely rayon material from the 1940s is unique and very wonderful stuff.  It has a feel and drape like nothing found today.  I love the navy/white bulls-eye print with turquoise/white trim.

I bought this one from a long-time antique collector/dealer.  You just never know . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

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BEAUTIFUL TRUE VINTAGE LINGERIE – NYLON SLIPS FROM THE 1950s & 1960s

BEAUTIFUL TRUE VINTAGE LINGERIE - NYLON SLIPS FROM THE 1950s & 1960s

Here’s a small portion of true vintage slips from my collection. These are, for the most part, less fancy than my others that are also older. Regardless, they are lovely and of very high quality. The heavy nylon that they’re made of feels like nothing you’ll find being sold today.

Slips and other undergarments were a really important foundation for vintage clothing, as they can be today if you know how to use them. A well-fitting slip can make all the difference in how a dress looks on the body. Bras and girdles in the past were essential in order for many dresses, etc. to fit properly.

Nylon takes on color very easily, so it can be dyed. The slip on the left was probably tie-dyed in the 60s. The black slip has simple, very elegant small embroidery on the bodice, which is covered by a sheer layer of fabric. The red slip is made almost like a dress with a plain red lining and overall lace on top, a side zipper and hem slit. I showed it a few days ago.  The two white slips show a variation in length (very important) and plain & fancy details. It’s nice to have beautiful decorated ones and also plain ones, to wear under sheer dresses.

I could drift around the house in one of these gorgeous slips all day, and night. So comfortable, so glamorous, full of mystery. What might I be wearing under that simple-looking dress tomorrow? You’ll just never know . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

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TRUE VINTAGE CUSTOM-TAILORED THAI SILK SHEATH DRESS FROM THE 1960’S

CUSTOM-TAILORED THAI SILK SHEATH DRESS FROM THE 1960'S

I think that someone had this dress specifically made for her while traveling or living in Thailand or China during the 1960’s. That was a common thing to do back then.

Thai silk is so distinctive and beautiful.  There’s nothing like the weave and color of these fabrics and they are always smartly designed and carefully constructed by hand.  It is one of two that I have discovered – makes me wonder about the woman involved.

Did she have a secret assignment?  Was she undercover?  Perhaps a great-niece of Mata Hari . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

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I WAS RIGHT – A PERFECT FIT!!

Back at headquarters, for a short break, and finally able to photograph this most recent discovery.  Stella is dainty as a daffodil in her Prom/party frock from the 1950’s.  The neckline scarf is the signature feature of this dress.  Possibly it was for a bridesmaid or a debutante (of sorts – not lush enough for the Country Club set).

Like many(most?) older garments, it is so interesting and tells a story.  The fabrics are not of the highest quality but they are adequate, and this short gown was off-the-rack, though there is no label remaining.  Unless . . . . . . . . . .

It just may have been custom-tailored by someone who REALLY knew her(or his) stuff. The skirt has FOUR layers – a circle skirt of lace overlay with a solid yellow acetate(?) liner, a ruffle of tulle netting underneath and a final layer of white stiffening fabric gathered beneath it all.  This was the standard construction of dressy special-occasion gowns in the mid-century.

No question that this frock was going somewhere really special.  Makes you wonder . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

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TRUE VINTAGE 1950’s COCKTAIL DRESS IN MOCHA

BUT, RED AND PINK ARE JUST NOT MY COLORS!

 

Beiges are always a smart alternative when you don’t want to go the black route for some dressy or special occasion..  This frock is a beautiful, glowing mocha that flatters like crazy.  With a big crinoline underneath, it might even have gone to the Prom!  It’s rockabilly – swing done elegantly.

The fabric is unusual – some kind of rayon or blend with a nice drape and gorgeous sheen. Wide scoop necklines and nipped waists are favorites of mine and I absolutely adore this dress.  Perfect for cocktails, dinner, a dance party, etc., etc..

Although not a set, I might combine this little lace-overlay bolero jacket with it for some venues when it’s going to be chilly inside or out.  The color is a perfect go-with.  A simple cashmere cardigan, beautiful shawl or a true vintage fur would all work nicely, too.

 

MORGANA MARTIN, THE MAGICVINTAGESPY

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TRUE VINTAGE GOWN MODELED AFTER GRACE KELLY’S IN THE HITCHCOCK MOVIE “REAR WINDOW”

A very favorite find, custom-tailored in the early 1950’s after one that Grace Kelly’s character, Lisa, wore in the classic Alfred Hitchcock movie, Rear Window.  Lisa’s dress had a yellow printed skirt, rather than blue.  I even know the woman who made this frock in 1954!

The black fabric in the bodice is stretchy and the neckline very unusual.  It fits perfectly, no matter how your own curves go!  The skirt is of three layers, with sheer fabric on top and netting underneath.  The little black “leaves” are embroidered on the sheer overlay.

What could be more fabulous? – a costume similar to one worn by one of my all-time favorite actresses in a favorite movie by a favorite director! How intriguing . . . . . .. . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

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CUTE AND SAUCY TRUE VINTAGE LITTLE BLACK DRESS, FIFTIES – STYLE

CUTE AND SAUCY LITTLE BLACK DRESS, FORTIES - STYLE

Just love this!! Sometime from the late 1950’s to the early 1960’s this little frock was someone’s favorite.  It’s Peggy Lee in her early mid-century years, all over!!!!!

Glossy textured rayon – I always love sheer panels like this on the shoulders.  The bodice is decorated with embroidered white flowers which have pearl centers.  Nothing could be better for dinner out or a date night.

MORGANA MARTIN, THE MAGICVINTAGESPY

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2-TONE TRUE VINTAGE HOUR-GLASS DRESS FROM THE EARLY 1960’S – BLUE WITH BLACK UNDERTONES

2-TONE HOUR-GLASS DRESS FROM THE EARLY 1960'S - BLUE WITH BLACK UNDERTONES

Here’s somebody’s pretty frock from the Mad Men – Jackie Kennedy era.  An off-the-rack design from a middle-income lady’s wardrobe that might help her feel a little bit like Marilyn . . . . . . . .

Many dresses that I’ve found from the early 1960’s that are dressy styles are made with this two-color feature. Sometimes it’s woven together, sometimes it’s a sheer layer over an opaque color that comes through.

In this case, it’s a woven fabric.  The style  has those characteristic mid-century design elements of decorative bow, 3/4 sleeves, knee-length, a covered belt and wiggle-dress fitting . . . . . . . . . . ..

MORGANA MARTIN,THE MAGICVINTAGESPY

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