Tag Archives: dress

TRUE VINTAGE LATE 1940’s DAY DRESS IN RAYON

TRUE VINTAGE LATE 1940s DAY DRESS IN RAYON

Imagine a woman, after the second World War – during a time of rebuilding and relative prosperity, when hemlines were longer again (no more rationing of cloth).  She is walking down the street in this dress, platform shoes, a hat and matching handbag.

The lovely, heavy rayon material swings in time with her steps and outlines her figure attractively.  She is a woman of upper-middle income, on her way to a business appointment.  Or . . . . . . . .

This lovely rayon material from the 1940s is unique and very wonderful stuff.  It has a feel and drape like nothing found today.  I love the navy/white bulls-eye print with turquoise/white trim.

I bought this one from a long-time antique collector/dealer.  You just never know . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

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TRUE VINTAGE 1950’s & ’60’s MEN’S NECKTIES

TRUE VINTAGE 1950s & '60s MEN'S NECKTIES

Here’s a collection of neckties that span from the early ’50’s to the late ’60’s.  Brand names include Wembley and others (which I’ve forgotten at the moment).  Some are of silk, some of rayon blend and some of polyester.

Although the widths vary a lot from decade to decade, I don’t think that I would let that keep me from wearing the one I wanted to if I were a man.  They can all look sharp and interesting or fun.

It’s not difficult to find these now.  Once in a while I check for them.  They even make nice belts for women’s clothing sometimes, and women did wear them as ties, too, in 1967 when the British Carnaby Street fashions were really in.  You can wear a skinny one for an Annie Hall look, or whatever.

When it comes to wearing vintage fashion, anything goes . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

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TRUE VINTAGE 1970’s DISCO DRESS

TRUE VINTAGE 1970s DISCO DRESS

Here’s the perfect dress to pair up with those lipstick-red stilettos that I posted yesterday. Silver or gold leather sandals would work nicely, too. It’s made for dancing, with a skirt that is long enough to let you be versatile in your moves and swingy enough to follow your body and the music.

The material is a heavy synthetic jacquard print, which allows movement on the dance floor.  It was made for Disco, but would also be great for Swing dancing.  Back nylon zipper, elastic in the waist.  Looks a lot like modern stuff – the tags, alone, told its age.

I would probably put on a rope, chain or skinny buckle belt because I like waist emphasis. If I’m dancing, it would have to be something that wouldn’t interfere. If I’m out to dinner, a party, movie or other event any kind of belt I liked would be fine.

Alas, this dress is a medium to largish size so won’t fit me  unless I have it altered or do it myself (either is always an option).  Anyway, it’s lovely and RED (a favorite of mine) and very versatile. It simply presented itself to me so, how could I refuse .. . . . . .. . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

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BEAUTIFUL TRUE VINTAGE LINGERIE – NYLON SLIPS FROM THE 1950s & 1960s

BEAUTIFUL TRUE VINTAGE LINGERIE - NYLON SLIPS FROM THE 1950s & 1960s

Here’s a small portion of true vintage slips from my collection. These are, for the most part, less fancy than my others that are also older. Regardless, they are lovely and of very high quality. The heavy nylon that they’re made of feels like nothing you’ll find being sold today.

Slips and other undergarments were a really important foundation for vintage clothing, as they can be today if you know how to use them. A well-fitting slip can make all the difference in how a dress looks on the body. Bras and girdles in the past were essential in order for many dresses, etc. to fit properly.

Nylon takes on color very easily, so it can be dyed. The slip on the left was probably tie-dyed in the 60s. The black slip has simple, very elegant small embroidery on the bodice, which is covered by a sheer layer of fabric. The red slip is made almost like a dress with a plain red lining and overall lace on top, a side zipper and hem slit. I showed it a few days ago.  The two white slips show a variation in length (very important) and plain & fancy details. It’s nice to have beautiful decorated ones and also plain ones, to wear under sheer dresses.

I could drift around the house in one of these gorgeous slips all day, and night. So comfortable, so glamorous, full of mystery. What might I be wearing under that simple-looking dress tomorrow? You’ll just never know . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

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SUNNY YELLOW TRUE VINTAGE SIXTIES DOES THIRTIES FROCK

SUNNY YELLOW TRUE VINTAGE SIXTIES DOES THIRTIES FROCK

This is so cute! I think it is from the late ’60’s, but might also be from the early ’70’s. It’s a ’30’s revival style with a flounce at the hem.  Lovely, drapey rayon, cut on the bias.  It’s missing the original belt, but otherwise is perfect.  Fun, fun, fun, fun, fun . . . . . . . . . .

Not my color, so this one was sold but I just couldn’t resist!   Wish I’d had Stella at the time, for the photo, since Madge couldn’t possibly get into it.

MORGANA MARTIN, THE MAGICVINTAGESPY

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TRUE VINTAGE 1960s COAT & DRESS ENSEMBLE BY A CHICAGO DESIGNER

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Since looking at the last post, I know that you’ve been asking yourself “What could I wear to go with that black leather purse with the red lining?”  Well, here’s the answer – a belted knit dress with matching coat, with its own red lining.

Classic sleeveless, belted sheath dress and matching coat, originally sold in Chicago, Illinois.  The style is mid to late 60’s.  The black and white check fabric first gives the impression of being a wool knit, but it is a blend, likely of cotton and synthetic which provides some warmth for cool days but is easier to store than wool.  Really a gorgeous set and so flattering. It would be a perfect outfit to go with that lovely Italian handbag!

It does need to be dry cleaned in order to keep its shape but, these days if there is not a difficult stain or other problem that can be done at home.

I hardly ever see coat and dress ensembles and this is a beauty.  Love it! Keep your eyes open for something like this. You just never know when it might turn up. . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

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MY TRUE VINTAGE 1960’S THAI SILK DRESSES

MY 1960'S THAI SILK DRESSES

Yes, you did see the one on the left a few days ago, but here’s my photo with both. The vibrant-colored fabric with such a rich hand makes these garments radiant and unique.

Thai silk is like no other. The fabric is so lustrous and with a hand-made texture. The colors are gorgeous, in beautiful combinations.

On top of that, the hand-tailoring of these garments makes them so beautifully detailed and fitted. Both of these dresses would have been custom-made for someone who was vacationing or living in Thailand or China.

And, of course, in classic styles that are as wearable now as they were in the 1960’s . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

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UNUSUAL TRUE VINTAGE 1960’S SILK BUTTON-FRONT FROCK

UNUSUAL TRUE VINTAGE 1960'S SILK BUTTON-FRONT FROCK

Although the basic style of this dress is unremarkable, it is so unique!  100% lined silk in a beautiful paisley print. And, very well-tailored.

Cool and breezy, yet quite sophisticated. This is not a run-of-the-mill item.
I’ve never seen another like it.

Aside from its vintage, it doesn’t leave many clues. But, of course I love a mystery . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

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TRUE VINTAGE CUSTOM-TAILORED THAI SILK SHEATH DRESS FROM THE 1960’S

CUSTOM-TAILORED THAI SILK SHEATH DRESS FROM THE 1960'S

I think that someone had this dress specifically made for her while traveling or living in Thailand or China during the 1960’s. That was a common thing to do back then.

Thai silk is so distinctive and beautiful.  There’s nothing like the weave and color of these fabrics and they are always smartly designed and carefully constructed by hand.  It is one of two that I have discovered – makes me wonder about the woman involved.

Did she have a secret assignment?  Was she undercover?  Perhaps a great-niece of Mata Hari . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

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I WAS RIGHT – A PERFECT FIT!!

Back at headquarters, for a short break, and finally able to photograph this most recent discovery.  Stella is dainty as a daffodil in her Prom/party frock from the 1950’s.  The neckline scarf is the signature feature of this dress.  Possibly it was for a bridesmaid or a debutante (of sorts – not lush enough for the Country Club set).

Like many(most?) older garments, it is so interesting and tells a story.  The fabrics are not of the highest quality but they are adequate, and this short gown was off-the-rack, though there is no label remaining.  Unless . . . . . . . . . .

It just may have been custom-tailored by someone who REALLY knew her(or his) stuff. The skirt has FOUR layers – a circle skirt of lace overlay with a solid yellow acetate(?) liner, a ruffle of tulle netting underneath and a final layer of white stiffening fabric gathered beneath it all.  This was the standard construction of dressy special-occasion gowns in the mid-century.

No question that this frock was going somewhere really special.  Makes you wonder . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

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