TRUE VINTAGE OUTERWEAR? FUR REAL OR FAUX? WE HAVE TO THINK ABOUT IT . . . . . . . . .

Last night I was out and about to a theater production and couldn’t reasonably drive a two block distance. Walking was the only choice, which I love, but IT WAS SO COLD!!! My warmest outerwear option, which kept me toasty and comfy, was my post-war beaver jacket from Canada. 75 years old and it’s still snuggly and beautiful. I grieve for the precious animals who (yes, WHO) were sacrificed for vanity and retail profit back in the day and will NEVER buy modern fur products. I advocate for animal rights but also celebrate those lives and gifts by preserving and enjoying elegant fashions from the past for as long as they will last.

I own many gorgeous fur and faux fur pieces made decades ago, before protective legislation and individual conscience stopped some of the fur trade and promoted humane practices. Above is one example, on the left, of an older fur jacket dyed to mimic mink. I cannot identify the fur – could be muskrat. Before the end of WWII, furs considered to be less fine were often processed this way. Other examples, such as the one on the right, are fakes – popular in the 1950’s and beyond. Some have been very convincing even since the 1950’s. Many of those made today look and even feel very authentic. The look is fun and elegant, in a vintage way, plus, as I proved last night, very practical.

Faux fur and secondhand true vintage furs are the best, the ONLY humane and progressive choice. I prefer those from the 1960’s and before. The remaining fur trade is still a blot on humanity, so we must be vigilant in our boycotting of this active market but I don’t see the enjoyment of historical fashions as being hypocritical. I will continue to show you how much I love them. Stay tuned . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

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FABULOUS NEW FIND: EARLY 1960’S SEMI-FORMAL POUF DRESS

Perfect example of a Kennedy Era party dress, bought off the rack back in the day. It’s full of clues in the fabrics and construction. Lace overlay fabric which was very popular at that time, 3-layer skirt with a netting crinoline in the middle, AFLCIO Union Workers label, vintage metal zipper with a hook and eye at the neckline and at the waist, and hanging loops sewn in at the shoulder. These dresses are exceptionally well-made although they were reasonably priced. Although it’s a little short on Stella, it fits her pretty well.

I’m always thrilled to find one and each example has some unique features. In this case, the scarf attached at the right shoulder which drapes across the front neckline is a novel addition. It’s even got a detachable rhinestone brooch on the opposite shoulder, suggesting that there might be other ways to style the scarf. As worn above, it makes a tail over the left shoulder, which was a popular design element at that time and also in decades before. In any case, I’ve never seen one exactly like this. Just goes to prove that you just never know . . . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

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TOTALLY CLASSIC, ABSOLUTELY ESSENTIAL TRUE VINTAGE WARDROBE SHOES. WHAT ARE THEY?

100% LEATHER PENNY LOAFERS. Don’t care who you are, where you are, what your age, what you do; if you want to build a true vintage wardrobe, high quality penny loafers made of leather are a MUST. You might think that this is only an American or western European fashion, but not so. They originated over 100 years ago in Norway and, like the human population, have migrated into mainstream fashion all over the world since then. Men, especially, have been able to wear them as dress shoes since the beginning. They were de rigeuer for high school and college men and coeds at least since WWII; Probably replaced the saddle shoe in most adolescent closets. Mid-century pennies are a strong suggestion.

Highly polished, for smart casual to semi-formal dress. Lightly scuffed or a little dusty for just about everything else. Pretty versatile. Smooth leather in black or cordovan brown is the true classic. The full leather construction is mandatory because it’s original and also allows them to be repaired forever. (OK, a true vintage synthetic sole is acceptable if that is all you can find, but keep looking). In line with my philosophy regarding humane treatment of animals and environmental sustainability, I don’t recommend buying modern retro versions at retail, no matter how nice they are. You can find the real thing at second-hand and they’re better. Also, I’m obviously all about running undercover investigations and that’s a lot more fun because – you just never know. Stay tuned . . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

1950’S POUF SKIRT WASP WAIST FORMAL FROCK

As you know, I’ve been on holiday from the sleuthing trade since late October but had several finds right before that time and also something recent. So, I’m ready to catch you up while I have a bit of time at Headquarters.

A tiny, tiny, tiny dress and SO Fifties! This was a size 5, maybe in ’55. Now a size 00 or smaller. Perfect condition. This was a really exciting discovery, as these frocks have become more and more scarce. Sadly, there is no label inside excepting the all-important Garment Workers tag. It’s always so much fun, and useful data, to have a maker’s label to research or use to tell more of the story. Labels are always a first-line clue.

Fortunately for the investigation, another gown was hiding in the same spot! Did they belong to the same suspect even though they are quite different? Rare clues sometimes travel together. Stay tuned . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

ELEGANT, TINY BEADED EVENING PURSE FIND! MID-CENTURY MAGIC . . . . . . . . . . . . . . . .

Always such a pleasure to discover these little beauties. Made by a well-known Japanese maker from the mid-1900’s, these small handbags were almost always assembled and decorated by hand. This one is especially tiny, and flat. It has room only for a key, a small amount of money or a charge card, and maybe a small comb and/or lipstick. Just the bare essentials. Almost like some made in the 1920’s and 1930’s but I would place this one from the 1960’s.

Silk or rayon body, with mono-tone black bead decoration, a metal snap closure and an unusual fabric handle. On close examination there are a few beads missing but that will be no problem to fix.

I’ve found so many, but this one is unique! What’s next? Stay tuned . . . . . . . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

TRUE VINTAGE FUR CAPE FROM THE 1930’S – 1940′ S – EARLY 1950’s

TRUE VINTAGE FUR CAPE FROM THE 1930'S - 1940'S - early 1950's

I just love this cape and it’s little details.  I’m an animal rights activist and don’t approve of the fur trade in any way, but I have collected old ones from back in the day.

Not sure what the origin of this fur is.  The stripes are clearly dyed, probably to resemble mink.  It’s got these funny little tabs to “close” the bottoms of the arm slits, for a better appearance and added warmth.

Of course, it had patches sewn inside with the owner’s initials embroidered on, along with the maker’s label, both of which are gone now.  Surprisingly, it’s in great condition for its age – still soft and radiant.

These garments are so full of history that they intrigue me as much as any other vintage fashion.  I wear them, too.  Some people would say this is hypocritical but  I would disagree – buying or wearing antique fur or leather does not support the current market for these things unless someone makes an irresponsible decision.  I suggest that we should all be responsible for our choices in the marketplace – so, if you like my vintage fur, don’t use that as an excuse to go out and buy a modern one.  Search for another vintage fur at least 50 or more years old or buy an imitation fur replica and do something kind for wildlife or your pet.

MORGANA MARTIN, THE MAGICVINTAGESPY

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INCREDIBLE TRUE VINTAGE DRESSY COCKTAIL SWEATER FROM THE 1950’S – MAYBE EARLY 1960’S

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Completely different from yesterday’s cardigan but so much fun!  It’s another must-have vintage sweater to wear with cigarette pants.  A pretty open-weave  Orlon sweater knit with metallic thread design to be worn with a black skirt or slacks at some mid-century party event.  It is absolutely amazing that it’s survived for 60 years in almost unworn condition!

Just like the women of the 1940’s onward, I’m grateful for these lovely acrylic yarns that can be washed in a machine (with care) and don’t have to be stored in a moth-proof container.  Orlon was a revelation and major time-saving blessing to wartime and post-war ladies who still did most of their housework by hand.

Although we’re so used to acrylic fibers now, these early ones were really special in terms of their quality or, perhaps, it is the garment itself that is made so well that the fabric looks great after more than half a century.  I’m sure that I also, again, have to thank the first owner of this elegant top for taking such good care of it.

I’m over the full moon again, and wondering what will turn up next . .. . . . . . . . . . . . . ..

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG:  MAGICVINTAGESPY.COM

ICONIC TRUE VINTAGE 1950’S MINK-TRIMMED BLOUSE – ANOTHER TREASURE FOUND NEW ZEALAND

OLYMPUS DIGITAL CAMERAAnother rare find!  This one was not a high-end item when it was made, but it is an iconic piece with mink-trimmed sleeves.  I have a few of these garments with sleeves like this but don’t find them often.

Metallic thread on sheer black fabric, with “Autumn Haze” mink cuffs.  Buttons up the back.  Back in the day, companies that produced medium-priced clothing still made some “luxury” items that the average woman could afford, and they made them well.

What a pleasure to discover this one!

MORGANA MARTIN, THE MAGICVINTAGESPY

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TRUE VINTAGE 1950’S SEMI-FORMAL SLEEK AND STRAPLESS DINNER GOWN

IMG_1656In midnight navy blue, this dress is elegant in rayon with a side zipper.  Let me tell you how she would have dressed it up . . . . . . . .

A diamond or rhinestone necklace or pearls, depending on the venue, would be first – with some elegant earrings to complement. And, a small dress handbag.

A stole, fur or dressy coat, of course, unless it’s the height of summer (but, even then . . . . . .)  Finished off, courtesy of her escort, with a corsage.

The bodice has no boning, so those little mesh straps hold it in place.  When I wear it, I prefer a pair of ’50’s evening sandals of dark navy fabric with  pearlized ornaments on the vamp rather than the Forties styles that Stella is wearing.   Beautiful as she is, this frock is really better suited for Marilyn . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG:  MAGICVINTAGESPY.COM

BOOK:  HOW TO FIND THE BEST IN VINTAGE FASHION – AVAILABLE ON AMAZON.COM

TRUE VINTAGE MID-1950s POUF-STYLE PARTY FROCK BY FRANK STARR

TRUE VINTAGE MID-1950s POUF-STYLE PARTY FROCK BY FRANK STARR

Another of my absolutely fabulous finds – fit for a princess at a party or Prom. This one is a quintessential 1950s pouf dress by Frank Starr, (of California, I believe) in a floral print.  He was a well-known designer at that time.

I’m always amazed at what I find, and this frock really turned the lights on! Organza over rayon or acetate, with a velvet-covered belt & the makers’ label on an inside seam.. In virtually perfect condition.

I can just see Elizabeth Taylor flouncing around in this in one of her movies, playing a young woman ready to go to a dance party.  Imitations are made, but true vintage can’t be replaced and it’s priceless, in my opinion.

This example can hardly compete with the one shown yesterday, or the day before. They are all wonderful and uniquely original. We’ll step backwards in time just a little bit tomorrow. What’s coming up until then? You just never know . . . . . . . .

Morgana Martin, the magicvintagespy
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