It’s Christmas morning, Yay! Time to get down to business in a 1970’s Quiana nylon dress with a little bit of 1940’s style. Although it looks orangey in the photo, it is a brilliant lipstick red color that nylon fabric holds so intensely. A nice mid-century chain belt adds the perfect touch. Appropriate for any gathering, no matter how you do the celebrating. Couldn’t be more perfect for today’s activities – easy to wear, lightweight and comfortable. The dress smoothly transitions to anything you have planned – well, maybe not a game of touch football but you get the idea. Won’t be restrictive during all the cooking, eating, visiting and package opening. You can comfortably sit on the floor with wrapping paper piling up all around you.
Fa la la la la la la la la! Nothing to do today but enjoy. So much to be grateful for and a New Year is just around the corner. Though the weather won’t change much for a while, the sun is kissing us longer each day and true vintage fashion trends will gradually be changing. Stay tuned . . . . . . . . . . . . . . . . . . . . . . . .
Here’s a beautiful 1950’s dress by Lantz that would be perfect for Christmas Eve with family or good friends. It’s made of cozy wool felt with black embroidered decoration. Pure Fifties wasp waist and midi hemline. I love the little stitched decoration trimming the neckline and sleeves. What could be more festive and Christmas-y than a frock like this?
It’s appropriate for the family dinner, no matter who’s there, and could easily go to any type of celebration or event away from home. Cocktails around the fire would be perfect but, at some point, the dresses and sweaters will come off for more comfy duds. Stay tuned . . . . . . . . . . . . . . . . . . . . . .
A fun little frock while the parties are still free-wheeling with cocktails, hors d’oeuvres, music and dancing. You could also bring it out again at St. Valentine’s Day. This dress is a pure home-sewn creation made or commissioned by some gal who was definitely in the party spirit and looking forward to a great time. Some clues date the dress as early as the 1940’s, but I suspect it’s not quite that old. That skirt is definitely styled for dancing, though.
The festive holiday clue is the sequin decoration on the bodice, which makes me think more of the 1950’s. No other clues to the details of the stories that it has to tell, but I’m sure we can invent quite a few . . . .. . .
I admit, this dress is no star with regard to overall quality. Very middle-of-the-road in that department, but I couldn’t help being struck by the embroidered sheer mesh bodice. This is a detail that I have seen in 1940’s and early 1950’s frocks; usually not since then. The gold thread gives it a holiday feel which makes styles like this appropriate for Christmas events. The fabric leads me to decide that this garment was made in the 1960’s at the earliest – possibly as late as the 1990’s.
I have to give the designer congrats for using this tailoring again. It’s so attractive and feminine, allowing for an interesting neckline without gapping, buckling or too much de’collete’ to allow it to be truly elegant. This frock drapes well and fits beautifully in the bodice. The only improvements I would point out might be a full lining, which would support the lines better without fullness. That would make it a very sophisticated cocktail dress. .
Of course, this one might have been a late 1970’s disco design in which case you wouldn’t want to add any bulk to the skirt or a potentially sweaty lining, for that matter. In any case, it’s cute and can stand proud exactly as it is. Stay tuned for more cocktail frocks, each with it’s own personal character . . . . . . .
This formal gown looks as though it was styled for a young woman. No worries – there’s no stain here, just a shadow in the photo. Lacey bodice with fine netting straps and overskirt. Perfect for any holiday gala. As you’ll see with some dresses I’ll show soon, it could also have doubled as a Prom or wedding gown. I’ve settled operations at another safe location, so stay tuned . . . . . . . . . . . . . . . . . . . . . . . .
These are just 3 out of my collection of lovely kitchen aprons, but perhaps a bit more interesting and seasonal than others I have, which are more generic, like a cotton gingham check without any specific theme. Many aprons, like the first one here, were specifically themed for a particular holiday or fashion era. It’s a great example, with bright color and a novelty print for Thanksgiving. Although it’s definitely trendy and targeted, it is also at least somewhat practical because of the machine-washable fabric, wraparound style, secure ties and big pocket. It could actually do the job of keeping the cook’s skirt clean. The most useful styles also covered the bodice.
The usefulness is really important, but I love the novelty print. It’s always good to play the hostess in something that also makes people smile. The two aprons following are entirely different in their purpose. These are made from a much more delicate fabric and would be best washed by hand, both because of their delicacy and because they are hand-painted. They were made for and gifted to my grandmother by a relative who at least did the painting herself, if not the sewing job. Gifts like this were common in her day, and cherished. These aprons were made not so much to protect clothing as to be pretty. Grandma might have worn them when she had her friends in for tea or a card game, maybe even for hosting an at-home cocktail party. The messy part of the hostess job would have already been done when she made the cake or other refreshments beforehand.
Aprons were much more commonly worn in decades past and were a significant part of a woman’s household wardrobe, like housedresses worn on cleaning day. Most women’s (especially married women’s) lives were organized around a routine of household duties throughout the week and each one usually required a different kind of outfit – one for cooking, one cleaning, one for tending plants, one for doing the weekly shopping. Special accessories to these outfits were needed for certain jobs, such as gloves of various kinds, hats of various kinds, nursing bras and pads to protect clothing from breast milk and burping babies. Housewives were trained to be very practical and were rewarded by Society for a job well-done. The home was their workplace and the role defined them, so their household wardrobe had a central place in their lives. For better or for worse, that was the way it was. Do we want that again? Think about it and keep your eyes on the clues . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
She’d just pull out the latest edition of her McCalls Needlework magazine. And, of course, there is the Christmas Pageant, too . .. . .
I can’t believe the intricacy of these home-sewing DIY patterns. Women used to do this all the time!
Once when I was a kid, my (I thought) non-sewing grandmother did whip up a very convincing 1960’s black collarless jacket for me when I wanted to be a Beatle for Halloween. Who knew? . . .
Completely different from yesterday’s cardigan but so much fun! It’s another must-have vintage sweater to wear with cigarette pants. A pretty open-weave Orlon sweater knit with metallic thread design to be worn with a black skirt or slacks at some mid-century party event. It is absolutely amazing that it’s survived for 60 years in almost unworn condition!
Just like the women of the 1940’s onward, I’m grateful for these lovely acrylic yarns that can be washed in a machine (with care) and don’t have to be stored in a moth-proof container. Orlon was a revelation and major time-saving blessing to wartime and post-war ladies who still did most of their housework by hand.
Although we’re so used to acrylic fibers now, these early ones were really special in terms of their quality or, perhaps, it is the garment itself that is made so well that the fabric looks great after more than half a century. I’m sure that I also, again, have to thank the first owner of this elegant top for taking such good care of it.
I’m over the full moon again, and wondering what will turn up next . .. . . . . . . . . . . . . ..
Another rare find! This one was not a high-end item when it was made, but it is an iconic piece with mink-trimmed sleeves. I have a few of these garments with sleeves like this but don’t find them often.
Metallic thread on sheer black fabric, with “Autumn Haze” mink cuffs. Buttons up the back. Back in the day, companies that produced medium-priced clothing still made some “luxury” items that the average woman could afford, and they made them well.
Both these little ladies were made in Hong Kong, of similar basic design, but there is a world of difference between them. Lady Right was made for the uptown market, while Lady Left was sold downtown. Though they’re both clean and well-put-together, Lady Right grew up with all the best, while Lady Left’s beginnings were more humble.
It’s obvious “in person” that these bags were made for different markets. The styling in both is superior, but the materials and extra attention to detail show that Lady Right brought a higher price. Just comparing these two pretties, found at the same time, was a fun chance to evaluate a number of “clues” about their backgrounds.
I don’t have a favorite. Their stories are equally interesting to me (maybe Lady Left’s is a little more so . . . . .). Each one is perfect with the outfit that coordinates with it. While Lady Left could be much more casual, she is no less elegant – maybe even more so, if you don’t look too closely. Lady Right could seem a little tasteless if she showed up everywhere dressed like that.
I see one for holiday festivities or a very gala occasion (maybe tonight?), while the other would be lovely with a pretty summer dress. Both would be gorgeous for a bridal venue. It can all be so fascinating . . . . . . . . . . . .
Magicvintagespy 