Festive 1960’s Sweet Sixteen Formal Dress for the Holidays

Another “love that red” frock. I believe that his formal dress was made for a teenager in the 1960’s, when “Sweet Sixteen” celebrations were still a popular family event. Just my fantasy story – who knows. It’s a youthful but sophisticated style in a tiny size that would have been appropriate when age 16 was considered to be the boundary between childhood and young adulthood. Something Barbie dolls would have worn back in the day.

Velveteen bodice with beading trim, a wasp waistline and a fitted jacquard weave straight skirt. It goes from formal parties for the Christmas season through to Valentines Day. Modest scooped neckline front and back. So very early Sixties and more to come. Stay tuned . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

ANOTHER TRUE VINTAGE WINTER COAT MOVIE STAR. MORE EARLY 1960’S LUXURY

Love that red! I was REALLY thrilled to discover this one. Open-front styling in a Kennedy era coat made it a fashionable wardrobe essential for any city gal in the early 1960’s. I can hardly imagine braving Chicago winds or San Francisco drizzle with this one-button closure, but being a’ la mode has always won over practicality with women, especially in decades past. Thank goodness we are now free of that social pressure and can dress as we please without widespread criticism. No fur trim is a plus, though now I wouldn’t buy wool, either.

Anyway, what’s not to love about this beautiful vintage garment? The easy fit of this style is comfortable and less binding over layers worn beneath. The original label confirms that Forstmann was a high-end brand and worth the investment. This one has held up beautifully for over 60 years with only a very few tiny moth nibbles in inconspicuous places. ( OK, they’ve got to feed their babies, too. ) It has the necessary beautiful lining and slash pockets on the side seams.

I’m now in a secure location, if briefly, so will be able to continue transmissions before the next relocation. Stay tuned . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

Undercover Magic, Essential True Vintage Lingerie

No matter what you’re wearing, lingerie pieces are key to making the outfit look right. Preventing lumps, bumps and see-through are only the simplest issues. The proper undergarment also ensures that the fabric lays correctly on your body and allows it to drape without clinging. Above are a very few examples of beautiful slips and only a tiny fraction of my complete collection.

You can see here how lovely the details are. Typically, even the plainest design will have nice little details and excellent tailoring. More elaborate styles are full of lace, embroidery, ribbons, sheer panels, satin straps and, often, some work done by hand. Though most slips are done in neutral, pastel colors, some (especially from the 1950’s to early 1960’s) were made in fabulous vibrant colors. True vintage nylon has a feel like no modern fabric and is absolutely luxurious. So gorgeous they could often be worn as a lightweight dress or skirt on their own.

Look for vintage lingerie that suits your wardrobe. Notice the details. Slips, of course, are the basis if you wear dresses and skirts. Search for cotton slips as well as the more-common nylon ones. In the summer, you will appreciate the difference! It’s also important to match your undergarments to the clothing worn with it – if anything might show or peek out, whether by accident or on purpose, will the color be OK? How will your outer garment move over the fabric of the slip? How will the fabric of the slip react with your skin in hot weather? Lots of things to consider in order to get the best result.

Also, look for other undergarments – in the 1960’s some split slips were made to be worn under culottes and split skirts. “Slips” to be worn under slacks can even be found from the 1960’s and 1970’s. A 1950’s/1960’s girdle was ALWAYS a base foundation for most women at that time (thank goodness, not now!). If you’re wearing a wiggle dress, you may not have a choice in order to make it look right. Silk tap pants from the Twenties are so comfy and perfect under a lightweight dress in the summer. A camisole under a blouse or top can improve the fit, add some warmth on a cold day and sometimes provide a little neckline interest depending on the style. A “bullet bra” is perfect if you want to be a “sweater girl”. Garter belts and girdles are necessary for wearing stockings. A crinoline is important for most mid-century dress styles with circle skirts, especially from the late 1940’s through the early 1960’s. Some dresses have their own, but others require you to add one.

I’ve probably forgotten to mention something but you get the drift. Lingerie is SO important that I probably should always start any series of posts with it. . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

True Vintage Hats: Another Stand-out Accessory That Belongs in Every True Vintage Wardrobe

In my book, the 1940’s through the 1960’s was the best era for ladies’ hats in the U.S. unless you’re into antiquities. Yes, every decade has had some great ones but most beautiful hats that are truly wearable come from the Mid-century. Here are some iconic examples from each of those decades: a Forties picture hat, Fifties toque & pillbox with veil and Sixties pastel cellophane/raffia hats.

Mainstream women from all three of these decades wore hats frequently, if not daily. (Classic films and old magazines are good documentation of this.) So, obviously, they were sold in every store which carried ladies’ fashions and most were affordable. Easy to wear, flattering and very collectable, so go for it. . . . . . and stay tuned . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

WHILE WE’RE IN THE JEWELRY FILE, IT’S NOT ONLY WOMEN WHO LEAVE IMPORTANT CLUES

How many times has a dropped cuff-link or a tie tack on an end table been the downfall of a careless man? I’ll bet that Perry Mason could go on all night about those cases. Here are a couple of examples which were very important to a well-dressed guy in the 1950’s and early 1960’s. The set on left are fine jewelry; sterling silver set with pearls. On the right, an ensemble by Swank – costume jewelry, but very respectable. Department stores, jewelry stores and some men’s clothiers carried these items.

Like their female counterparts, men’s taste in jewelry (or, at least, the things they wore) were always valuable clues in case of a mystery. Even though his dress might be due to very unconscious choices, the women, families and vendors involved could probably put together the whole story for a diligent investigator. For our purposes, there’s no need for elaborate interviews or forensics to pinpoint the fashion era of these pieces. With a little imagination and a lot of sleuthing know-how, the entire profile of our suspect comes in to focus . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

TWO PRETTY GOWNS FROM THE KENNEDY ERA – AMERICA WAS DEEP INTO THE CAMELOT DREAM

These dresses are very similarly designed, from right around a couple of years either side of 1960. Although they both reflect the New Look changeover which had begun 10 years before, the most notable thing about the style on the left is the shoulder tails. These had been popular on dresses in the 1930’s and earlier, I believe, but made another appearance right around this time. That element changes this garment from a Prom dress into what I suspect was meant for a wedding. The sparkly sequined cummerbund cements the dressy deal.

On the right, our heroine is either a Bridesmaid, Matron of Honor or a bride herself for the second (or 3rd or 4th . . . . . . . . . . . . . .) time. This style has more of the 1940’s elements we’ve seen before, though I still believe that it is newer than that. The sleeves are a clue. However, it was custom-tailored so there is always the element of mystery involved. . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

MID-CENTRY DRESSY DAY FROCKS COMMONLY SEEN IN ANY SUBURBAN WOMAN’S 1960 CLOSET

The thing that makes these dresses special is that they were SO iconic of that time. The whole U.S. nation and much of the world was enthralled by the Kennedys and women wanted to follow Jacqueline’s fashion style. Dresses like this, with elegant, body-skimming lines were a hallmark of her wardrobe as First Lady. Naturally, designers and manufacturers capitalized on this in the marketplace. It’s a phenomenon that has taken place during almost every presidency, but this one became legendary and we all know why . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

KENNEDY-ERA COCKTAIL FROCK #2

Nothing to write home about style-wise. Obviously, this one was made just a bit later with a higher hemline. It’s still got a maker’s label, but just not a well-known one. Same type of fabric as the one from Saks and fully-lined, too, so there’s no skimping on the basic quality elements.

However, the neckline treatment is the real star feature. Done as a thick band of bugle-beading to look like a ribbon collar – it’s far from the more boring sequins and embroidery used on the version shown yesterday. Never seen this before or since . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

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EARLY 1960’S SPECIAL OCCASION FORMAL DRESS

It’s rare to find these true old ones in great condition anymore. 20 years ago they were coming out of the closet when the former debs and prom queens were moving house or retiring. Now anything that looks like this on the surface was probably made in China yesterday.

However, when you look a little more closely at a true vintage gown you’ll see the careful construction and quality materials that these older garments were made from. Even those that aren’t top-of-the-line are still distinguished and built to last!

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

SUPER-CLASSIC ELEGANT 1960’S FIND: THE ICONIC A-LINE SHEATH