TRUE VINTAGE MEN’S AND LADIES’ SLEEPWEAR & ROBES FROM THE 1950’S & 1960’S

While our mid-century gal is off on her snowbird vacation (see posts from the last few days), Baby, it’s COLD outside here at home! Although Spring is just around the corner (yes, it really is), we still need to be snuggling into robes and pajamas at night. I love doing posts about my archives of true vintage lingerie because it’s always so interesting and pretty. So, let’s take a closer look at these files –

For the men, a swanky rayon bathrobe makes any guy an instant sophisticate. Abstract medallion print with satin trim. How aristocratic! As for the PJs, cotton print men’s pajamas from the 1940’s and 1950’s are so wonderful. Of course, they wear to cozy softness but the real star of the scene is the art prints that many of them displayed. This pair have stylized hand fans all over – an unusual motif for men’s PJs, but that’s what they are. Both pieces show the standard tailoring for men’s garments, though it’s fun for women to wear them, too.

For the ladies, true vintage sleepwear and robes are always so lovely. Even very plain ones seem to have pretty tailoring details. The rosy red robe pictured above is made from a plush fabric. Details include pretty buttons, satin piping on the collar and 3/4 length bell sleeves. The deadstock cotton PJs are plain but still have pretty lace trim and pearl buttons. I think the plaid fabric is quite nice, too. The thing I like most about these old-style pajamas is how the waistline is made. It does have some elastic around the back, but the front is plain and closes with a side button. It also has at least one hip pocket, which is surprisingly convenient.

Tomorrow, before our vacationer gets home, I’ll look at another true vintage sleepwear archive with more Spring-like styling. Stay tuned . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

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True Vintage Ladies’ Sweaters 1940’s – 1970’s

Just a few examples of the many styles and varieties in my archives, but this assortment is a good beginning. The most classic, and probably the most numerous of my discoveries, have been cardigans. Finely made cashmere sweaters, like my mother’s yellow one with appliqued flowers, were a staple for the college coed in the late 1930’s to 1940’s. Plain styles were often worn in reverse, with the buttons in back. Up through the 1950’s to the early 1960’s beaded and embroidered cardigans were hugely popular and the designs were endless. Most were commercially-made, many of the best ones in British Hong Kong, but some women decorated theirs at home. My mother bought this yellow sweater jacket by Banff in the early 1960’s.

Of course, there were v-neck, crew neck, and collared sweaters in all sorts of variety. Most were nice, but casual styles made to wear with skirts and, later, with slacks. Wool sweaters provided the most warmth for colder months and, until Orlon became available, almost all sweaters were made of wool. Synthetics were really given a boost during WWII because of the government’s requisitioning of wool for military uniforms.

The turtleneck that we love now didn’t seem to show up too much in everyone’s closets until the early 1960’s. Until then, it was a little more avant guarde or unconventional for the average gal though they were on the scene from the 1920’s. Always a sportswear item, especially from the time women began to dress more casually in the 1940’s, women’s sweaters became less dressy. We’d begin to see themed sweaters like this Las Vegas souvenir from the 1970’s or with prominent monograms, mostly in the ’50’s. Of course, many mid-century women knitted and crocheted tons of styles at home, from super-casual to evening styles.

True vintage sweaters from before the 1970’s when acrylic yarn took over are a rare and fabulous find. Moth damage, pills and snags usually took most of them out of circulation. Though I have many, it’s only possible to show sample at one time. A few ladies’ casual Spring jackets tomorrow – stay tuned . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

TRUE VINTAGE STRAPPY PUMPS TO WEAR WITH SPRING ENSEMBLES from the 1960’s and 1940’s

Basic neutral tones will take you around the full year, so these pretty shoes can go along even with some pastel outfits. Back in the day, a pair of black shoes and a pair of brown ones were sometimes the only options a gal had to choose from but, even now, beige and mid-gray will go with almost anything and lighten things up a little. Cutaways, sling-backs and ankle straps have been enduring styles for many decades. Don’t you love the 1940’s high heel take on the traditional black Mary Jane?

I understand that today stiletto heels and open designs are not a good choice in the freezing temps and snow that we have in so many places now. However, in the past when fewer people owned cars, many gals carried their indoor footwear and left snow boots at the door. Public buildings, stores and churches used to routinely have special places to do that. Winter fashion had to start giving way in February, in spite of the weather!

I’ll continue with showing some accessories as well as giving a nod to some cold-weather staple vintage clothing for both women and men. After that, we can’t avoid launching on clothing for the traditional winter vacation before swinging back to Spring dresses. Stay tuned. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ..

MORGANA MARTIN, THE MAGICVINTAGESPY

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TRUE VINTAGE EARLY 1960’S CUSTOM-TAILORED 2-PIECE DRESS, COORDINATING JACKET AND HATS!

Here’s another 3-season dress with known history. That’s always SO wonderful. It was passed on to me by the mother of a friend, who made it herself. It is of a lightweight wool, fully lined and beautifully tailored. The lightweight but lined blue and green jacket is a commercially-made piece which I discovered separately, but is a perfect accompaniment in color, style and era.

With this ensemble or with the skirt suit shown yesterday, an early Sixties cellophane hat would also be a perfect accessory. Nothing looks more like Spring to me, and I think we’re more than ready!

A little heads-up: I’ll be having guests over the next month so, though I will try to post daily, the times may be erratic and I may skip a day or two. But, there’s still lots more in the archives, not to mention possible new evidence, so stay tuned . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

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BEAUTIFUL KENNEDY ERA SKIRT SUIT IN BOUCLE’ WOOL

It’s not designer, but still worthy of any gal who loved Jacqueline Kennedy’s elegant fashion style. A straight below-the-kneecap skirt and boxy short jacket say early 1960’s and Coco Chanel-style in a big way. You can’t see the loopy boucle’ weave in this photo. It was very popular in the early Sixties – I’ve found several, all in pastel colors.

The tailoring is remarkably good, too. In this case, you can see the fabric-covered buttons down the front and at each cuff. The little slash pockets that are finished off with binding are meant to be ornamental and add a lot to the design, even if they aren’t practical. Bracelet-length sleeves let you show off a charm bracelet, pretty watch or any other statement piece. Even a slim gold bracelet of fine quality is a statement piece, and perfect with an outfit of this kind.

One of the unique features of these suits is how the necklines are treated. I have a pink example with a rounded Peter Pan style collar. A yellow one I’ve found has a crew-style neckline with a slim mink collar. This example has an attached piece that buttons in place and forms the matching blue neckline filler. The wool fabric is perfect for late Winter and early Spring. More pastel wool tomorrow, and hats! Stay tuned . . . . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

For a Far Dressier Occasion, a Sapphire Blue Fur-trimmed Frock from the Mid-century

I’ll write up my opinion below, but first a focus on the dress. Because of the sizing, I am guessing that this garment was made for a teen – or possibly for a very small woman with very little bosom. Stella’s figure fills it up too much in front, which is why the waist seam and hemline are higher than in the back. The fabric is a medium-weight brocade-look that would be appropriate for Winter or very early Spring weather. The fur is probably rabbit, but I can’t swear to that. I’d date it in the 1950’s but it could possibly have been from the very early 1960’s when that was still a sign of luxury. Pretty color, pretty dress BUT . . . . . . . . .

As an animal rights activist, I am not at all in favor of this dress but as a fashion historian, it deserves a place in the line-up. Fur trimmings on dresses, suits and coats were very popular up into early 1960’s and continued to be seen frequently on coats almost to the present. Fortunately, the fur trade has diminished in the last 10 years or so, especially in Western countries, but it’s still a big problem. Wool, cashmere, snake, lizard, eel skins and silk remain popular and they are also animal products which sometimes or always cause the death of the animals. In every case, they cause suffering and don’t belong in human clothing, in my opinion. We now have excellent replacements for them, both in appearance and performance, so no excuses. These alternatives are often still expensive, but let’s support them and they will become less and less so.

That’s the end of fur-trimmed dresses for now so stay tuned for more pretty party frocks . . .. . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

More Wedding Dresses through the Mid-Century

Here’s a beautiful example of an ensemble from 1940. It’s a long way from June now, but weddings know no real season so it’s great to feature them alongside their sisters, the formal and semi-formal dresses. I know some of this one’s history because I was able to get it from the bride’s daughter. She told me that her mother had purchased it from Eaton’s, which was a well-known department store chain in Canada, sadly closed in the 1990’s or early 2000’s. I also think that there’s an interior tag indicating that it had been made in Europe.

So beautiful with the veil but the dress alone is stunning. Heavy ivory-color fabric – probably a type of rayon. Classic long sleeves that make it a 3-season gown. This was before Canada and the U.S. joined the Allies in WWII, so materials were not heavily rationed even though we had just emerged from the Depression of the 1930’s.

A couple of brownish age spots are the only signs of wear or damage. It’s so wonderful to discover a piece like this, also with background information that makes the investigation so much easier to report. Stay tuned for more transmissions . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

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True Vintage Early 1950’s Party Dress in Pure White

This could also have been a bridal costume. I’ll be showing more of these in the near future. Here’s the sheer overdress again. The sheer bodice around neckline and shoulders was a common feature of dressier frocks in the 1940’s and early ’50’s, in my sleuthing experience. White dressy dresses were often seen, too, during the months after the Holidays when minds are in the midst of icy winter but thinking about Spring.

The sheer fabric overdress with embroidered design shows up again and again across decades. This frock has an attached crinoline to give the iconic pouf skirt profile. What more can I say – perfection. Stay tuned . . . . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

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A Lighter Brighter Rosy Red Party Dress from the Kennedy Era Mid-century

This little frock has the hallmarks of being from the Kennedy Era – the 4-5 year period around the transition from the 1950’s to the 1960’s. It still has some of the fussy tailoring of the Fifties, but is simpler. The fabric is heavy, though not true taffeta, and the A-line skirt still has a somewhat stiff underskirt to support the all-important shape. Elbow-length sleeves are great for the season and are a little more informal than sleeveless designs. Could be worn to a cocktail party, though very different from the usual LBD.

The bow detail is iconic of the time and emphasizes an empire waistline, still with the wasp waist fitting. If you look closely at the photo of the back, you can see one of the best styling features, in my opinion. the bow has LONG and WIDE tails that extend to the hemline and add a bit of sophistication and very interesting movement to the design. Again, very demure and tiny but could have been styled for and worn either by an older Teen or by an adult woman. Only a size label or, less likely to be found, a brand label will help answer this question. I’m sure this was an off-the-rack garment, so best guess is you’d be lucky to find, if they haven’t already been removed, a tag with size and/or inventory info and/or a Ladies Garment Worker label. Valuable clues all!

An interesting time for ladies’ dressy garments. So much change happening. Stay tuned . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

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Late 1960’s – early 1970’s Victorian Style Dress

Perfect for this season – No matter where you are, the long sleeves and high neckline will provide some warmth and the warm peachy pastel color points toward Spring. The end of the year is traditionally when heavy, dark and jewel tones are abandoned in favor of lighter, more colorful shades. This oh-so-proper frock with a Sixties/Seventies Victorian Prairie vibe is still very appropriate for Winter.

Never been my style or color, but it’s very flattering with the fitted cut. Size 6 Madge looks killer in this! We’re going back about a decade and to shorter hemlines tomorrow, so stay tuned . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM