MORE “NEW” FINDS! TRUE VINTAGE “TEA” DRESS A’LA SCARLETT O’HARA

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Here’s another mystery dress with regard to dating it exactly.  It’s a tea-length party gown which has done some duty over the years and has a very interesting neckline, made to be worn on or off the shoulder.  The bodice is boned, front and back, and the color is a rip-roarin’ red!  Scarlett would approve.

Always fun, and I know that it’s at least forty years old.  I doubt that it was custom-tailored, but there is no label.  Interesting tailoring details in a seldom-seen style, which fits me to a T!  However, I think I’ll need to invest in a corset for the best fit – I’ve never owned a regular brassiere that would do it justice.

When I get back to Headquarters, however,  I’m sure that Madge will be able to do it justice.  More tomorrow – stay tuned  .. . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

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BRIGHTLY COLORED MID-CENTURY (’40’S & ’50’S) SUITS WITH LOTS OF DETAIL

BRIGHTLY COLORED MID-CENTURY ('40'S & '50'S) SUITS WITH LOTS OF DETAIL

Showing some reds here together – always a favorite color! The most amazing things about these are the pocket details and, of course, the overall quality cut and styling.

I can always depend on a true vintage suit of my correct size to fit beautifully. Even off-the-rack garments were made to such a higher standard that the things made today can’t compare.

I have hemmed the red skirt on the right (folded up, NOT cut off!) but otherwise haven’t had to do a thing. These babies were well-looked-after by their first owners and I continue by storing them properly, since they are wool.

That’s another topic – SO much vintage clothing was made of wool back in the day. Even lightweight weaves and knits that we could mistake for synthetics are actually wool. The important thing about this is to learn what the fabric is when you buy a vintage garment so that you don’t make mistakes when caring for it.

It’s no fun to throw something in the wash and have it come out as doll clothing or horribly misshapen. Nor do we want to find little moth holes in our favorite blouse, sweater or pants. LOVE delightful surprises, but not those!

Just another little tip from . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

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A SOPHISTICATED AND ELEGANT SKIRT SUIT FROM THE 1950’S, A LA’ PRINCESS GRACE

A SOPHISTICATED AND ELEGANT SKIRT SUIT FROM THE 1950'S, A LA' PRINCESS GRACE

This lovely suit was from a smaller women’s dress shop – it has the store’s label inside, rather than the label of the clothing company that made it.  Of course, big companies like Gap and Banana Republic outsource the manufacture of their clothing, but here I’m talking about small, privately owned shops that might have been owned by your neighbor down the street.

Back in the day, a store’s buyer (this was often the owner of the store) would sometimes pick items at the wholesale market to carry in their own shop with their own label, even though they didn’t make it themselves.  A second label giving the name of the company that manufactured the item might be present, too, but not always.  Since I wasn’t a shopper during that era and never have owned a dress shop, it was surprising and fun to learn this!  Maybe it’s still done this way by some big department stores or small, elegant boutiques with high prices but, back in the Fifties, a local small-town  dress shop might have sold frocks carrying an embroidered label with their own store’s name inside. Amazing!

Conservative but very elegant – Grace Kelly wore garments like this often in her public and private life. Looking like a tart is not elegant (and not really sexy, either).  I wish some of the popular designers and their market would get that.  It’s difficult to find well-designed and well-made clothing, if you shop at retail.

Anyway, this is another of those keep-it-for-decades ensembles that could go almost anywhere when you need a traditional style.  You can dress it up or down, or split the separates and accessorize and, if it fits well, it’s very flattering.  The skirt hem length could be anywhere from below to slightly above the knee without ruining the line.  Make it micro-mini and you’ll look like you haven’t got a clue . . . . . . . . . . ..

MORGANA MARTIN, THE MAGICVINTAGESPY

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TAILORING DETAILS OF A PRETTY TRUE VINTAGE WOOL JACKET FROM THE 1940’S – 1950’S

TAILORING DETAILS OF A PRETTY TRUE VINTAGE WOOL JACKET FROM THE 1940'S - 1950'S

I’m showing the back view of this jacket because it has the most interesting features. The front is nice, too, but plainer – vintage clothing can be very witty in this way, with little unexpected surprises.

The collar detail at the back of the neck is something I’ve seen several times. The little back “belt” and the bows on the cuffs make it so interesting.

The placement of the details makes this a somewhat unusual jacket – usually the decorations are on the front. Dresses, also, are likely to have really fun details sewn in.  I think this is especially true with garments from the wartime and post-war eras late 1930’s to early 1950’s.

Finding garments like this is always a thrill. You just never know when one will turn up . .. . . . .. . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

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A BEAUTIFUL AND ELEGANT TRUE VINTAGE SPECIAL-OCCASION SKIRT SUIT FROM THE LATE 1950’S / EARLY 1960’S

A BEAUTIFUL AND ELEGANT TRUE VINTAGE SPECIAL-OCCASION SKIRT SUIT FROM THE LATE 1950'S / EARLY 1960'S

Perfect for a special cold weather dinner or other holiday event or for a dressy winter wedding (as guest or bride), a semi-formal skirt suit is always astonishingly elegant.

This little lovely is of wool in a cream beige textured weave, with large ornamental buttons and a boxy cut, beautifully made, of course.  Knee or just-below length skirt and a hip-skimming jacket with bracelet-length sleeves.

The most arresting feature is the mink collar, which amps the visibility of this ensemble to a high level.   Or, you could remove the fur and replace it with a silk scarf or a pearl collar. It will make a noticeable entrance, but it’s powerful presence will only build after that.

You can decide if you’re Jackie Kennedy or Princess Grace or, or, or . . . . . . . . .. That’s the fun – you just never run out of options . . . . . . . . . ……. . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

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THE FABULOUS TRUE VINTAGE MYSTERY DRESS FIND EXPERIENCE!!

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FABULOUS CUSTOM-TAILORED GOWN

 

Wow!  Another nice little journey that made my day!!  Not only did I spy this little number by turning a corner in a place where I don’t usually look, but when I got her home and made a closer examination, many elements of her story revealed themselves.  What a fun surprise!

The second two photos are what I first saw.  I knew it was true vintage right off the bat, but the lace puzzled me.  It looked a bit too modern and odd in it’s placement, but then I’ve been surprised before doing a little research in the past, so that didn’t stop me.  There were other factors which testified to her era . . . . .

Later on, I found more.  And, the lace was tacked on as an afterthought.  Did the original seamstress just want to gussy it up a bit or was it adapted as a costume years later?  It has a bit of a dance-hall girl flavor to it . . . . .

So, off came the lace and look what happened to the skirt when it wasn’t tied up a bit! Not a full circle, but with lots of movement.  And the fabric is incredible – a heavy rayon with a double-sided pattern that you could almost wear inside-0ut.  I’ve got a two-piece jitterbug dress from the pre- or post- WWII era that is made of similar material, so I think that I’ve got my time frame.  I’m going to go with that . . . . . . . . how cool!

It’s always fun to spot something that immediately leaves no questions, but those that reveal an on-going mystery story are the real icing on the cake.  More tomorrow . . . . .

 

MORGANA MARTIN, THE MAGICVINTAGESPY

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TWO LOVELY TRUE VINTAGE DRESSING GOWNS FROM THE 1920’S – 1940’S

TWO LOVELY TRUE VINTAGE DRESSING GOWNS FROM THE 1930'S - 1940'S

These kinds of lingerie items are so special and rare. Dainty, lightweight robes like the one on the left were standard bedroom wear in the ’40’s and before – the thing to wear between rising and dressing.

The contrasting colors of the rayon gown on the left are so unusual and little details like the tiny buttons and shoulder-augmentation make this a distinctive garment – not just something to throw on absentmindedly.  It’s from the late 1930’s to 1940’s.

The gown on the right is even older. It is of white/ivory rayon satin, with side snap or hook closure in a plain sheath style. I’ve paired a  bed jacket with it, made of similar fabric. This could be adapted to a formal dance or wedding gown and would be from the late 1920’s to the 1930’s, similar to a Coco Chanel design of that time (the dress – not the bed jacket).

Anyway, they are wonderful finds and gave me a real thrill to discover them! The fun never ends . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

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HOW ABOUT A LITTLE FILM NOIR? TRUE VINTAGE LATE 1940’S RAYON DRESS

HOW ABOUT A LITTLE FILM NOIR? TRUE VINTAGE LATE 1940'S RAYON DRESS

A beautiful, belted rayon dress in midnight navy – with a little collar, rhinestone buttons and an apron peplum. Just right for a vintage weekend dinner – date and dancing.

This frock is from the post-war years following World War II when everyone was beginning to think about starting a better life. The luxury of more variety and quality fabrics again meant longer hemlines and a return to pretty details.

Someone had kept this beauty in her wardrobe all these years, as a reminder of those elegant and victorious times, and the Greatest Generation. Thanks again, boys . . . . . . . . . .. .

MORGANA MARTIN, THE MAGICVINTAGESPY

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1950’S FRENCH ROOM GLAMOUR & CREATIVE SLEUTHING SUCCESS

FRENCH ROOM GLAMOUR & CREATIVE SLEUTHING SUCCESS

LOVE, LOVE, LOVE this jacket! It was from the “French Room” of some department store in the 1940’s – 1950’s and has the most lovely European couture style.

French blue with royal purple cuffs and attached scarf, wicked fit and unusual tailoring details. So unusual! Near the same time, I also found a French wool hat in the same purple – PERFECT!

I looked for several years for the perfect skirt or dress to go with it and, voila’, it did appear, as I knew it would.  Perfect color and fit – a sleeveless sheath dress.  Purples are hard to match, like many other hues.

Ooh, la la! Oui, oui!  So now I have my cute little outfit with just the right sassy chic.  Ce la vie for the Magicvintagespy.  Now for the shoes – I have the most perfect pumps from France in brown leather, but I would so much like purple. . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

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TWO UNUSUAL TRUE VINTAGE EVENING COATS – 1940’S – 1950’S

TWO  UNUSUAL TRUE VINTAGE EVENING COATS - 1940'S - 1950'S

I just had to add these to my collection when I found them! The coat on the left is a lightweight wool in a textured weave and could possibly be worn over a dressy day-dress, too. The coat on the right is a lightweight black crepe.  Let me describe them in more detail . . . . . . ..

The brown coat on left has a rippley collar and bands of fur – probably mink (not sure) – around the collar and down the front.  It has big fabric-covered buttons in front and on each sleeve. It could be knee-length only if you’re quite short.  This one was made during the 1940’s.

The black one – more an “opera coat” (but not long enough) – is made of black rayon, lined in white, with sable-colored mink on the cuffs.  Perfect sleeve length for long gloves.  It would be knee-length on someone of average height. I think it was made to wear over LBDs in the ’50’s.

What finds! I discovered 3 of the longer coats within a few months of one another – 2 black and one ivory cream – but I’ve never seen one since. . . . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

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