TRUE VINTAGE HANDBAGS FOR HOLIDAY PARTIES AND SPECIAL EVENTS

 

Here is a collection of several vintage handbags for parties and semi-formal to formal occasions. The significant features of these are pave’ rhinestones on clasps, faux pearls, plush velvet, gold-finished leather, double-sided box construction and a telescoping convertible handle.

Though tons of retro-style purses are made now, a true vintage one will have features that put it above the crowd.  Anyone who knows, will realize that you are carrying something special.

These purses are from the Fifties and Sixties. They are simple, but of quality design and construction. A keen eye can spot the difference in materials and style elements.

MORGANA MARTIN, THE MAGICVINTAGESPY

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ANOTHER WELL-DONE 1980’S DOES 1940’S STYLE

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This frock is a higher-quality garment with better fabric than the striped 1970’s version shown a few days ago.  Although I’d hardly call 1980’s-era clothing classic true vintage yet, it’s still a characteristic genre that is worth noting and, sometimes, collecting. Doesn’t sound snooty to say this if you realize how much better-made clothing was before about 1970.

I like this one because of the pretty print and vibrant colors on a nice knit fabric, as well as thoughtful tailoring details.  Although it’s hard to see, there are little black jewel-cut buttons above the side-seam pockets on both sides.  Nice touch!  The shoulders also have a bit of stiffening to add the stronger shoulder line of 1940’s styles – and the midi-length.

This one may not stay with me long, but I do appreciate it for what it is and lots of people love 1980’s designs so, here you are!   More fun ones coming up, with additional kitch-value . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG:  MAGICVINTAGESPY.COM

 

 

 

LATE 1940’S – EARLY 1950’S NEW LOOK TRUE VINTAGE GOWN

LATE 1940'S - EARLY 1950'S NEW LOOK TRUE VINTAGE GOWN

This dress is regal and majestic. The material is a heavy rayon with sheen – almost satin. It has black beaded designs around the neckline and each sleeve.

It’s an example of the design introduced by Christian Dior in 1947, I believe, called the “New Look” because it was so different from the severe, short and relatively plain clothing that women wore during WWII in order to conserve resources. Tiny waists, long skirts, luxurious material and extravagant decoration were “in” again.

Enough history lesson! It’s just a beautiful, feminine and stunning dress. The original owner had shortened it by 2 – 3 inches, so it was definitely mid-calf length when new. Fortunately, she didn’t cut off any material, so it could be let down again.

This is certainly something that you might wear to see the Queen, or the King, or the President or just your favorite prince . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

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A LOVELY TRUE VINTAGE 1940’S DRESS FOR DINNER AND DANCING

A LOVELY TRUE VINTAGE 1940'S DRESS FOR DINNER AND DANCING This frock is in black crepe, with sheer netting on the bodice to give the illusion of a bare neckline. I have seen this feature on one other dress of mine – demure, yet stunning.  Where the decoration begins, it is also lined. The shape skims the body and the whole effect is very flattering.

These dresses have side zippers or unusual back zippers which open only about a foot in the middle of the back, but don’t come to the top of the neck. I’ve seen this on ’40’s dresses only. It allows you to wiggle into the dress over your head but no hope if it’s too small for you!  There’s no way that Madge could get into it, so I’ll have to re-photograph it on Stella some time.

Anyway, it’s beautiful and you can probably picture it. Perfect for dining and dancing, or even a dressy movie date. Put this beauty on and you just never know . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

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TRUE VINTAGE 1960s COCKTAIL PARTY DRESS BY CAROL CRAIG

TRUE VINTAGE 1960s COCKTAIL PARTY DRESS BY CAROL CRAIG This is a timeless, year-round-wearable black crepe dress with a full rayon acetate lining. The decorative band at the bottom is of alternating iridescent and black sequins. It has a vintage nylon zipper in back..

By Carol Craig, a popular maker of the ’50s and ’60s, this dress in classic black crepe can be worn all year long. The simple A-line style suits almost any figure and is form-fitting enough to be very attractive while not overly tight. So, anywhere that sleeveless dresses are considered acceptable, so would this dress be. Pretty versatile!

What sets this apart from the tons of black crepe dresses from the 80s, 90s and 2000s that are out there? 1. the fabric (a little heavier) 2. the lining (full – nice material) 3. the workmanship (zipper put in very well, no loose threads everywhere, small hooks and eyes in the right places) 4. the design (the sequin band at bottom is different and nicer than glitzy trims on most things now)

A dress of this quality today (and a lot of them not nearly as nice) would cost an arm and a leg, but my purse is full of songs!  I never know what I’ll find or exactly where, but that’s half the fun!

MORGANA MARTIN, THE MAGICVINTAGESPY
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BACK TO MY FAVORITE TURQUOISE COLOR – A BEAUTIFUL SILK SHEATH BY A WELL-KNOWN 1950’S MAKER

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From the late 1950’s to the early 1960’s, this find was a Wowee! smile-maker.  A silk sheath with lovely tailoring, a full lining and killer fit and in perfect condition.  Obviously, someone loved it and, why not?!

It’s by Lilli Diamond of California – a design that Jackie Kennedy and her fashion-maven predecessors would have worn with elegance and sophistication, though it’s almost a wiggle-dress (maybe it is).  I love cap sleeves and sheath styles.  Can’t wait to try this on Stella – it’s made for her . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG:  MAGICVINTAGESPY.COM

TRUE VINTAGE EARLY 1960s METALLIC SAPPHIRE BLUE STILETTO PUMPS

TRUE VINTAGE EARLY 1960s METALLIC SAPPHIRE BLUE STILETTO PUMPS

A relatively rare find, early ’60s pumps a lot like the ones my grandmother wore in 1963. I was surprised to see the metallic finish, but these are definitely true vintage. I’m not sure if they are patent leather or not – the soles are man-made but the insoles are part leather. Just enough of the markings are left, as well as the appearance overall, to show that they are at least 50 years old, though in excellent condition!

They are almost a perfect color match for the dress which I just posted, and would look very good with it. They were another surprise find, which completely delighted me.

As always, you just never know . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

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TRUE VINTAGE 1950’s – EARLY 1960S SAPPHIRE BLUE TAFFETA PARTY FROCK FOR THE HOLIDAYS

TRUE VINTAGE EARLY 1960S SAPPHIRE BLUE TAFFETA PARTY FROCK

Isn’t this an absolutely stunning color? Combine that with the sophisticated tailoring, elegant simplicity and gorgeous fit and we have an incomparable dress that rivals anything available today. In my opinion, it wins hands-down on quality and unique design.

Heavy taffeta like this almost has a presence of its own when the wearer walks into a room. In spite of the color, this is not a flashy dress but it will draw many eyes to it.

Although it has no maker’s label inside, I am sure that it was made by a clothing company rather than by an individual seamstress. The tailoring details are complex in the bodice and achieves the excellent and eye-catching fit.

Where would you wear this?  – a party, dance, dinner, special event – it would even make a great part of a bridal group. Jewelry?  – rhinestones, pearls, the real thing.  Nothing too flashy or “too much”, but this dress can support something outstanding!

Shoes? I favor a pair in the same color, with your jewelry accents taking the attention. At another time, in another place I found a pair from the same era that coordinates perfectly – stay tuned . . . . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

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BACK TO THE 1960’s – FINAL NEW ZEALAND TRUE VINTAGE BLOUSE FIND

OLYMPUS DIGITAL CAMERAThis great example of Sixties tailoring jumped out at me!  Wow – finding true vintage blouses in beautiful condition is so wonderful and relatively rare.  Like slacks, they get a lot of wear and sometimes don’t survive.  So glad this one did!

In this case, the fabric is a beautiful rayon or similar material woven in a vibrant stripe. Fitted silhouette, double-button cuffs, gathered shoulder seams and a different collar shape are some of the true vintage tailoring details here.  Unfortunately, the label is gone but that’s a common issue that I can accept.

MORGANA MARTIN, THE MAGICVINTAGESPY

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ORIGINAL 1944 WEDDING GOWN, MODELED BY THE BRIDE

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I regret that WordPress or Microsoft did not correct the orientation of this photo, but we are grateful for what they do –

Here is the lovely bride in her gown (and high heels).  In 1944 it was a rare blessing to be able to find a wedding dress to purchase since wartime rationing and restrictions were so stringent – especially in Britain, where the wedding took place.

Look at that train!  In satin (probably rayon), with puffed sleeves (no pads) and points at the wrists (love those!).  What a beautiful, figure-hugging fit this fabric provides.  I was able to see the original photographs of her in it, with a LONG veil, borrowed from an in-law but no flower bouquet because they couldn’t be bought then.  Her attendants carried lilacs from a neighbor’s garden and she carried a prayer book (like Grace Kelly 11 years later).  The groom was also extremely handsome in his army uniform.

What a treat!  Can’t go into the story of her betrothal and marriage, but it is fascinating and she is writing a memoir.  At 94, she enjoys a good party and has worn the dress on occasion, just for fun.  May we all be so blessed . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG:  MAGICVINTAGESPY.COM